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PODIUM ART

Anything for which people enter a stage.

New Utrecht cathedral consecrated with local residents singing

Cathedrals are 'in' Utrecht has a thing for cathedrals. The Dom was once a cathedral, but since the Reformation stormed its way through the Roman Catholic heritage, the real cathedral with the archbishop's chair is now a few hundred metres away. In the early 1990s, theatre-maker Aram Adriaanse renamed the former stables of the veterinary faculty 'Horse Cathedral',... 

Photo: Viktor Vassiliev

Russian Cherry Garden in Amsterdam: 5 important things learned #HF15

There was an air of more expensive perfume in the foyers than at a Dutch gala premiere. The women were younger and smoother, or had a better botox doctor than usual. The jewellery looked very expensive, as did the dresses. Russian sounded everywhere. It seemed as if Amsterdam's Stadsschouwburg had been moved for a while to PC Hooftstraat, a few hundred metres away.... 

Cullberg Ballet, 'The Return of the Modern Dance' (chor.: Trajal Harrell)

Cullberg Ballet welcomes audience to monomaniacal awareness dance #HF15

Two choreographers exploring how a dancer and the eye of the audience interact. Dance makers who rattle common ideas about identity and sexuality. Artists who confront us with the dreams of perfection and glamour that advertising and marketing throw at us. The famous Cullberg Ballet made a striking choice by performing choreographies by the... 

Bloodless Baroque Revisited #HF15

After an hour, I looked at my watch - barely 10 minutes had passed. On paper, the programme Baroque Revisited by Soloist Ensemble Kaleidoskop at the Muziekgebouw aan 't IJ on 18 June looked exciting. Works by Baroque composers are forged into one by German composer Sarah Nemtsov (b 1980), interwoven with modern sounds and... 

The great Jihad or tearful dying: "Mom, are you ready?"

Last night Nazmiye Oral, together with a large group of Turkish colleagues, played the performance Niet Meer Zonder Jou for the third and, for now, last time. It is an intimate and overwhelming theatre production by Adelheid Roosen, Female Economy & Zina, co-produced by and performed during the Holland Festival at Broedplaats De Vlugt, far west in Amsterdam-Slotermeer. Tearing die Nazmiye Oral calls... 

Dutch National Ballet - Empire Noir - photo Angela Sterling A0146

Cool Britannia: fine coalition of British choreography talent

Got that. Do I get increasingly impressed during the National Ballet's evening Cool Britannia, turns out it's not that good at all. Because connoisseurs react lukewarmly afterwards. Am I that dumb, or are they that smart? There is actually very little British about Cool Britannia. Except that the choreographers are from there. An obvious... 

The inner landscape #HF15: never the twain shall meet

The new operas by Arnoud Noordegraaf and Guo Wenjing, which the Holland Festival presented shortly after each other, both thematise the loss of traditional values due to the meteoric developments in modern China. Both also feature a Chinese soprano in the lead role and draw on classical Chinese opera and folk music. The inner landscape of Guo Wenjing, which will be performed Tuesday, 16 June,... 

'Oh my sweet land', a calm tale with blood-curdling content

Theatre maker Corinne Jaber got nothing from her father about his roots, except his passion for cooking and good food -she says in an interview. The outbreak of the Syrian civil war made her curious about her father's background. Together with Palestinian author Amir Nizar Zuabi, Jaber interviewed Syrian refugees in refugee camps. The result is this monologue, in which a fictional, half-Syrian-half... 

passions humaines, guy cassiers, photo Kurt van der Elst

Hidden lusts of Belgians lead to great art on #HF15

2014 was the year of Ayn Rand's The Fountainhead, award-winning stage adaptation by Ivo van Hove. This year, that performance has been outstripped by 'Passions Humaines', written by Erwin Mortier, magisterially designed by Guy Cassiers. Again at the Holland Festival, confirming its place as a stage for the great debate on art. Two plays in which architecture, artistry and... 

Van Hove's 'Kings of War' is an intriguing trip

Power and leadership, can one exist without the other? Toneelgroep Amsterdam presented a sampling of three types of leaders on Sunday 14 June at the Holland Festival with 'Kings of War'. Three historical plays by Shakespeare about the struggle for power between the Houses of Lancaster and York together provided the fuel for this performance. With large black letters on a white... 

TivoliVredenburg is itself a festival

Get lost festively. In what new building is it still possible? It is possible in Utrecht's TivoliVredenburg, the building that has now been officially open for a year. Saturday 13 June marked that anniversary with a repeat of the opening party. Because that was such an unexpected success. During that repeat, it once again became clear why: TivoliVredenburg gives new meaning to the term festival. It is... 

Bussemaker doesn't invest in youth theatre: she cuts a company out permanently

Every company 50,000 euros more. Youth theatre in the Netherlands should be very happy with the letter culture minister Bussemaker sent to the chamber last Monday. After years of squeezing under Halbe Zijlstra, finally more air for the makers. But the investment of 4 tonnes a year turns out to be a cutback. In fact, Bussemaker only gives a gift to eight companies. Company... 

