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PODIUM ART

Anything for which people enter a stage.

Thoughts as fuel for space travel

No actor to be seen in the auditorium of Theatre de Veste in Delft. Just a house with walls and roof of transparent cloth. It holds thirty people. On the walls of the hall around it, projected images pass by at whirling speed. This is fascinating: usually, when you are in a house, the walls close you off from the surroundings, but this time they actually give a view of a world as big and beautiful as you never experience in ordinary life.

'My home, the rest of the world and da...

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The Walking Forest is performance you definitely want to watch twice (HF16)

Brazilian Christiane Jatahy was at the Holland Festival last year with the play What If they went to Moscow. She came, saw and conquered. This year, she comes with the final part of the trilogy of stage adaptations, The Walking Forest. The title refers to the three witches in William Shakespeare's Macbeth, who foretell his rise and fall. The play was the starting point for a performance with four video screens, a bar, an actress, a dead fish and, oh yes, an audience.

There are ...

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Meg Stuart's 'Sketches/Notebook' frees us from dogged individualism (HF16)

From scene 1, 'Sketches/Notebook' by Meg Stuart and her group Damaged Goods engulfs the audience in a plethora of experiences. Bending over and making quick spins. Swinging a lamp and putting some fellow performers in a circle of light. Making figures with your hands. Laying stones on the floor and walking intently around them. Choosing from richly stocked clothes racks to make a colourful, bizarre creation of yourself. Put up a wall around yourself and then watch what the other does with it: imitate, move, break down, dissolve in space. Playing with beams of light and rope. Running around. Jumping in place. Rattling wildly on and drum kit. Lingering musical motifs.

Sketches-Notebook-©-Iris-Janke-2-

 

From choreographer Meg Stuart has shown work at the Holland Festival before: 'Alibi' (2002) and 'Forgeries, Love and Other Matters' (2004). This year, 'Sketches/Notebook' surprises, being more playful and lighter than her previous work.

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Harrison Birtwistle: from shocking to guttural musical theatre

In his youth, Harrison Birtwistle (1934) was one of the Angry Young Men of English music, now elevated to the peerage and going through life as 'Sir Harry'. He trained as a clarinetist and composer at the Royal College of Music in Manchester, where he was annoyed by the conservative climate. Together with John Ogden,... 

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This is more than a review of the opening of the Holland Festival

On Saturday 4 June 2016, I attended the royal opening of the Holland Festival and was able to attend no review write about, because I was sitting in the front row of the Amsterdam Stadsschouwburg. As the stage was elevated, I was looking against a black wall, above which only the front actors were visible. The back and lower half of the stage were completely eluding me.

Me wrote that on, and the Holland Festival generously offered me the opportunity to go and see the performance again, from a better seat. At the same time, the organisers told me that the first three rows of the Stadsschouwburg would be compensated at this performance. So I went to Amsterdam one more time, on Monday 6 June.

Before the performance, while not eating a blackened hamburger in theatre restaurant Stanislavski, I heard from the neat people at the little table next to me that the front seats were offered at a sharply reduced rate, and that people like them who had already bought tickets had the choice of thus getting a partial refund or going on the waiting list for a seat with better sightlines. Whether they eventually managed to get one of the spots with better visibility, I don't know. The performance

Read More "This is more than a review of the opening of the Holland Festival
Stop-Acting-Now-©-Wunderbaum

Wunderbaum sows beautiful doubt in Mijke de Jong's 'Stop Acting Now' (HF16)

Wunderbaum. Among lovers of fresh and young theatre, this collective of creators stirred something up at the beginning of this century. They were born and bred under Johan Simons, where they formed the youth team of his legendary theatre group Hollandia. And because back then, every young maker really had to do something with the world, JongHollandia, later Wunderbaum, wanted the same. But because they lived in the post-ideological era and saw every day how the ideals of their teachers, parents and mentors came to nothing, it mainly became a club of doubters. And they were very good at that.

Read More "Wunderbaum sows beautiful doubt in Mijke de Jong's 'Stop Acting Now' (HF16)

This is not a review of the Holland Festival opening (HF16)

So you can get too close to a work of art. I don't even know if it really applies to paintings, that toxic fumes can rise from them, as some claim, but it certainly applies to theatre art. During the opening of the Holland Festival 2016, I was sitting in the front row of the Amsterdam Stadsschouwburg. Normally already not the best place for those who want to keep a bit of an overview of what is happening on stage. For the occasion of 'Die Stunde da wir nichts voneinander wussten', I was ...

