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PODIUM ART

Anything for which people enter a stage.

How data saved music (and can help other arts)!

The power of data The arts sector in general is little 'tech savvy'. Sure, nobody can do without a website and a Twitter account will hardly be lacking anymore either. But there are few examples of groups, theatres or artists making the most of the power of digital. Setting up a good 'client relations management system' (crm) with profiles of all visitors or buyers, to keep those... 

Good news from Enschede: magical Orphée et Eurydice by Reisopera

After all the misery surrounding HET Symfonieorkest, the premiere of Orphée et Eurydice last night (1 May) at the Wilminktheatre was a breath of fresh air. Defying all worries, the Nederlandse Reisopera realised a shimmering performance, which was rightly rewarded with a minute-long ovation. With magical colour fields, slow-motion movements and mysterious shadow play, director Floris Visser brought the timeless love drama to life. A must-see for... 

Chapman for president- a film without images.

Is that possible? Picture-less film? Sure, just see-or better-listen to Chapman for President by the Eef van Breen Group on 2 May during LISFE: a cinematic sound project based on a personal story. An encounter with political refugee Chapman gave trumpeter, singer & composer Eef van Breen new eyes, ears and the idea for this film without images.... 

Solness - the National Theatre - Mark Rietman, Anna Raadsveld - photo Kurt Van der Elst

Ibsen in a bubble - Boermans' poignantly austere Solness

A girl stands waving and around her a rain of soap bubbles descends, so many that it almost seems as if the girl is taking off. She stands swaying and her ecstasy and tears of joy slowly turn to deep despair and disbelief. What she sees cannot, cannot be true, because it destroys everything she is - to what she... 

A vital and pitiful procession: William Kentridge at EYE

With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. This was already evident in previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art. Now William Kentridge has been given the honour of... 

Top talent in final Princess Christina Competition

On Sunday afternoon 26 April, I was a member of the press jury at the final of the Prinses Christina Competition in Lucent Danstheater in The Hague. Definitely not a punishment, as all six finalists performed at top level, no matter how young and inexperienced they were. Time and again, the organisation proves that all the gloom about the future of classical music is nonsense: this year too, there were... 

John Engels 80 years: tireless behind the drum kit

Only those who live in a locked hut on the moors will have missed the fact that jazz drummer John Engels will soon turn 80. He has been a guest on television programmes like VPRO Vrije Geluiden and the special jazz edition of De Wereld Draait Door, and will be honoured on his birthday 13 May with a celebratory concert at the Bimhuis. Also published was the small-scale biography... 

Mea culpa! - Forgot to check the facts

Mea culpa and action 'It only happens when you fall on your face.' This quote by artist Job Koelewijn in De Volkskrant has hung on my toilet door for years. One of the biggest mistakes you can make as a journalist is not checking facts. And OuiJAYes that mistake I have thus made: this writing creative did not check the facts.... 

Radical vulnerability and listening with eyes open - Vanrunxt stages Morton Feldman

Festival Rumor 80, an irregular regular in Utrecht at three different locations each time, will show choreographer Marc Vanrunxt's new work Real, So Real this Friday at Theater Kikker. Starting point is Three Voices, a 1982 composition by Morton Feldman. A wonderful Flemish collaboration by Kunst/Werk and ChampdAction. Dancer Marie De Corte and singer Els Mondelaers shine in Real, So Real. The... 

Safely out of hiding, but then?

The opera Poland in Plan Zuid will premiere at the Liberal Jewish Community in Amsterdam on Sunday 19 April. Composer Caroline Ansink and librettist Olaf Mulder based their work on Daniël Vermeulen's (pseudonym) memories of going into hiding in Brabant and his subsequent reunion with his mother in Amsterdam in 1945. Three questions for Caroline Ansink. Why... 

The great stories of Genesis: Johan Doesburg's farewell at the National Theatre

Adam and Eve. Noah. Babel. Joseph. An entire book of the Bible Johan Doesburg casts in his farewell performance with the Nationale Toneel. 'Genesis' lasts 6 hours including intermissions, has 65 speaking characters and plays with the space of Scheveningen's Zuiderstrandtheater. But above all, the outgoing director wants it to tell two stories. In conversation with Johan Doesburg and actor Dries Vanhegen, whose character Jacob plays a special role in the play.