Gorky Theatre tramples on Nibelungen

Der Untergang der Nibelungen - The Beauty of Revenge at Berlin's Maxim Gorki Theatre on Wednesday, 10 June, with its duration of 2.5 hours - without intermission - did quite an assault on the sitting flesh. Granted, Wagner spared four complete operas for his version of the medieval Nibelungenlied and director Peter Jackson devoted three full-length films to the also... 

Cows: splashy 'Opera Misha'

It was a moving moment when director Cherry Duyns drove a frail Misha Mengelberg onto the stage on Tuesday 9 June, after the premiere of his opera Koeien (Cows). Dressed in a bright orange windbreaker and wearing a cap with an oversized visor, the recently turned eighty improviser and rudderless disruptor looked around uncomfortably: is this applause for me? Yet he visibly enjoyed himself and... 

No new merger orchestras, no merger Reisopera and Opera Zuid

Bussemaker invests 18 million in the arts and a symphony orchestra for pop and jazz added. It seems too good to be true. And so it is. Because in return for that one extra orchestra, two other orchestras will be cut. At least, that's how the minister's letter can easily be read. That's how I read it too, at least. Currently... 

Robert Wilson enchants with Krapp's Last Tape

For the first time in years, Robert Wilson is back on stage by himself and he proves what a sublime performer he is. In Samuel Beckett's play Krapp's Last Tape, he plays an old man looking back at his younger self. His older self is almost without language, but with cries, grimaces and gestures. Wilson manages to take the play to its bitter... 

24 Hours of Urbo Kune @HollandFestival Tonight wake and sleep with Morton Feldman's For Philip Guston

'Urbo Kune' is esperanto for 'common city'. Klangforum Wien presents 24 hours of contemporary music and ideas today at the Muziekgebouw, focusing on the future of Europe and ideas about the ideal capital of the United States of Europe. https://vimeo.com/129976101 At 12:12 today afternoon, the event started with an incomprehensible statement from the roof. Mayor Van der Laan, Arnon Grunberg, Francine Houben exchange... 

Manger by Boris Charmatz: spectators remain spectators

Manger, the new performance by Boris Charmatz and Musée de la Danse, gives spectators all the space they need. Where you line up to watch or just to listen, who or what you watch and for how long, is up to you. The Purification Hall on the Westergasfabriek site, majestically empty and echoing, creates a wondrous atmosphere in this for Charmatz'... 

Hatsune Miku: So did we all fall in?

It is one of the most pre-discussed performances of this Holland Festival. Newspapers, magazines and webmagazines dived en masse on The End featuring Japanese superstar Hatsune Miku. That she is not real. About all of us being fascinated by the virtual and technology. About her two and a half million Facebook friends. About the fans who have written more than 100,000 songs for her. About the costume designs... 

The Book of Sand: unprecedented computational speed invisible behind singing woman in layers

Inspired by stories by Borges, whose widow was present at the launch of the online interactive musical piece at the Holland Festival, The Book of Sand still looks most like an elaborate, very chic music video. Is that a bad thing? "Neither the book nor sand possess a beginning or an end." Borges' story, to which the title refers, is about... 

Todo lo que está a mi lado on Dam Square in Amsterdam (photo Wijbrand Schaap)

I shared the bed with an actress, and for a moment the world was quieter

A confession. There is no other way. So: yes. I was lying between immaculate white sheets in a comfortable bed with actress Lina Issa and it was beautiful. She whispered soft words in my ear, put a hand on my hand and it was very quiet around us. Thanks to that whispering, the noise of the big city fell away. Trams... 

Extremalism BNM ICKamsterdam © Alwin Poiana

Usury and Zen - Greco and Scholten bet high with premiere Extremalism @Holland Festival

Emio Greco and Pieter Scholten rehearse their new performance Extremalism in Marseille. The two dance companies under their direction, ICKamsterdam and Ballet National de Marseille, have merged for this occasion: 30 dancers on stage, six authors and designers in the auditorium, and the crew of technicians is also made up of Amsterdamers and Marseillais. They are working together on the biggest production that Greco and... 

Lulu and Kentridge's clothes

Lulu, the opera that Alban Berg left unfinished on his death in 1935, is considered an undisputed masterpiece, which is frequently performed. The opera is at the Muziektheater for the third time this millennium, but for the first time with the third act completed by Friedrich Cerha. South African artist William Kentridge will direct. He and the performers were honoured after the... 

New annual figures show: THE Symphony Orchestra is virtually bankrupt

THE Symphony Orchestra is as good as bankrupt. The 2014 figures show that. So it is total nonsense that responsible minister Jet Bussemaker reported in her answers to questions by MP Jacques Monasch less than a month ago that the orchestra was well within the own income norm of 21.5%. Not only did she already use incorrect figures in her answers, now... 

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