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From world politics to the most intimate story: in search of what touches at Writers Unlimited '15

Writers Unlimited's Friday night kicked off with an Islam debate. In no uncertain terms, religious historian Karen Armstrong argued that Islam and jihad are not the same thing. There are only 41 jihads in the entire Quran, most of which are the peaceful struggle to help the poor when one is destitute oneself. But after the Paris attacks... 

Africa is a feeling, says former African writer on Writers Unlimited

Nii Ayikwei Parks wants to write a book describing bad places in Africa as ideal, so that people who use his books as travel guides will be mugged and robbed and thus will learn what fiction is. With this humorous statement, the British-born and British-based writer, who spent his childhood with his Ghanaian parents in Ghana, brings some air into the evening... 

East, west, hell best on Writers Unlimited

Home is where The hell is. The naming of Writers Unlimited's programme sections leaves little to the imagination. And listening to the opening of this particular section, writer Maaza Mengiste is not one to leave us with pleasant thoughts either. She has plunged literarily into the plight of refugees coming from Ethiopia to... 

Solid Battle over multicultural society marks new era for Writers Unlimited #wu15

20 years of Writers Unlimited's existence, and the anniversary, now in The Hague, comes at a time when free writing worldwide is under heavier pressure than ever. Perhaps that is also why the audience is more numerous than previous editions. All nights are rigidly sold out, making for a rather sweltering atmosphere at the Theater aan het Spui. Apt opening of... 

Giya Kantsheli: 'I never wanted to compose Georgian music'

Georgian composer Giya Kantsjeli (Tbilisi, 1935) composes archaic-sounding, expressive works with slow progression, tremendous tension and heartbreaking melancholy. Characterised by fierce dynamic contrasts, his music often suddenly switches from an almost inaudible pianissimo to an oorsplitting fortissimo. On 23 February, Vredenburg's broadcasting series The Friday presents his monumental Styx for viola, choir and orchestra.... 

Karl Ove Knausgard opens Writers Unlimited with strong appeal to individualism #wu15

"Everyone who writes will sooner or later run into a wall, a limit of what cannot, should not and should not be written. And almost everyone will flinch at that moment and refrain from writing it. Because that wall is there to protect us from what we don't want." Karl Ove Knausgård, already compared by some to Marcel Proust,... 

And the 2014 Dance Photo nominees are...

The Official Nominations for the first Dance Photo of the Year election have been announced. From 43 entries, Hans van Manen (choreographer) and Thomas Cott (Alvin Ailey American Dance Theater) compiled a top six. We couldn't think of a better jury for a preselection. Now we are curious to hear your vote. The Dance Photo of the Year election puts dance photographers and their work in the spotlight. Because. 

We had coffee with the uncrowned king of Iranian war photography

Moshen Rastani (1958) grins broadly, looks at me penetratingly, gestures, and puts his hand on his heart. "What is happening now, here, between you and me, in this conversation. That's what matters to me. We meet face to face. We communicate. Through each other's faces, we can visit the other's secret world. Such a camera is just a tool to make that contact."

Rastani was thrown into photography by the outbreak of the Iraq-Iran war. He emerged as the uncrowned king of Iranian war and documentary photography with his beautiful, hushed black-and-white portraits. He also did reportage in Lebanon and Bosnia & Herzegovina, and captures everyday life in Iran in his ongoing Iranian Family Project. Together with eight compatriots and kindred artists, his work is now on show at Francis Boeske Projects.

DUS is now called Theatre Utrecht. Not to be confused with Stadsschouwburg Utrecht

Toneelgroep Centrum, Utrechtse Theater Inititatieven, Jeugdtheaterplatform Utrecht, Theaterplatform Utrecht, De Paardenkathedraal, De Nieuwe Paardenkathedraal, De Utrechtse Spelen. The ostentatious names for Utrecht theatre companies had run out of steam over the past 30 years. Not entirely unexpected, then, that the city theatre company of the Netherlands' fourth city opts for sobriety and clarity. Since Sunday 11 January, 5pm, De Utrechtse Spelen has been called... 

Another black day for independent journalism

After the brutal attack on the staff of the French satirical weekly Charlie Hebdo in Paris yesterday, journalists, cartoonists, politicians and the general public rallied worldwide to defend the freedom of speech. Many a front page of today's newspapers showed the cartoons for which chief editor Charb (Stéphane Charbonnier) and 11 others were brutally murdered by Said and Cherif Kouachi,... 

Copyright: Erik Bindervoet

The five theatrical performances you want to see in January 2015, and you already have to head back to the province

After the annual lists, the recommendations for the new year. All dailies participate in it. Problem: much is not yet known. Festivals and companies present their programmes sometime in February, March. So we cannot yet give the tips for the whole of 2015. But we do have the tips for the coming month, in chronological order, because ranking performances we still have to... 

