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Self-assembling in van der Aa's multiverse: The Book of Sand

A young blonde woman climbs a staircase in a round, windowless room and emerges into a desert. She runs laps around a red cloth, singing "everything's repeated many times". Or: the same young woman lies in the same windowless round room, but now in a different dress and with a curious machine. "everything's repeated many times". Or: the same... 

Scene photo La Fura del Baus, M.U.R.S. Photo Josep Aznar

La Fura dels Baus pushes you into a haunted house of play and seriousness in M.U.R.S.

Stepping into M.U.R.S. is a treat. This is the smart city, the city of our near future. Communication electronics and fun rule. It resembles a fairground or a huge disco. Exciting voices welcome you. You whirl in with the crowd. Everyone joins in. Your phone is in touch. Cheerleaders stand on a stage,... 

Turkish toppers play the roof off Carré: fresh wind through Holland Festival #hf2015

Stars, we don't really do that in the Netherlands. Our ground level does not allow diva behaviour. In our lowlands, you get a plus if you have stayed so nicely ordinary despite your success. Even if you stand in the Arena with your songs, like the Toppers, this weekend. How different it is in Istanbul. There, you are allowed to be shamelessly famous. Like. 

The seven performances you must see this Holland Festival

As Big as the Sky I am looking forward to Arnoud Noordegraaf's new multimedia project, As Big as the Sky, with sets by Ai Wei Wei. Noordegraaf is a master at blurring the boundaries between film and reality. His music is elegant and appealing and serves the story. As Big as the Sky, op... 

Holland Festival - Back to the future with Metropolis

During the Holland Festival, theatre company La Fura dels Baus lets us experience the city of the future with the interactive performance M.U.R.S. As an overture, HF has programmed the film Metropolis, Fritz Lang's magisterial 1927 dystopian vision, which rightly became known as the mother of all future films. Iconic imagery, biblical influences, Marxist dialectics and actually still surprisingly modern. New York,... 

Ritual dance around digital Calf: M.U.R.S. by Fura dels Baus at Holland Festival

Visiting M.U.R.S. without the app on your smartphone is a challenge. The performance by the infamous Barcelona-based theatre collective is a commentary on how people are unwittingly becoming part of a SMART society run by international corporations via all sorts of gadgets. Are you in or out? Is there actually anything to choose? M.U.R.S. in Barcelona According to Jürgen Müller, one of... 

'A drunken panda who wants to have a tussle' - The Loom of Mind on HF15

In The Loom of Mind, Icelandic folk singer Mugison, his bosom friend Pétur Ben, and Flemish baroque ensemble B.O.X. join forces. What does that sound like: melancholic Icelandic blues with 17th-century instruments? Like a stand-up storytelling concert performance? Or like a drunken panda who wants to have a game? How did you find each other? Pieter Theuns, lutenist and founder of B.O.X.: "I found Mugison... 

Jens Hillje of the Gorki Theatre Berlin (Photo Wijbrand Schaap)

Play 'Nibelungen' debunks modern Europe at Holland Festival

Berlin's Gorki Theatre won a prize this year: it was named the best theatre in the German language area by the German-language press. The company won the award partly because it employs many actors of immigrant origin. With its performance Der Untergang der Nibelungen, which can be seen in this year's Holland Festival, the group also thematises the... 

La Re-sentida (Chile) reckons with leftist church in Holland Festival 2015

The 1970s have for some time been the target of what we shall conveniently call the up-and-coming generation. And so we are talking about the 1970s as the glory years of hippyism, the jubilant times of the left-wing church and everything else that, with the knowledge of today, is dirty and dirty. They were the years when... 

A vital and pitiful procession: William Kentridge at EYE

With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. This was already evident in previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art. Now William Kentridge has been given the honour of... 

Carrots, potatoes and a dash of lard on Writers Unlimited

How do you get back home mentally after a war? David van Reybrouck in conversation with Stefan Hertmans and Ian Buruma Carrots, potatoes, maybe some celery and a dash of lard, this was the monotonous winter diet of the underclass in rural Flanders in the late nineteenth century. But, outlines professor and guest speaker Louise O. Fresco in her opening column, these days it is the... 

In 2016, we will conquer Germany, if it is up to Bart Moeyaert

He had had a TED training. It couldn't be otherwise. Bart Moeyaert, poet, writer and multiple award winner, sometimes literally wriggled into numerous corners to warm up the Dutch literary guild to his plans for 2016. That year, for the first time in a long time, the Netherlands will host the Frankfurter Buchmesse again, the Art Basel of the literary world.... 

