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VISUAL

Everything in museums, galleries, on roundabouts and village squares, and hanging over sofas. And Marina Abramovic

Museum directors: is their role as figureheads and media artists becoming more important than as art history experts?

Dutch museums, partly due to the recent digital Museum Week, have been able to retain a large part of their audience. There is - reports the Museum Association on its website - a slight turnover though. And the hitherto loyal public will not find their way to museums automatically and to the same extent. But the picture is that the... 

Platform BK: Deferred work means deferred money. The artist cannot buy food from that.

What we feared at the beginning of the coronasteun appears to have become reality. The generous support money for culture should also reach the small self-employed in the arts via the institutions, but that is now happening too little. Of course, there are fine examples, such as the large subsidised arts institutions in Groningen and festivals like Boulevard and Holland Festival that support self-employed... 

Wijbrand says sorry to Lot Vekemans (Nerd podcast #8 with Marijn Lems on how personal the arts journalist can be)

Can anything general be said about a work of art? Do we see the same thing, and isn't a journalist giving a meaning also an act of exclusion for those who think differently? Questions that you actually have to deal with every day in the art journalism profession. Marijn Lems (NRC/Theaterkrant) and Wijbrand Schaap... 

Inkspot battle won by Renée van den Kerkhof

Saturday, March 6, the annual Inkspotbattle took place at Concordia. The theme was "Elections (in Corona time)". 10 Dutch cartoonists participated. The only female participant, Renée van den Kerkhof, walked away with the prize. Online visitors could watch the participating cartoonists translate a topical subject into cartoons. An expert jury chose at the end of the... 

'Monument to BKR' shows how well an income scheme for artists can work

With 'A monument to the BKR', Fransje Kuyvenhoven has indeed written a tribute in her "history of a high-profile artists' scheme (1949-1987 )". If only because the first hundred pages contain no text, but a chronological showcase of artworks from the BKR. By Karel Appel, Corneille, Constant, Lucebert, Jan Wolkers, Kees van Bohemen, Ger Lataster, Armando, among others. And because there are... 

Watching a cartoon being made; Inkspot battle at Concordia to be followed via livestream

The annual Inktspot Battle will take place on Saturday 6 March from 2.45pm. The battle, which can normally be followed at Concordia in the Inktspot exhibition, will, like last year, take place from the participating political cartoonists' own drawing tables and be broadcast live via Concordia's website. As an online visitor, you can watch as the participating draughtsmen... 

Uncollect

For a week or two, the word uncollect has been in my head. An Amsterdam politician suggested selling Roy Lichtenstein's As I opened Fire. Estimated proceeds: 40 to 50 million. With that money, Amsterdam's art sector could be saved and, if there was some left over, work by new artists could also be bought. The politician himself holds... 

Renzo Martens on White Cube: 'From now on, the Stedelijk should devote its entire acquisitions budget to art by plantation workers.'

A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.

stone

A school friend was a mountain climber. He was good at it; he never did anything else in holidays. The school friend was tall and so strong that he could pull himself up by one finger. On the first day after the autumn holidays, he told me that another climber in his group had fallen to his death before his eyes. If I remember correctly, he was alive... 

Bart Rutten: we need to keep a close eye on parents in the Miffy museum in particular

'The spontaneous breeze should be planned at least 15 minutes in advance. After all, you have to buy tickets for a block of time. When you enter our venue, you immediately see all the security measures we have taken to protect staff and visitors. There are huge screens to separate the flow of visitors. There's a chance you won't get lost in... this time. 

Culture is good for nothing

On 4 June, the Council for Culture issued its opinion on the subsidy applications of cultural institutions in the so-called basic infrastructure. The Council for Culture is the legal advisory body of the government and parliament in the field of art, culture and media. The Council advises on current policy issues and subsidy applications, solicited and unsolicited. It is very worthwhile www.raadvoorcultuur.nl af... 

Museum Het Schip shows visitors around virtually: 'Let's do what is possible'

Five days after the opening of the exhibition Bruno Taut: beyond imagination, museum Het Schip had to close. Alice Roegholt, director of this museum dedicated to the Amsterdam School, saw two years of preparation go up in smoke. But after only a few days she thought: 'Let's turn it around and look at what is possible.'.... 

'For museums, a reservoir of deferred rent and taxes awaits' Paul Baltus of Amersfoort in C is working hard on a plan B.

'At some point, you get it again. then you just have to start paying again. Unless there will somehow be remission, but that is not the case for now.' For Paul Baltus, director of museum dome Amersfoort in C, a big challenge awaits if the intelligent lockdown will slowly be lifted. How can... 

In times of Corona, do you really need to build a new theatre with a precorona design? Culture Press Corona podcast in times of Den Bosch (20)

80 million it should cost, and it should hold a lot of people, with three theatres, and it should all happen on the lot now occupied by the Theater aan de Parade in Den Bosch. That has proved so difficult that there has been fuss about it since 2006. Now there is a draft, approved and all, of... 

Podcast cultuupers during Corona: dwell on Emile Waagenaar's work for more than three seconds. Plenty of room.

(Volume podcast corrected) This crisis will accelerate the disappearance of small shops run by small independents. Although it would be nice if actions to do your shopping right there made a difference, competing with the gigantic offer of the big online chains is almost impossible. That is why we should cherish them while they are still around. And not... 

Podcast in times of culture press corona (14): Chantal van Heeswijk's comfort windows.

'Your hands can't stop you anyway, so I will always make things. But I'm not just an artist pur sang, I also want to keep communicating.' Chantal van Heeswijk is an artist. She had a packed schedule, until mid-March. 'I am always busy in many ways. But that's almost always work involving a lot of people.... 

Because there are also just little creatives with a story: 'Zuheir, born glassblower'.

The absurdity of the pandemic is slowly sinking in, but still remains unfathomable. We will keep you updated on developments. But the bow cannot always be tight. Sometimes a moment of attention is needed, for the beauty people are capable of. Therefore, a short film about glassblower Zuheir Alkazzaz who fled Syria because... 

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