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PODIUM ART

Alles waarvoor mensen een podium betreden.

Faustin Linyekula and the tearfulness of the travelling artist

'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but because I want to be there. If that makes me a few... 

'We have become spectators rather than actors'; Philipp Blom tells performing artists on SPOT-Live what is at stake.

'We are on the brink of a new cultural revolution. We need to move away from our paradigm and art can play a role in this. Art can show us images of a different future, a different thought. Artists can help bring that realisation in.' Speaking is writer and journalist Philipp Blom. In 2017, his... 

Podcast! Four strings live in four helicopters, for Stockhausen's 'Aus Licht': 'We still need to do something about those carrier pigeons in terms of planning.'

In 2016, the Holland Festival, De Nationale Opera, the Royal Conservatoire and the Stockhausenstiftung joined forces to stage the German avant-gardist's magnum opus at Amsterdam's Gashouder. Light far surpasses Wagner's Ring des Nibelungen in ambition and scale. Against the four full-length operas of his older colleague, Stockhausen places 'Sieben... 

Jesús de Vega makes Choreopop: 'There must always be something that causes friction.' (What a childhood in Gran Canaria does to a dancer)

'I have broken every bone on the left side of my body at least once. My knee ten years ago, my elbow five years later, a toe, a finger, and under my left eye I have a scar from a stone someone threw at me when I was a kid.' Jesús de Vega, dancer, choreographer, videographer and teremin player, has had the requisite... 

Eric de Vroedt (Het Nationale Theater)curates at SPOT-Live: 'Let's talk about love.'

'What we so often forget is to just talk about our love for theatre.' Eric de Vroedt, artistic director of The National Theatre, wants to talk about substance for once. And then with the entire performing arts sector. Soon there will be SPOT-Live, the renewed Congress of Performing Arts, and there he wants to talk about love. 'Quite by chance, it happened a month ago.... 

Vis à Vis versus Almere (2): civil service finds building land too expensive for culture

A fortnight ago, we reported that the unique open-air theatre group Vis à Vis had started a petition. Reason: the Almere city council was reportedly planning to convert the company's permanent site on Almere beach into a residential area. This would go against an earlier promise made by the alderman. Since that alderman has since ceased to be an alderman, it would... 

She is a woman and a composer - so what?

Recently, Kees Vlaardingerbroek, programmer of the NTRZaterdagMatinee published a plea against what he calls 'identity politics' in music. 'Bach was not a woman and not Western. So what?" reads the headline. In the subtitle, we read: 'If a composer is not a woman or Western, then it no longer fits into the classical canon.' Quite boldly put, because in any concert brochure you will find... 

PODCAST! Beware the one-armed piano teacher. Bellevue presents comic show about Paul Wittgenstein.

Playing the piano without hands is quite difficult. With one hand it is already almost impossible, although Paul Wittgenstein came a long way. The pianist - and elder brother of the famous philosopher Ludwig Wittgenstein - lost his right arm in the First World War trenches. He set about training his left arm with some dogged determination and was able to... 

Composer Sander Germanus: 'Don't use drugs, listen to my music!'

'Don't use drugs, listen to my music!' This is what Sander Germanus (Amsterdam, 1972) writes confidently on his website. Words you don't immediately expect from a composer of modern-classical music. After all, in this context, many think of incomprehensible 'plink-plonk' rather than mind-blowing sounds. A refreshing sound from someone who designed his own method of composition, so-called 'horizontal harmony'. Ehm... What should we... 

Crash Park: Armageddon is child's play. At the Holland Festival, Philippe Quesne cheerfully lets us survive any disaster.

‘Ik ben totaal niet optimistisch over de planeet. Ik ben ook niet optimistisch over het optimisme waarmee de mensen in mijn voorstelling steeds weer opnieuw een oplossing vinden om door te leven ondanks de rampspoed die hen overkomt.’ Philippe Quesne heeft van die wanhoop een prachtig theaterstuk gemaakt. Vol niet-cynische overlevers die van alles een avontuur maken. Hoe hij dat… 

First aid for blaze. Rudolf Escher offers solace with Musique pour l'esprit en deuil

Monday 15 April 2019, this date is forever etched in our memory. I couldn't keep dry at the images of the all-consuming fire at Notre-Dame de Paris. Like millions of others, I sat glued to my screen for hours with bated breath: this cannot be true! When the structure, the rose windows and even the organ turned out to be saved, I jumped... 

Paniek om niets? Vis à Vis slaat alarm om gedwongen vertrek uit Almere.

Schokkende mail, vanmiddag. Theatergroep Vis à Vis, het gezelschap dat op het strand bij Almere al heel wat jaren heel fijn openluchtspektakels maakt, zou over een kleine maand weg moeten van hun net gebouwde onderkomen. Tenminste, zo lijkt het. Lees de tekst van het noodbericht: ‘Na 10 jaar onzekerheid heeft Vis à Vis te horen gekregen van het college van… 

Tannhäuser at DNO: not director's theatre but subtle take on hypocrisy surrounding courtly and earthly love

A petition was recently started to restore Olivier Keegel's press accreditation by The National Opera. He was denied press passes because he frequently expressed negative views on Pierre Audi's programme choices on the blog Operagazet and in Het Parool. Moreover, he denounced his penchant for "director's theatre", in which, according to him, the content falls prey to a far-fetched... 