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Louis Andriessen: 'I've never found a new sound'

For Theatre of the World, his fifth full-length opera, Louis Andriessen (1939) was inspired by the Jesuit scholar Athanasius Kircher (1601-1680). He was the last Renaissance man, someone who could do everything and knew everything. Kircher wrote books full of the most diverse subjects, from the meaning of hieroglyphics to vulcanology and musical instruments. He even designed a cat piano, based on the idea that each cat screams at a different pitch when you press ...

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Meg Stuart at Holland Festival: 'The sacred theatre is gone, but the expectations remain.'(HF16)

The show Sketches/Notebook (2013), which has its Dutch premiere at the Holland Festival on 6 June, is virtuosic, radical and extremely gentle. Choreographer Meg Stuart loves small scale, even when she occupies the biggest stages with partners like the Volksbühne (Berlin), Théâtre de la Ville (Paris) or the Münchner Kammerspiele. Details win out over big lines and often play a leading role in pieces that scrutinise human behaviour incredulously.

Sketches/Notebook stands out

Read More "Meg Stuart at Holland Festival: 'The sacred theatre is gone, but the expectations remain.'(HF16)

Composer Marie Jaëll: French flair, Russian drama

Had her name been Marc, Marie Jaëll (1846-1925) was undoubtedly considered one of the important French composers of the late nineteenth, early twentieth century. But then again, she was once a woman - so unimportant. Praised during her lifetime by none other than Franz Liszt, she was soon forgotten after her death. At most, she lived on in the by... 

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Suzanna Jansen on Pauper Paradise: 'Poverty still leads to isolation'

The garish signs KEUKENHOF keep on whizzing past café Foolish Business, on a very sticky Tuesday morning. Hordes of tourists throng behind them, ready to spend money on picturesque pictures and unique experiences. My interest today is in the opposite, the desolate 19th century colonies of Drenthe, then called 'Dutch Siberia'. To me, Drenthe is known as ' a cyclist's paradise' but author Suzanna Jansen wrote the 2008 bestseller the P...

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Art in the pincers. Why theatres do have to come up with jubilant figures.

A week ago, the theatres affiliated to the VSCD presented fine figures at their annual conference. Although the number of performances fell, average attendance had risen yet again. Many in the sector frowned, and after doing some calculations, Wijbrand Schaap, after initially positive news, concluded that the performing arts are not doing so well at all. And even that message can be criticised; the VSCD does not include all theatres, some of them are...

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Forgotten Dutch operas at Kröller-Müller

You don't immediately associate the Kröller-Müller Museum with classical music. Yet on Sunday afternoon, 29 May, I attended a concert at this institution located in the Veluwe forests. It was organised by the Helene Kröller-Müller Fund in collaboration with 401 Dutch Operas. This organisation aims to bring forgotten and never-performed opera' from the Netherlands and Flanders to the attention (again). On this occasion, arias and duets were performed from the period when Helene ...

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Sex elevated to art at SPRING

Tongue kissing, pole dancing, strap-on dildos and anal penetration I do not usually associate with the art of dance and do not expect in a city theatre, but for Florentina Holzinger and Vincent Riebeek nothing seems too crazy. "Europe's most provocative performance duo" - in the words of Rainer Hofmann, artistic director of Spring festival - drew inspiration for 'Schönheitsabend' from their predecessors, who reinvented dance with taboo-breaking choreographies in the early 20th century. In three a...

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Joel Pommerat: 'History does not repeat itself. Instead, we can learn from it.' (HF16)

One of the special performances at this year's Holland Festival is 'Ça Ira (1): Fin de Louis' by French company Compagnie Louis Brouillard. I visited the performance earlier in Luxembourg and spoke to the director and writer of this over four-hour marathon about the French Revolution. It seems quite something: 40 actors on stage... 

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Figures don't lie: Dutch venues are doing badly

It must have been down to my indestructible mood, and the deep need to finally deliver some good news about the cultural sector, but I was so wrong. Tuesday I reported that the performing arts were recovering after Halbe Zijlstra's draconian cuts, but that is so not the case. As much as the sector itself would like it to do well, the figures contradict it time and again.

Surely the Association of Theatre and Concert Hall Directors has taken us all for a ride again. With a real infographic still do. But, as it goes with infographics: you can put in all the bright colours and shouts, and even shout 'Bravo!' and 'Applause!'at the bottom, the numbers themselves don't lie, even if you present them slightly differently than last year.

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Choreographer Jan Martens on Spring: 'I hold my heart every time, how it turns out'

Choreographer Jan Martens' new performance, The Common People, is on show in Utrecht this weekend during Spring. Dozens of volunteer performers have a blind date on the stage of the Stadsschouwburg's main auditorium. The audience can walk in and out between performances, drink a beer for the duration of one or more duets or browse on the back stage and... 