Crisis at The Symphony Orchestra only gets worse thanks to fact-free politics

HET Symfonieorkest's financial problems have not gone unnoticed. Regional newspaper Tubantia reported last Monday that PvdA MP Jacques Monasch had minister Jet Bussemaker (also PvdA) summoned to the Lower House. In that report, Monasch passes with seven-mile boots advice, applications and decisions that have already been made or are yet to come, and immediately reports that a symphony orchestra will continue to be... 

Artists, say NonNeinNEE to ridiculous questions!

Why a fun house festival still haunts my mind weeks after the fact. Let me tell you: OuiJaYes I was looking forward to it. Fancy space. Freedom. So it made perfect sense that I went to Jazz in de Kamer Leiden at the end of March. I could choose from various itineraries with groups and musicians like Artvark, Jeroen van Vliet, Ruben Hein, Ntjam Rosie. I chose... 

Minimal Music Festival figurehead: 'I'm not a minimalist'

Wednesday 8 April kicks off the fourth edition of the biennial World Minimal Festival at Amsterdam's Muziekgebouw aan 't IJ. For five days, the capital will be dominated by the immensely popular music movement, which invariably attracts packed halls. Several parts of this instalment are already sold out, including the opening concert with special guest Terry Riley. There are still... 

Erkki-Sven Tüür: 'I want to tap into the listener's creativity'

He has been given many labels. From (post-)minimalist to hardcore modernist and from neo-romanticist to neo-spiritualist. 'I don't pay attention to them anymore,' says composer Erkki-Sven Tüür (Estonia, 1959). Yet he responds somewhat surly when I ask in an email what he thinks of such descriptions: 'You either like my music or not.' Via Skype, he answers eight... 

Ivo van Hove directs Bowie's The Man Who Fell To Earth II: Lazarus

Indeed, you couldn't release this message on 1 April, because nobody would have believed it. But it is coming, then. Bowie, The Musical. But from the man himself. Sort of. Ivo van Hove, the boss of Toneelgroep Amsterdam who is now more famous in America and England than in the Netherlands, is going to direct Lazarus. That's a new... 

Supervisory failure at HET Symphony Orchestra: drama that could have been avoided

The money at HET Symphony Orchestra has run out. Despite all the extra millions from the province and after years of writing off tons of general reserves, the end is in sight. And so the orchestra is scrapping concerts, will be seen less in theatres in Deventer and Zwolle, stops CD recordings and shuns any risky performances. To keep the... 

Why you should go to Snorder (while you still can)

The theatre project 'Snorder' once began as the soap opera that closed the long evenings at the festival Hollandse Nieuwe. A festival for new playwrights, first in theatre Cosmic, later in MC. Both Amsterdam theatres no longer exist in the meantime, neither does Hollandse Nieuwe. But director John Leerdam and his crew have now been given the space for a revival at de Balie.... 

Do you still love me? Sanja Mitrovic

Football fans on stage? Sanja Mitrovic is a theatre-maker with a secret

Sanja Mitrović is a theatre maker with a theme and a secret. She builds on the theme with each performance. And the secret is right on the heels of her work. Her theme is the collective: how it grows, what it is based on, how deep the mutual love can be, how the euphoria can turn into rage, how it comes from within... 

Pierre Boulez is alive!?

He is the last surviving avant-gardist, and it will not have escaped new-music lovers that he turned 90 on Thursday, 26 March. I mean, of course, Pierre Boulez, the composer and conductor who once declared Schoenberg dead and suggested that perhaps opera houses should be blown up because of their moldy programming. The same man then tirelessly broke a lance for the music of Arnold Schoenberg ... 

'All-rounder' Boy Edgar staggeringly portrayed

Boy Edgar was the most famous big band leader of his time, but at the same time a busy doctor and an alcoholic. A biography on this ADHD'ing all-rounder was published for the first time. An impressive, sometimes disconcerting book marred only occasionally by factual inaccuracies. By day he was, among other things, a renowned neurologist, a revolutionary abortionist and the first general practitioner in the Bijlmermeer. 's... 

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