Lesson 1 for 2015: don't make your annual lists too early

Last weekend, we thought we were on the safe side with our list of best-read stories on Culture Press. True to old media laws, we thought the days between Christmas and New Year's would be quiet. Aber nein. It turned out there was another list on the way, which turned the whole thing upside down. Instead of 235 thousand interested readers... 

Cocker's secret: booze and total absence of irony

'With a little help form my friends' may be his biggest hit. My eternal favourite Joe Cocker song is and remains The Letter. Not Cocker's vocal acrobatics here, turning the rather side-splitting Beatles song into a screaming victim's plea. In The Letter, the man who did mostly brilliant covers actually changes bitterly little to... 

They are going to pay. Cable operators on their knees for screenwriters

Tonight many drunk screenwriters on the streets, and in Leiden a few very happy older journalists. Lira, the organisation that has to collect money for them from the big, wealthy, and non-paying guys, has won twice. They already had, of course, but the cable companies didn't want to get rid of the gold plating on their luxury yachts. So they ignored the judge's ruling and... 

Carlo Boszhard as a gnome: 3 reasons why 'Maestro' does suck

Tonight (Thursday 18 December), the second season of TV programme 'Maestro' will have its finale. Dutch celebrities such as schlager singer Frans Duijts and presenter Sylvana Simons try to conduct a symphony orchestra under supervision. They will be judged by conductor Otto Tausk, violinist Isabelle van Keulen and double bassist Dominic Seldis. Letter writers and columnists tumble over each other in condemning the programme. 'Maestro' would be a knee-jerk... 

At last: National Theatre examines 'German Model'

Good going, over there in The Hague. After the company announced earlier this week that it would take a young creator into its artistic leadership before his death, today follows the announcement that Het Nationale Toneel wants to merge with the Koninklijke Schouwburg. This would mean that, for the first time in a long time in the Netherlands, the performer of a city theatre would again be... 

Farce around The Interview turns into thriller - Sony succumbs to threat from unknown source

It gets crazier and crazier with The Interview, the US comedy in which the CIA wants to implicate two television journalists in an assassination attempt against the leader of North Korea.

You could almost say that film has once again been overtaken by reality.

Anne Teresa De Keersmaeker en Brian Eno tijdens de repetities voor Golden Hours, 12 december 2014, foto © Anne Van Aerschot

Rosas away from Brussels? The political game has begun.

Choreographer Anne Teresa De Keersmaeker sends out an alarming press release. Following the decision by the Brussels theatre De Munt/La Monnaie to stop programming dance, she wonders whether Rosas is still welcome in Brussels. "The news that the management of La Monnaie is scrapping all dance fills me with disbelief. Historically, ... 

Amsterdam art is doing great. Unless you are a (young) artist.

Two corpses. Despairing bystanders. A blood-red photo. The cover of the Exploration, released by the Amsterdam Arts Council, makes one fear the worst. A massacre has been committed. Even if it is a scenic photo of a performance by Toneelgroep Amsterdam. Or is it all different? Are only two dead, and the rest live on? Something about shows that on must go?.... 

Questions, stillness and resistance: choreographer Nicole Beutler's new Echo and earlier work on tour in the Netherlands

5:Echo, choreographer Nicole Beutler's most recent production, is a curious show. All focus is on two famous pioneers of Dutch dance in the 60s and 70s: Ellen Edinoff and Bianca van Dillen. Yet Echo mainly shows how impossible (and perhaps undesirable) it is to want to revive past glories. Dancer Kelly... 

La bohème 2: verismo of the highest order

After the premiere of Puccini's perhaps most beloved opera La bohème at De Nationale Opera last Thursday, critics were divided in their reaction. Trouw praised conductor Roberto Palumbo, who 'can maximise Puccini's masterful effects', Place de l'Opéra chided the Italian for taking 'too much freedom in the phrasing of the melodies'. Culture Press colleague Henri Drost did not keep it dry 

Manga writer paints on gold. Is Yoshiyasu Tamura a new hit or plaything of the rich?

Three calls. So that helps. When you have an exhibition to sell, in the middle of the Grachtengordel. According to the PR officer, no serious medium was interested in the exhibition. Now those art editors have a hard enough time as it is, so if something cannot be seen in one of the usual places, a journalist from De Volkskrant is not likely to... 

La Bronkhorst and very young Van Noten dance Ende der Zukunft: bold initiative with ditto outcome

Dancer and choreographer Truus Bronkhorst initiated a collaboration between Antwerp-based Kunst/Werk and Tilburg-based T.R.A.S.H. The double programme and duet combines choreographies by Marc Vanrunxt and Kristel van Issum. Ende der Zukunft has become a wondrous staging of gaping gaps: of time of life, of artistic experience, but above all of artistic conception. Intergenerationality (oui, c'est un mot) concerns relationships that... 

Speculating with grant money. Is that allowed?

Boymans is proud. The Rotterdam museum has been able to snatch up a very nice statue, for 123,000 euros less than the asking price. And all because they bought it via an option construction. Writes NRC. That option construction did cost 22,000 euros. Money they would have lost if the dollar rate had fallen instead of risen. It is already... 

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