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1967, choreograaf Koert Stuyf en danseres Ellen Edinoff

5 reasons for the new Ellen Edinoff and Koert Stuyf Fund

A year ago, one of Holland's most legendary dancers died: Ellen Edinoff. She danced mainly in the 1960s and 1970s but there was always a hint of grandeur and mystery surrounding her and her husband, choreographer Koert Stuyf. Now a fund is being set up at the Prince Bernhard Culture Fund to support young dancers and creators of contemporary dance. 5 reasons why.

Joop Daalmeijer Marathon (6): 'The Rijksakademie will go to pieces if we don't intervene'

Wijbrand Schaap: 'The basic infrastructure was keelhauled by Zijlstra while it was not yet ripe. That, in its smaller version, now runs the risk of leading to further rigidity.' Joop Daalmeijer: 'That's a good observation. We are also working on that in our Culture Exploration. We are having a lot of discussions, which we are also taking out into the country. We are starting... 

Joop Daalmeijer Marathon (5) "All balls on Amsterdam", I'm not into that at all.

Wijbrand Schaap: 'Now on the role of cities. One of the reactions on our site is about the role of the randstad in cultural policy. Melle Daamen puts the primacy in the randstad, and goes further than the council in this.' Joop Daalmeijer: 'The council has no position yet.' Wijbrand Schaap: 'But there is something in the Culture Outlook. Cities form... 

Joop Daalmeijer Marathon (4): 'Broadcasters squeeze out artists'

Wijbrand Schaap: 'Next hot issue. Copyright is mentioned in a few passages of the Cultural Exploration. I am also affected by that in various ways. There is, of course, that new author's contract law, which is going to be discussed in the chamber one day, maybe. Nice about that is that the creator's position in that law has been strengthened.' Joop Daalmeijer: 'Rightly so.' Wijbrand Schaap: 'But. 

Joop Daalmeijer Marathon (3): "The arts sector should have reached out to consumers"

Wijbrand Schaap: 'There has been much talk about the change in Council attitudes under your leadership. After the confrontation course under your predecessor Els Swaab, you seemed appointed by Halbe Zijlstra to act as a kind of applause machine.' Joop Daalmeijer: 'I was not hired by Halbe Zijlstra, I was appointed by the queen. Isn't that nice?... 

The-Black-Piece

The Black Piece. The preview. The debrief.

At some performances, you groan inwardly whether it will all work out. At other performances, you groan that it turns out so well. The Black Piece is the latter. Ann Van den Broek's latest production was created with input from dancers and test audiences. Then it can hardly go wrong. The preview shows a penetrating mix of versions of the term black. As if, as an audience, you are forced to stand in front of a fogged-up mirror where the mist slowly lifts and someone says: look! The choreographer gives an account afterwards.

Foto: Wijbrand Schaap

'Cuts do lead to loss of quality' The great Arts Council interview (1): "Patronage is, of course, bullshit."

Joop Daalmeijer: 'I never authorise. I find that such nonsense. A journalist should just do his job properly.' Wijbrand Schaap: 'We agree on that then. We write up everything in full, but because conversations about everything tend to be endless, I want to hang it on the Culture Exploration. That's the most concrete piece and the most topical, and it... 

What does art do to your brain? Mark Mieras explains it in 4 sentences, more on Radio Futura on Thursday

You really have to be a hardcore debate fan to want to voluntarily listen to a conversation about education. Still, this Thursday's Radio Futura broadcast will be interesting, as it is about Radical Education and brains. Brains are hot, thanks to Dick Swaab and insights from brain-based teaching.

Anna Korsun wins Gaudeamus Music Prize

Last night, Ukrainian composer Anna Korsun (1986, Donetsk) won the coveted Gaudeamus Music Prize in TivoliVredenburg. This consists of a cash prize of €4550, which serves as an honorarium for a new composition that will have its world premiere in a subsequent instalment. The international jury, consisting of composers Vanessa Lann (Netherlands), Oscar Bianchi (Switzerland) and Wim Hendericx (Belgium) chose her unanimously from... 

We will talk to Joop Daalmeijer. Did you have any questions?

