With all the socially critical, exotic and personal life art at the Holland Festival, Van Manen, Forsythe, Arqués is actually an outlier, a statement without a message. Dance has enough on its own, expresses itself full-length. And how. Work of overwhelming quality. How much better can it get? At most by giving it a message anyway. There is room there. The rest is complete....
The ground beneath your feet is sacred. It is, in these times of left-wing identity politics and emerging right-wing blut und boden thinking, quite a risky remark, but Faustin Linyekula used it anyway, in an answer to a question from the audience. That question was about the need, to defend your own place in an increasingly globalised world. Because.
The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist....
There is a lot of grumbling about Dutch cinema: it is too good, not creative enough, there is not enough experimentation. However, there is one small island where other laws apply. Where, sometimes with hefty budgets and sometimes for next to nothing, films are made that speak a different language: the dance film. No psychologising, no endless dialogue, but...
'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but because I want to be there. If that makes me a few...
'I have broken every bone on the left side of my body at least once. My knee ten years ago, my elbow five years later, a toe, a finger, and under my left eye I have a scar from a stone someone threw at me when I was a kid.' Jesús de Vega, dancer, choreographer, videographer and teremin player, has had the requisite...
Peaks and valleys right from the opening night of CaDance, the festival of contemporary dance. From toe-curlingly long dance to sky-high drama. Highlights: dancer Sammie Hermans and the entire Mom:Me. Crushing New artistic director Stacz Wilhelm, in the presence of the minister during his opening speech, names the harsh years of austerity since 2013. The so-called obviousness of art he wants to...
Dance pioneer Lucinda Childs is actually the reason I went to Modern Girls. I am a lover of that. Of her work. But as a bonus, I got Regina van Berkel. With Frozen Echo. Why is it important for Introdans to bring a programme of work by female choreographers only? Huh? That's the feeling I got. With Van Berkel's Frozen Echo. Right from...
Moving. Before Significant Moments begins, the brisk Fernando Hernando Magadan presents himself as the new artistic director of NDT2. Applause in the auditorium. But the reason he stands behind a lectern with a huge flower arrangement is to pay tribute to the retiring artistic director: Gerald Tibbs. Gerald Tibbs. The peerless dancer everyone could walk away from
'Not a bad word about Lego or Knexx. But identity is the most exciting building kit.' So opens the preface to Theatre Festival Boulevard in Den Bosch. What you see is what you guess is the motto this time. It refers to the gap between how other people see you and how you yourself feel. Identity in its broadest form: from gender...
Between the buildings, streaks of sunlight invade the endless streets. Yellow taxis accentuate the colourful, vibrant street scene that looks like candy canes. On either side, countless floors and windows rise skyward. On one of those floors on 42nd Street, the Dance Theatre of Harlem is rehearsing the final scenes of Balamouk, a new creation by Annabelle Lopez Ochoa. Who also...
If the weather holds up a bit, the upcoming edition of Theatre Festival Boulevard will be the most tropical in history. The smart ones among us, who opted for a staycation in West Balkonia this year, can indulge their cultural heart in Den Bosch. Not for nothing regularly called 'The Avignon of the Netherlands'. Theatre festival Boulevard is unpacking 2018 with a truly overwhelming...
You'd better live in Molenbeek. For years, tensions have reigned in this Brussels neighbourhood. The no-go area is even directly linked to the Paris and Brussels attacks. Relations among themselves will not be gentle there either. Dancer/choreographer Yassin Mrabtifi is from there. He must be a dented personality. When I read the cheerful title of his...
Last week, while walking the dog, my neighbour Stefanie asked, "What is that anyway, this Holland Festival?", and I almost caught myself wearily going to explain that it was the most important performing arts festival the Netherlands and its environs and that everyone with a bit of education should know it. But I held back. And wondered: how...
French-Austrian theatre maker Gisèle Vienne is showing her latest work Crowd at the Holland Festival. Vienne takes the rave party as a starting point for subtle observations on what moves people during a night out. Besides the ecstatic pleasure of dance and trance, the performance also stages all kinds of nocturnal self-loss, awkwardness, loneliness and aggression. Acid The wonderful mix of acid, trance and...
Occasionally it chafes at Playful Arts, an intimate festival that brings play and art together. It's all about interaction, doing it yourself, experiencing it. Some visitors have to cross a threshold. But then something does happen. Those dancers must be in really good shape," I hear someone behind me mutter reverently. On the other side of the street, a man points to...
The Association of Theatre and Concert Hall Directors and Festival de Nederlandse Dansdagen announce the annual nominations for the VSCD Dance Awards (the Swans). Nominated for the Swan 'most impressive dance production' are: Rule of Three, choreography: Jan Martens, by GRIP The hidden floor, choreography: Franck Chartier, by Nederlands Dans Theater We Are Nowhere Else But Here, choreography: Stephen Shropshire, by Stephen Shropshire Foundation,...
Nothing defines us like our taste. And especially taste in music. We find that music taste defines exactly who we are and can easily distinguish us from people who have distinctly different, and therefore lesser, tastes. Pinkpop, a pop festival with several world-famous headliners, experienced this. Each world star plays to their own audience, which schi...
It is the spatial arrangement that immediately impresses in The Way You Sound Tonight, choreographer Arno Schuitemaker's ninth performance. There are roughly 25 seats too few. The last Holland Festival visitors to walk onto the Rabozaal stage during the premiere have to find their own place on the still-scented wooden floor. Pijpela Schuitemaker has, to my...
If you want to see a do-nothing dance programme, TWOOLS 18 by Scapino Ballet Rotterdam is the wrong place. If you want to see how young creators live their world, you're in the right place. TWOOLS the 18th edition TWOOLS is an occasional platform that offers young choreographers the chance to work with a top company. All the makers participating in the 18th edition of TWOOLS...
Here it is. The one and only interactive Culture Press Holland Festival Special. A special that has already been deployed over the past few months, and will be added to in the coming month. During the festival, we have regular reviews and reports, and podcasts. A new edition of this Special will appear every week. On Mondays. And then you can also subscribe via...
With 'The Way You Sound Tonight', which will have its world premiere at Holland Festival 2018, choreographer Arno Schuitemaker takes the next step in his creative development. He describes his performance as an 'acoustic ballroom'. I speak to the 1976-born dance maker, who once studied at Delft University of Technology, about his work and his motives. 'In the trilogy 'WHILE...
In Dutch Doubles 2018 by the Dutch National Ballet, choreographers collaborate with other artists for the second time. The chemical reaction between Wende Snijders and Annabelle Lopez Ochoa almost blows up the formula. BAM! The audience jumps up. BAM!"It had to take 11 years for me to make something here again?", choreographer Annabelle Lopez Ochoa seems to be saying. The Belgian/Colombian is lumbering...
In my work, I entice people to come into contact with art. And especially art with a big K. The art that is often marketed as 'difficult' or, in an attempt to get rid of its negative image, as 'vulnerable'. Liberal politicians would perhaps say art that 'doesn't act normal'. It is the kind of...
'I admire the strength of women. I experience it as greater than that of men. Women's strength lies in the dedication with which they can deal with things. The courage to push boundaries.' Jens van Daele, in his latest theatre show 'Nighthexen 1: Jeanne', pays tribute to the strength of women and highlights their heroism from...
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