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Sierk van Meeuwen, Terrorist (source: zomerexpo.nl)

'Also nice. A hot chick with a kalashnikov.' Amateurs and pros in Haags Gemeentemuseum

The annual Summer Expo at Gemeentemuseum Den Haag is open to submissions from amateurs. But in the end, as many as 70% of the entrants turn out to have attended an art school, and even 80% of the selected entries were made by professional artists. With two guests, I visit the Summer Expo. Museum visitor Rob van Berlo picks his favourites. Gallery owner Nena Milinkovic I ask the same,... 

Bas van den Bosch: 'Even today, it is often said that men express their feelings poorly.'

Klem is the moving story of 11-year-old Paul, whose mother dies just after he refuses to lie with her for a while and runs out of the room. This makes him think he is guilty of her death. Interview with author Bas van den Bosch about his second novel. We are raffling off three copies! Klem The concise novel Klem has similarities with... 

'Oh my sweet land', a calm tale with blood-curdling content

Theatre maker Corinne Jaber got nothing from her father about his roots, except his passion for cooking and good food -she says in an interview. The outbreak of the Syrian civil war made her curious about her father's background. Together with Palestinian author Amir Nizar Zuabi, Jaber interviewed Syrian refugees in refugee camps. The result is this monologue, in which a fictional, half-Syrian-half... 

Van Hove's 'Kings of War' is an intriguing trip

Power and leadership, can one exist without the other? Toneelgroep Amsterdam presented a sampling of three types of leaders on Sunday 14 June at the Holland Festival with 'Kings of War'. Three historical plays by Shakespeare about the struggle for power between the Houses of Lancaster and York together provided the fuel for this performance. With large black letters on a white... 

Carel Kraayenhof: 'Most people think I'm inside.'

When you think of Carel Kraayenhof, you don't immediately think of a young squatter orating about Karl Marx in circle discussions. Yet protest resides in the musician, just like in the tango. This becomes apparent when the interview gets off to a brisk start.
'If anyone knows how to penetrate the soul of tango, it is Carel Kraayenhof.' Says Mike Schaperclaus, innovator with the Rotterdam Philharmonic Orchestra, which is performing the production Julia in Ahoy in June. 'Everything falls into place: that's the feeling we had when we heard...

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JSF Fort Asperen by Stefan Gross. Photo Wijbrand Schaap

Gimme Shelter: impressive sculptures in unused war machines

Fort Nieuwersluis is the biggest surprise of the art event Gimme Shelter. Until a year and a half ago, the defensive work was a no-go-area. The BB ('Bescherming Burgerbevolking') sat there until 1989 to protect telephone lines during, but especially after World War III, when the rest of the Netherlands would be hiding under the kitchen table from the H-Bomb. When the atomic-proof fortress became permanently obsolete, the... 

Scene photo Swarte Art Foundation, 'The peach of immortality'

To remember is to descend into the deepest caverns of failure and sorrow

The only one really remembered in Jan Wolkers' novel 'The Peach of Immortality' is former resistance fighter Ben Ruwiel. On 5 May 1980, the entry of the Canadians from 35 years earlier was celebrated in Amsterdam. The crowds, not far from where Ben lives, fill him with disgust. It is unreal. People, wrapped up by welfare society, have no concept of... 

arie doeser on #cityt2cities

Lock up the alderman! 6 lessons from book festival #City2Cities 2015

The building alone made literature festival City2Cities worth a visit. After all, the Post Office on Utrecht's Neude, built in 1924 as an ode to progress in a style that brought together the best of the Amsterdam School, had been closed for years. So even those who don't get excited by Nick Cave and who think Michel Houellebecq is a creep had a reason... 

Less is more: it can be done!

Yes, it can be done! Less is more! I heaved the last sigh on Wednesday 13 May in response to the production Benvenuto Cellini by Hector Berlioz, which Monty Python director Terry Gilliam made for the National Opera. Immediately the same evening, I was caught off guard at the premiere of The Peach of Immortality by Rieks Swarte at the Toneelschuur in Haarlem. It concerns a... 

Jens Hillje of the Gorki Theatre Berlin (Photo Wijbrand Schaap)

Play 'Nibelungen' debunks modern Europe at Holland Festival

Berlin's Gorki Theatre won a prize this year: it was named the best theatre in the German language area by the German-language press. The company won the award partly because it employs many actors of immigrant origin. With its performance Der Untergang der Nibelungen, which can be seen in this year's Holland Festival, the group also thematises the... 

The Impact of Art, fierce conclusion to three-day conference

How can you write about a three-day conference, part of which took place behind closed doors, the closing night of which looks very neat on vimeo, but where the tension in the room was palpable? With a completely open mind and not much more background than an average newspaper reader, but with a firm belief in the power of the arts,... 

Safely out of hiding, but then?

The opera Poland in Plan Zuid will premiere at the Liberal Jewish Community in Amsterdam on Sunday 19 April. Composer Caroline Ansink and librettist Olaf Mulder based their work on Daniël Vermeulen's (pseudonym) memories of going into hiding in Brabant and his subsequent reunion with his mother in Amsterdam in 1945. Three questions for Caroline Ansink. Why... 