Kees 't Hart pontificates on literary Holland

'Do you not agree with me that many of you - like members of Roman Catholic curia - are already trying to make yourselves immortal and indispensable? That you are suffering from severe mental and spiritual petrification?' Kees 't Hart measured himself a papal role on Sunday 18 January, when delivering The State of Dutch Literature,... 

Indian dream shattered during Writers Unlimited

Radbraken. This is how it works: you tie someone to a sturdy cartwheel, then break all his or her bones by beating them country-wide with clubs, after which you weave the mangled limbs around the spokes of the wheel. It is essential that the punished person undergoes all this alive and conscious. After the treatment, you bring the wheel with... 

It wasn't about weltschmerz, but it didn't make the sauce any less

Rarely have I seen two female artists at a table more different from each other than Dominique Goblet and Leela Corman. Two female comic artists, on either side of Peter Breedveld who is flown in every year as a connoisseur of the comic genre at Writers Unlimited. Corman, a comic book artist as well as a dancer, writes her stories in a fairly recognisable style. Impressive stories, historically, like her latest... 

From world politics to the most intimate story: in search of what touches at Writers Unlimited '15

Writers Unlimited's Friday night kicked off with an Islam debate. In no uncertain terms, religious historian Karen Armstrong argued that Islam and jihad are not the same thing. There are only 41 jihads in the entire Quran, most of which are the peaceful struggle to help the poor when one is destitute oneself. But after the Paris attacks... 

Africa is a feeling, says former African writer on Writers Unlimited

Nii Ayikwei Parks wants to write a book describing bad places in Africa as ideal, so that people who use his books as travel guides will be mugged and robbed and thus will learn what fiction is. With this humorous statement, the British-born and British-based writer, who spent his childhood with his Ghanaian parents in Ghana, brings some air into the evening... 

East, west, hell best on Writers Unlimited

Home is where The hell is. The naming of Writers Unlimited's programme sections leaves little to the imagination. And listening to the opening of this particular section, writer Maaza Mengiste is not one to leave us with pleasant thoughts either. She has plunged literarily into the plight of refugees coming from Ethiopia to... 

Solid Battle over multicultural society marks new era for Writers Unlimited #wu15

20 years of Writers Unlimited's existence, and the anniversary, now in The Hague, comes at a time when free writing worldwide is under heavier pressure than ever. Perhaps that is also why the audience is more numerous than previous editions. All nights are rigidly sold out, making for a rather sweltering atmosphere at the Theater aan het Spui. Apt opening of... 

Karl Ove Knausgard opens Writers Unlimited with strong appeal to individualism #wu15

"Everyone who writes will sooner or later run into a wall, a limit of what cannot, should not and should not be written. And almost everyone will flinch at that moment and refrain from writing it. Because that wall is there to protect us from what we don't want." Karl Ove Knausgård, already compared by some to Marcel Proust,... 

Ruth Mackenzie takes on the future. The Holland Festival gets a more exciting boss than you thought.

The Holland Festival got a completely unknown new director in the person of Britain's Ruth Mackenzie. At least, to us. The flamboyant, artistically exceptional opera director Pierre Audi makes way for a woman who has presented herself mainly as a manager of festivals and cultural institutions, but whose ideas are anyone's guess. When she was presented, none of the... 

What is art, and what should it cost? Thus Radio Futura

This Friday on Radio Futura, members of Dood Paard and tg STAN break down what art is, and how much it should cost.

These questions have been asked before. And from Henk & Ingrid and Holland's neo-conservative free-market jihadis, we know the answer by now. But what about the artists themselves? Which art can be cut. And who likes to stab their colleague in the back for more money?

In preparation and illustration, below are 6 small polls. Note: it is pu...

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What does art do to your brain? Mark Mieras explains it in 4 sentences, more on Radio Futura on Thursday

You really have to be a hardcore debate fan to want to voluntarily listen to a conversation about education. Yet this Thursday's Radio Futura broadcast will be interesting, because it's about Radical Education and brains. Brains are hot, thanks to Dick Swaab and insights from brain-based teaching.

Science journalist Mark Mieras takes a quick preview of his theatre lecture The Playing Man below, explaining what art does to your brain. On Thursday, he will tell more, in sp...

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