Read More "Choreographer Jan Martens on Spring: 'I hold my heart every time, how it turns out'

Theatres are doing better and better: 6 lessons from the VSCD @congresPK

On Monday 23 and Tuesday 24 May, the VSCD met, and the Congres Podiumkunsten (@congresPK) was going on at the Nijmegen Concert Hall De Vereeniging. I went to check it out and discovered some new things.
1 The eminent gentlemen are gone.
Things have changed in Dutch theatre since the beginning of this century. Sometime around the year 2000, I was a guest at a meeting of the Association of Theatre and Concert Hall Directors, and it was a bizarre experience. I found myself among a...

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Festival Spring opens with disappointing play by Nicole Beutler

The honour of opening Utrecht's dance and performance festival SPRING fell this year to choreographer Nicole Beutler[hints]Nicole Beutler (Munich, 1969) is a choreographer and theatre maker. After studying Fine Arts at the Art Academy (Münster and Munich), she came to Amsterdam for the AHK's School for New Dance Development, where she graduated in 1997. Her work is at the interface of visual art, theatre and dance(source)[/hints]. The performance 6: The Square ve...

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Joop Daalmeijer Erdoğan, Miranda van Kralingen Davutoğlu?

"For someone to interfere with an artistic interpretation, I find that quite hefty. Let me put it this way: you have this prime minister in Turkey... To interfere with something artistic, I find that rather hefty." This was stated by Emil Szarkowicz, musician and cultural editor from Limburg, in a broadcast by regional broadcaster L1 yesterday, Reason being the negative opinion of... 

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Atelier Infini. Bosquet

Peerless: 15 stories about refugees, in 49 traits and old set paintings

This is a review of a performance that is already over, and which, moreover, I participated in myself. That's not allowed at all. But it's also a story about refugees in Europe, a theatre floating above the clouds, a church made of marzipan, tunnels in Palestine and 49 draws. So I do it anyway.

Last weekend, during the Kunstenfestivaldesarts, a miracle happened at the Royal Flemish Theatre in Brussels. Scenographer Jozef Wouters and his crew had descended...

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Culture Council fill-in exercise offers hardly any surprises

Champagne at BAK in Utrecht, deep disappointment at The New Institute in Rotterdam: the Council for Culture has spoken. Today, Thursday 19 May 2016, the first advice after the draconian art cuts by the first Rutte cabinet came out, and heads are rolling. Amsterdam loses prestigious presentation institution De Appel, in The Hague fellow institution Stroom has to redo its homework. The Orkest van het Oosten and the Gelders Orkest have to come up with merger plans within two years....

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Music life loses colourful figure in Bernard van Beurden

"Thea, I must have that concert organiser's number!", his commanding baritone sounded in my ear. Bernard van Beurden (1933-2016) invariably phoned from the South of France, where he lived - he had a modest pied-à-terre in Amsterdam. As a music journalist, I had interviewed him several times and seemed the right person to help him get information from his distant homeland. Subsequently, we sat for hours... 

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Holland Festival 2016 Gardens-Speak-©-Jesse-Hunniford-1-

Audio, the new video (II): Syrian dead speak at Gardens Speak (HF16)

'This regime also rules over you after you die. The regime steals your story. They use you to tell their own story. Relatives are forced to sign statements that the dead were killed by the opposition. The regime uses the dead to oppress the living.' Lebanese artist Tania El Khoury made a statement: Gardens Speak (Gardens Speak). An installation, an immersive[hints]definition: immersive, making you forget the real world around you[/hints] performance, in which the spectators themselves are actors. A performance that consists of a mountain of earth from which soft voices sound from beneath tombstones. That performance comes in June to Amsterdam, as one of the examples of the new Holland Festival programming by festival director Ruth MacKenzie.

The pile of earth in and on which the installation takes place represents the many thousands of anonymous backyard graves in Syria. At the beginning of the Syrian civil war, the struggle was still mainly between opponents of President Assad's dictatorship and his (secret) police. The first victims were often still just students taking part in peaceful demonstrations, handing out pamphlets, or attending the funeral of a friend. After all: bombing funerals was and is a proven method of murderous regimes and crime syndicates to eliminate insurgent networks.

Tania El Khoury heard of the Syrian alternative in 2013: the private burial in one's own backyard, or failing that, in an anonymous city park, with no headstone or memorial. Such an action is both an expression of fear and an act of resistance: these are deaths that the government can no longer abuse. 'The play was not originally intended for European audiences either. It was made in Lebanon and the text was also in Arabic. The last thing I thought about was the European audience. The idea was

Read More "Audio, the new video (II): Syrian dead speak at Gardens Speak (HF16)

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