Hot Pepper: two languages, two war memories

How do you make theatre with someone who speaks a different language? The Volksoperahuis does. Hot Pepper is already the third performance Kees Scholten and Jef Hofmeister are making with artists from the former Dutch colonies. After Willemstad and Paramaribo, they now travelled to Yogyakarta. They came home with a hushed, elegantly designed narrative about the shared past... 

LKCA meeting Kanteling

Cultural education on the precipice: 18 points of debate where one strategy is needed

Tilting is in. And that is good as long as tilting means taking a sharp turn and following the freshly chosen course with new vigour. Tilting is unwise if you are on the brink. Because then tilting soon becomes tumbling. Cultural education, I fear, has begun a tumble. Last year, it appeared that... 

Reinbert de Leeuw conducts thrilling Janáček

Reinbert de Leeuw conducted an electrifying concert around Leoš Janáček at the Muziekgebouw aan het IJ on Thursday 12 March. The synergy between instrumentalists, singers and conductor yielded flawless performances, which were rewarded with ovational applause by the almost sold-out audience both before and after the interval. The cheers even led to an encore: a song from the popular cycle Rikadla... 

Cultural sector suffers from collective inferiority complex

"Of course I don't have to get rich from it..." It's pretty much the most frequently heard comment when you hang out with artists and creatives a lot. "Why not actually?" I then ask. Startled, they look at me. Appalled that you dare to question this universally held truth. In reply, something extraordinarily vague like "Well, just.... money isn't the most important thing, is it?" comes in.

When it comes to money, many artists (who are after all known as individualists pur sang) repeat as ...

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The Great War Machine and Swamp Club: contemporary activist theatre

In early March, The Great War Machine, director Joachim Robbrecht's new play, premiered at Theater Frascati. A week earlier, the Rotterdam Schouwburg showed Swamp Club, by French director Philippe Quesne. Both performances address the current political climate. Whereas Swamp Club is explicitly silent about the world it calls into question, The Great War Machine is instead a rhetorical spectacle, constructed from quotes from TEDtalks. Both performances show mech...

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Lanoye's Shakespeare adaptation voted best playable Dutch play

100 Dutch plays were presented to them, the 224 Dutch heavy users of our theatre seats who took part in a survey by the Amsterdam Institute for Theatre Studies. Plays that ranged from fairly well-known, such as Herman Heijermans' 'Op Hoop van Zegen' from the beginning of the last century and Joost van den Vondel's 460-year-old tragedy 'Lucifer', to completely unknown, such as... 

It's the tone, idiot! 4 Reasons why 'Heart' is a show you should go see

The play 'Heart' is one for your bucket list. In other words, the play 'Heart', created by Matzer Theatre Productions as an adaptation of Lisette Lewin's book 'Heart of Barbed Wire', is a play you really must have seen. Why? I'll give you 4 reasons why. 1: The book is no longer for sale Lisette Lewin wrote a book in 1992 that... 

The five shows you must see in February

#1 Salzburger Festspiele / Schaubühne am Lehniner Platz / Katie Mitchell, The forbidden zone (theatre/performance) - Dutch premiere 11 February, Stadsschouwburg AmsterdamThe British director Katie Mitchell is this month's 'arsonist' at Amsterdam's Stadsschouwburg. With performances that are as scintillating as they are transgressive. The forbidden zone is about areas long off-limits to women: wete... You can log in now to continue... 

Carrots, potatoes and a dash of lard on Writers Unlimited

How do you get back home mentally after a war? David van Reybrouck in conversation with Stefan Hertmans and Ian Buruma Carrots, potatoes, maybe some celery and a dash of lard, this was the monotonous winter diet of the underclass in rural Flanders in the late nineteenth century. But, outlines professor and guest speaker Louise O. Fresco in her opening column, these days it is the... 

Karl Ove Knausgard opens Writers Unlimited with strong appeal to individualism #wu15

"Everyone who writes will sooner or later run into a wall, a limit of what cannot, should not and should not be written. And almost everyone will flinch at that moment and refrain from writing it. Because that wall is there to protect us from what we don't want." Karl Ove Knausgård, already compared by some to Marcel Proust,... 

We had coffee with the uncrowned king of Iranian war photography

Moshen Rastani (1958) grins broadly, looks at me penetratingly, gestures, and puts his hand on his heart. "What is happening now, here, between you and me, in this conversation. That's what matters to me. We meet face to face. We communicate. Through each other's faces, we can visit the other's secret world. Such a camera is just a tool to make that contact."

Rastani was thrown into photography by the outbreak of the Iraq-Iran war. He emerged...

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Farce around The Interview turns into thriller - Sony succumbs to threat from unknown source

Things keep getting crazier with The Interview, the US comedy in which the CIA wants to implicate two television journalists in an assassination attempt on the leader of North Korea.

You could almost say that film has once again been overtaken by reality.

Although it is not yet crystal clear what exactly is going on. What does seem certain is that US moviegoers will be deprived of a presumably wacky comedy at Christmas. Or spared. That will be a matter of taste.

The trade...

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