Five authors have a chance to win the 2021 Golden Noose, the award for the best suspense book. The nominees are: René Appel - Overschot (Ambo|Anthos) Bernice Berkleef - Bloedsteen (The House of Books) Toni Coppers - De moord op Arno Linter (Manteau) Hugo Luijten - Undercover. All or nothing (Lannoo) Saskia Noort - Bonus child (The House of Books) The five nominees...
Honourable members of the House of Representatives, It is with great concern that we look at the Temporary Test Act that will be voted on in your House on Tuesday 11 May. This new law means even more hurdles and restrictions for visiting culture. Restrictions that will be introduced but where the end date is not given. This new testing law could be a godsend for...
My friend informed me of his decision to stop writing prose. There was no dry bread to be earned from it. Going forward, he went through life as a freelance journalist and lyricist. The money he earned he spent music festivals
Writers and translators hit by the corona crisis can now apply for three support schemes set up especially for them. They can apply for up to €5,000 for a project grant or income support. The first submission deadline closes on 30 September 2020. Membership of the Authors' Association or affiliation to Lira is not compulsory.
There is an urgent need for emergency support for the large group of self-employed workers in the cultural sector. The 300 million in emergency support that the government released for this sector at the beginning of the corona crisis is barely trickling down to them. This is according to a survey of more than 1,500 freelancers, especially musicians, creators and technicians, on the eve of the debate ...
29 June is an important day for culture: the Lower House will then debate emergency support for the sector. Our message to politicians: "300 million euros of emergency support that OCW has available for the cultural sector is nowhere near enough to keep the sector afloat. Adopt the motion of PvDA, GroenLinks and SP!" In...
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
Thanks to the informal fanfare, this music storyteller sees a mega opportunity. Trio The Big Three. That's what I want to talk about. By which, for once, I do not mean the Flemish Damiaan Denys, Paul Verhaeghe and Dirk de Wachter. Writers Harry, Gerard and Willem F. I also leave out. Ask the listeners of this Music Storyteller and they will surely know how to help you:....
We always try to look for a bright spot anyway, but sometimes you just have to let it go. On Monday 6 April 2020, we brought you a post on how the corona crisis is having long after-effects, which have been casting their shadow for at least a year. Today, we talk to Victorine Plante and Erik Snel of Alum, the bringer of that first post. In the...
Slowly but surely, the absurdity of the rescue measures for the cultural sector is sinking in. The national museums will not have to pay rent for three months for a while, but will have to pay it back retroactively once the crisis is over. Entrepreneurs can get extra support worth 4,000 euros, provided they have business premises outside their homes. Actors, directors (also freelance journalists, by the way) and artists...
We got some confusing messages last weekend. The reason was the festive announcement of the organisation of the Eurovision Song Contest that a special symphonic happening would take place at the finals in Rotterdam. Third year and master students of the Rotterdam Conservatoire, part of Codarts, as well as young professional musicians were invited. A 'fee' would be available for...
[update: they get even less, see post below] We received confusing news last weekend. The occasion was the festive announcement by the organisers of the Eurovision Song Contest that a special symphonic happening would take place at the final in Rotterdam. Invited were third-year and master students from Rotterdam Conservatoire, part of Codarts, as well as young professional musicians. For the performances...
Over the past year, we, Annemiek Lely and Susanne Visser, heard various noises about boring introductions and useless fringe programmes that would add nothing. Such comments pass the revue in the artist foyer, at the bar or find their way onto social media. 'I want after-shows led by a local presentation talent instead of a drawling dramaturge,' wrote an already established director
Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be...
'Poignant to see how a lack of decisiveness, clarity and leadership - at both the Utrecht municipality and the management of the KLA - could lead to a split and even rupture among employees.' Karin Boelhouwer of the Kunstenbond is stuck with it, and she has a point. The Utrecht Centre for the Arts (UCK) recently went officially bankrupt. A major...
That publishers and writers are struggling is not news. That something needs to change in connecting with readers too. But what? That is the big question no one has an answer to yet. Publishers have rapidly lost their prestige, their monopoly and often their canal houses. On the other hand, the phenomenon of...
Afterwards, it actually dawned on me what had gone wrong at No Man's Land. The event, a sort of combination of networking drinks, symposium and mega workshop was set up from the best of intentions. Initiated by The Cooperative, the club not to be confused with The Cooperative. The latter De Coöperatie is based in Amsterdam and is an alliance of freelance...
Writer Jente Posthuma (1974) and photographer Bas Uterwijk (1968) teamed up to create a booklet about the carefully planned suicide of Uterwijk's father, Henk. Try to think a little good of me is an intimate, searching, resigned and at times hilarious portrait of a loved one who has fallen away. Bas and I met on the Brazilian Jiu Jitsu mat sometime in 2005. We were trying to...
In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation pushes away the voice of artists: procedures and formats are...
'Not only work has disappeared, but also knowledge and craft - the whole perspective is disappearing. While the Netherlands as a dance country was renowned in the world precisely because it had the luxury to research, to build, to stimulate.' Ronald Wintjes, the brand-new director of De Nederlandse Dansdagen, worries. What about the future of dance?....
This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either...
The Amsterdam Fund for the Arts would love a central 'vibrant dance venue' in Amsterdam. But surely such a Dance House has just been torpedoed? It was striking: in the Introduction to Dance to the grants awarded by the Amsterdam Fund for the Arts (AFK) for the 2017-2020 grant awards, they note an "ardent need" for a "dance house": a central place for development, production and the...
Eddy De Clercq, the Godfather of Dutch house and dance culture, wrote his autobiography, Let the Night Never End, together with Martijn Haas. A story about the birth of the DJ scene in the Low Countries, the rise of house music and nightlife with raging parties full of sex, dance, art, booze, swag and snuff. Against the backdrop of the advancing...
Why a fun house festival still haunts my mind weeks after the fact. Let me tell you: OuiJaYes I was looking forward to it. Fancy space. Freedom. So it made perfect sense that I went to Jazz in de Kamer Leiden at the end of March. I could choose from various itineraries with groups and musicians like Artvark, Jeroen van Vliet, Ruben Hein, Ntjam Rosie. I chose...
The money at HET Symphony Orchestra has run out. Despite all the extra millions from the province and after years of writing off tons of general reserves, the end is in sight. And so the orchestra is scrapping concerts, will be seen less in theatres in Deventer and Zwolle, stops CD recordings and shuns any risky performances. To keep the...
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.