CLASH is an ode to art

Art at a music festival often degenerates into decoration, but that certainly does not apply to Groningen's CLASH. 'We don't want art to be left out of the programming, but rather to be given full attention. We think it deserves that,' says organiser Milou de Boer. Fifty per cent of CLASH's programming budget goes to the arts, and that was too... 

Vacancy general director deBuren

The Flemish-Dutch House deBuren promotes cultural and social cooperation and exchange between Flanders and the Netherlands by presenting, producing, inspiring and connecting. Spearheads of deBuren are Flemish-Dutch cooperation, talent development and diversity. As a house of culture and debate, we offer an extensive programme with 150 public activities a year and various cultural productions and projects. deBuren covers many... 

On the death of a teacher (on Wil Hildebrand and the fate of the theatre scholar)

Learning is less about what you learn than from whom you learn it. Not that what you learn doesn't matter, but you simply learn more from an inspired person than from a teacher running down his list. Fortunately, I have had many good teachers. Some of them are now demented or dead, with almost all of them... 

Floating with sea legs through a 600-metre tower: Das Totale Tanz Theater celebrates 100 years of Bauhaus

Some 400 virtual metres we go up with the dancers. Beforehand, we are warned to look straight ahead if we are afraid of heights. For me, this was unnecessary, I loved flying along in the huge circular space, knowing I was safely ensconced in a chair. Choreography, avatars, architecture and Blixa Bargeld. Those are a few... 

An app won't get you there. Why the minister should make archiving all arts mandatory

The heritage sector is not the sexiest sector of the Dutch cultural world. Even though nude exhibitions are flying around your ears this season, you're more likely to think of obscure museums, monuments, stamp collections, old stuff. This is how it happened that the Digital Heritage Netherlands Foundation could exist for almost 25 years without anyone in the 'more popular' arts (stage, film, literature)... 

Innovation in dance: give young creators space and you'll get it!

Water and dance have agility in common. Yet there is much more to be gained from this interface. Two choreographies in the New Adventures series give audiences a water experience that is both playful and reflective. Under the title New Adventures, Dansmakers Amsterdam presents work by selected dancers and choreographers that they created during a four-week study residency at the production house,... 

What is it with the dance sector in Amsterdam? Once again, a dance production house is being deprived of subsidies.

Is production house Dansmakers Amsterdam losing its housing? Together with other institutions in the dance sector, it has made every effort to align and further develop the whole spectrum of dance facilities in Amsterdam. In 2018, for example, the joint plan Danswerf was developed and submitted as an application for a two-year development grant to the Amsterdam Fund for the Arts (AFK)... 

*With sound!* Why the Holland Festival show doesn't have to stop for now

'Please stop the show!", shouted an 83-year-old former reviewer from the back row. Theatre Frascati fell silent for a moment. There had never really been such an interruption at the Holland Festival's traditionally festive press conference. And that while Faustin Linyekula had just got into his stride, telling about the projects he is carrying out with his Studio Kanako in Kisangani. They provided... 

Photographer: Jan Sol

Why I will be nice to a beggar next time. (What Ilay den Boer can't manage)

As the weather was record beautiful, I walked from Amsterdam Centraal to Theater Bellevue on Sunday 17 February 2019. I was going to see the performance 'And so I shall go again.' going to see, by Ilay den Boer, someone I used to follow intensively but had lost track of since I am no longer a paid opinion seller. I considered the title of the performance as... 

Children's music saved, but relationship between North Brabant and philharmonie zuidnederland remains 'cool'

What exactly was said remains unknown for now. That there was considerable discussion is clear. In any case, the result is clear: the Philharmonie Zuidnederland (which does not want to be written with capital letters) is back in business with the arts education projects in North Brabant. The brass band and kettle music, with which the Limburg-Brabant merger orchestra earlier announced all the little kids, together with three smaller youth theatre institutions, in... 

Brabant feud between orchestra and province comes at the expense of children, schools and small companies.

Cultural summit will take place Friday, February 1, 2019, at the North Brabant Provincial House. Reason: The 'Orkexit', or, the decision by the Philharmonie Zuid Nederland to cease all education activities in North Brabant with immediate effect. This not only deprives thousands of children of culture, but also puts a number of small youth theatre companies in dire financial straits. The Philharmonic, a merger orchestra, formed... 

Long-winded Juditha Triumphans at DNO

Oratorios are notoriously undramatic because they only tell a story for one second and do not zoom in on human emotions. Juditha Triumphans is no exception and the narrative itself has little to it. To rid her town of its assailants, Judith gets their general drunk and then cuts off his head. This could make for a compelling story, were it... 

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