We are going to talk about everything, because Joop was a bit fed up. All this criticism of the Council for Culture. That on his leadership it had degenerated into Halbe Zijlstra's lapdog, and that Jet Bussemaker laughs out loud at them. And that they conduct discussion behind a paywall. That's why we're going to talk to Joop Daalmeijer. The President. We agreed... 

'Print' especially popular with performing arts. Cultural marketing research shows trends in marketing & communication.

Research by Cultuurmarketing among over 650 marketers in the cultural sector shows that increasing visitor numbers is the key marketing objective for the coming year. With the annual survey, Cultuurmarketing charts current developments in the field. Increasing visitor numbers is most important marketing objective Increasing visitor numbers is the most important objective for 40% of the organisations for... 

Why couldn't shocking art also be endearing?

Vlindertje Smit and the service of what is dead It is an orderly, clean space, not unsociable, despite the pieces of horse bone that dominate the studio in their showcases. Visual artist Butterfly Smit prepares animals and parts of animals. Thinking back to the publicity storm that British artist Damien Hirst stirred up with his preserved-animal artworks, you might expect Butterfly Smit to... 

Gaudeamus organises seminar on music criticism

Tonight begins the international Gaudeamus Music Week, in which five composers under 30 compete for the coveted Gaudeamus Music Prize. The jury, consisting of Vanessa Lann, Oscar Bianchi and Wim Henderickx selected them from eighty entrants from all over the world. It is the fourth edition in Utrecht of the competition, which started in 1951 in Bilthoven; the new TivoliVredenburg serves as the festival centre.... 

Graindelavoix splits old-time music audience

The performance Trabe Dich, Thierlein by Graindelavoix has barely begun when the first protests sound, directed against the blinding light of a slowly rotating spotlight in the otherwise unlit Great Hall of TivoliVredenburg. Shortly afterwards, some visitors leave and gradually the trickle of runaways swells. But after more than an hour and a half, the stayers reward the Belgian ensemble with an enthusiastic... 

5 times 'Yes' for smashing combo of dance and opera in Sasha Waltz' Orfeo

Days after the grand scenic world premiere of Schoenberg's Gurre-Lieder, De Nationale Opera once again comes up with a more than remarkable production of international stature. Everything and everyone dances and sings. (1) So you think you can dance? Sure. The modern opera singer(s) is used to something. Simply stepping forward and singing your aria was outdated decades ago. And. 

Three reasons to go to Medea

For the second consecutive year, the Festival of Early Music is organising a Laboratory, in which young creators can learn about their craft. This year's programme features Medea by Czech composer Georg Benda. This 'melodrama', an alternation of spoken text with music, was a resounding success at its premiere in 1775. Musicologist Jed Wentz and scholar Mary Helen Dupree revived it... 

Het-Balletorkest

Holland Symfonia is now THE Ballet Orchestra. National and Dutch at the same time

On the phone, it takes some getting used to. 'Good morning, Holland Symfonia speaking,' you hear as you listen to the orchestra in the Amsterdam Q-factory studios calls. But that's not the orchestra's name at all. In fact, Holland Symfonia has a new name: The Ballet Orchestra.

Praise the arts, my soul! #Paradisode debate mostly confession of faith, but there is hope

"Art is about personal development. It's not that Friday afternoon fiddling". Barbara Visser, artist and board member of the new Academy of Arts had an argument that was factual, and can be summarised briefly. We can attribute all sorts of things to art, but let's especially not. Learning about and experimenting with taste and creativity... 

Melle Daamen on @culturepress: 6 reasons why the arts debate in the Netherlands is so laborious.

I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content... 

8 essential lessons Dutch theatres can learn from festivals - and vice versa

Declining visitor numbers, shrinking subsidies, impoverished programming: most Dutch theatres are struggling, research by NRC Handelsblad recently showed. Theatres welcomed 12 million visitors in 2012, according to NRC figures, a quarter less than in 2008. Festivals, on the other hand, are on the rise. More and more are being organised, and they are attracting more and more people - in total... 

Culture Council debates only with like-minded people.

Update: Meanwhile, the Culture Council has picked up the gauntlet. Melle Daamen posted his pieces on Culture Press, and Joop Daalmeijer has agreed to give a comprehensive interview. More news soon, then. 'Melle is a member of the Supervisory Board. You have nothing to do with that. So that's why NRC anyway?' Dixit Joop Daalmeijer, the man who since he became chairman there... 

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