'Every time I go to a beach, I see the sea through a filter of all the texts written about the sea.' Writer Joachim Robbrecht, at the request of Romain Bisschoff and together with writer brother Artun Alaska Arasli, created a sound poem for Ensemble Silbersee. During November Music, the work will finally premiere, after it had been a year...
'They come from two worlds, but work together towards something that is one. Jolanda Spoel has done that perfectly'. Katinka Reinders, head of education at the Rotterdam Philharmonic Orchestra, is enthusiastic after one of the first play-in performances of Melomaniac at Maas Theatre & Dance. Just now, a room full of somewhat timid secondary school students turned into a churning group of lovers of...
During Tilburg circus festival Circolo, you can experience it, if you want to, and certainly if you can't help it: audio description. Especially for the blind and visually impaired, the festival offers the services of Komt Het Zien, a company specialising in live description of what is on stage in front of you. Founder Arlette Hanson, is one such...
Last Monday, 20 September, the Nederlandse Reisopera presented its programme for the upcoming season. The speaker was Josef Fuchs, who was introduced as the company's new artistic director by its general director a.i. Nina Hiddema. A festive occasion, which caused slight surprise in the small gathering (a few journalists and some colleagues). In an interview (below...
'As for many people, the theatre festival really does mean something. Like the Fringe, it is impossible to imagine without it. I've been able to make artistic friendships there, I've been able to have arguments there, I've met people who I thought were adversaries who turned out to be comrades-in-arms. Because there are not only performances, there is...
We're talking about the non-attending theatre. Because it was all about it last week at Theatre Festival Boulevard and then on social media following this post. One who spoke out very strongly about it was theatre and screenwriter Jan Veldman (a.o. Theatre Group Jan Vos). 'I think thinking theatre is an elitist idea, and at least...
The vast majority of Dutch adults never go to the theatre. Interestingly enough, the question among theatre people is never really about why people don't go to the theatre. After all, our arts sector is a supply market. At an art school, you are not trained to please the public, but to express your most individual emotion. And then preferably...
There is a huge amount happening in theatre, this summer, as many summer festivals have special corona editions where they show a lot of what was made in attic rooms last year during the forced closure of theatres. One such show was Die Hexe, by Club Gewalt, a fresh point theatre band/theatre collective that is/was showing at Theatre Festival Boulevard this summer. Nerd...
Guilherme Miotto is artistic director of Corpo Maquina, an extraordinary dance company based in Breda and Tilburg. This year, among other things, he is at Festival Boulevard in Den Bosch with the performance Tak. A performance, stemming from an earlier project in an urban district of Den Bosch. Six women he worked with there now form an ensemble with whom he...
White balls are quite in the news, lately. For instance, they molest compatriots as a holiday pastime. Or they shout 'Snollebollekes' at a black champion. So the fact that white balls can also be fine is news. You can experience it at Festival Boulevard, where in a small, narrow tent, thousands of white Styrofoam balls, driven by huge fans, give you a fine massage shower,...
This podcast is recorded in English. For those who do not speak the language, or who do not have time to listen to the full podcast, here are some quotes. 'Originally I didn't have a title. Someone came up with 'Born to' and then I thought it would be nice to put 'manifesto' after it. After all, it is about appearing,...
Naomi Velissariou (1984) was actually supposed to be at the Bossche Festival Boulevard 2021 with more performances. This year, her entire trilogy 'Permanent Destruction' would be performed in a setting like club rave. Fierce musical theatre, based on playwrights Sarah Kane and Heiner Müller, and concluded with the more subdued work 'Pain against Fear'. All parts have received rave reviews from audiences and press, but...
Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and...
With his opinion piece in the Volkskrant, he drew the ire of gein manufacturers like Bert Brussen and Hans Teeuwen. In no uncertain personal attacks, 'Suck My Dick Zijp' was accused of having a 'gender-neutral rotten head', which showed that 'woke' people had no humour. Reason for the woke nerds, Marijn Lems and I, aka the...
In 2014, The Cutter published a review of De Wereld Draait Door. What not many people will know is that prior to that moment, there was a weeks-long battle behind the scenes over this publication. De Wereld Draait Door tried with all its might to stop the episode by not giving permission to quote the footage. Initially,...
We once started this series because we disagree horribly about some things, but in practice things turn out differently. In episode 14 of this fascinating series of insider conversations about theatre and whatnot, we talk about a few Holland Festival performances and look ahead to the festival summer. As it turns out, the...
Gerardjan Rijnders is considered one of the great theatre innovators of the post-1969 Dutch theatre field. Because he became personally involved in Aktie Tomaat and the Maagdenhuis occupation as a teenager, he is the ideal person to shine his light on current emancipatory developments within the theatre field. In the first part of the conversation, we talk...
'Are we ready? Yes. Is everything ready? No, far from it, because it is all very complex. But in the end the jubilation now prevails, because until a week and a half ago we didn't even know if we were allowed.' In this Nerd podcast, Emily Ansenk, director of the Holland Festival for the second year, tells Marijn Lems and Wijbrand
Jeroen Bartelse is not only director of TivoliVredenburg in Utrecht, the former director of the Council for Culture is also a prominent member of the Taskforce that lobbies for the cultural and creative sector to support culture in times of Corona. Marijn Lems and Wijbrand Schaap look back with him on the first corona year, summarised in...
'Why I commemorate? Because I am so afraid of what might happen if we forget.' I said this to my iPhone a few weeks ago, relatively happily, on my easy chair in the sun in the backyard. I had a glass of white wine in reach and I was enjoying the suburban spring - a white, content...
'We think we can think diversely, but ultimately there has to be an exchange in that thinking. Then you also have to let other perspectives come in. So you don't have to come up with it all by yourself.' Samora Bergtop has views on theatre criticism and how it could come out of its white bubble. Marijn lems and yours truly enter the conversation
When Jeffrey Meulman (52) took office as director of the Theatre Festival in 2005, it needed to become more audience-friendly. Instead of a presentation of 'the most important theatre', the board that appointed him wanted to make a celebration of the most beautiful theatre. Meulman went to work, successfully, but the most important thing he did was to establish a 'fringe': an alternative...
Stage poetry is usually held in lower esteem than written poetry. While stage poets can touch so powerfully. Only during the Night of Poetry, every year in Utrecht, do we honour the performers among the poets. Then it's back to the 'jokers' who can rhyme, as was recently written about Ingmar Heytze in a podcast announcement. Spoken Word, the...
Do we need a new language, and are we at the mercy of the thought police of the Diversity and Inclusion Code? Or is that no thought police, and is Wijbrand in danger of turning into an old angry white man? It remains exciting. So in this podcast, we talk about the 'Guide to inclusive language for the cultural sector' drafted by Mounir Samuel....
Can anything general be said about a work of art? Do we see the same thing, and isn't a journalist giving a meaning also an act of exclusion for those who think differently? Questions that you actually have to deal with every day in the art journalism profession. Marijn Lems (NRC/Theaterkrant) and Wijbrand Schaap...
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