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Important performances now available in full on Theatre Encyclopaedia

Watch Who's Afraid of Virginia Woolf by the Dutch Comedy in 1964, or Live, the 1979 video ballet by the Dutch National Ballet. You can now do so at the Theatre Encyclopaedia. Thanks to the crowdfunding campaign Being/Not Being. For some time, the Theaterencyclopedie had wanted to put videos of some of the crown jewels of Dutch theatre performances on the internet. A nice start has now been made on that. Through a Voordekunst action, even more money has been raised... 

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Advertising column Three Sisters

Chekhov's helpless, poetic creatures - three actresses on Three Sisters

Three Sisters by Chekhov directed by Theu Boermans is back with the Nationale Toneel. Two and a half years after its original performance, the play will play nine times exclusively at the Royal Theatre in The Hague. There is news about all three "sisters". Anniek Pheifer (Masja), Ariane Schluter (Olga) and Sallie Harmsen (Irina) talk about their careers and about Chekhov.... 

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Scene photo Swarte Art Foundation, 'The peach of immortality'

To remember is to descend into the deepest caverns of failure and sorrow

The only one really remembered in Jan Wolkers' novel 'The Peach of Immortality' is former resistance fighter Ben Ruwiel. On 5 May 1980, the entry of the Canadians from 35 years earlier was celebrated in Amsterdam. The crowds, not far from where Ben lives, fill him with disgust. It is unreal. The people, wrapped up by welfare society, have no concept of... 

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Jens Hillje of the Gorki Theatre Berlin (Photo Wijbrand Schaap)

Play 'Nibelungen' debunks modern Europe at Holland Festival

Berlin's Gorki Theatre won a prize this year: it was named the best theatre in the German language area by the German-language press. The company won the award partly because it employs many actors of immigrant origin. With its performance Der Untergang der Nibelungen, which can be seen in this year's Holland Festival, the group also thematises the... 

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#Reinbertbio one year on: biographer looks back

There once was a celebrity (pianist, composer and conductor Reinbert de Leeuw), a biographer (Thea Derks) and a riot. De Leeuw was against the publication of his biography Reinbert de Leeuw: man or melody and made no secret of it. In the TV programme Zomergasten (Summer guests), he even dismissed the dissertation-like standard work as an almost endearing puff piece. Meanwhile... 

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Mea culpa! - Forgot to check the facts

Mea culpa and action 'It only happens when you fall on your face.' This quote by artist Job Koelewijn in De Volkskrant has hung on my toilet door for years. One of the biggest mistakes you can make as a journalist is not checking facts. And OuiJAYes that mistake I have thus made: this writing creative did not check the facts.... 

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VVD strikes: Amsterdam art world put on the block

Hatred of dependents runs deep in the People's Party for Freedom and Democracy. The political game the party plays nationally and locally cannot be explained otherwise. Amsterdam is now experiencing the latest example of how the party has launched its publicity attack on dependents: while the cut in cultural subsidies of four years ago was... 

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CinemAsia 2015: a continent of new film

The sixth edition of CinemAsia kicks off on 1 April in Amsterdam. The festival offers a broad and surprising overview of films from Asia. Ranging from anime from Japan to a documentary on Indonesian action films or a contemporary Filipino relationship comedy. Culture Press already dived into the programme. In itself, of course, there is plenty to choose from when you look at all those prolific studios in China, Japan, South Korea,... 

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The Great War Machine and Swamp Club: contemporary activist theatre

In early March, The Great War Machine, the new play by director Joachim Robbrecht, premiered at Theater Frascati. A week earlier, at the Rotterdam Schouwburg Swamp Club to be seen, by French director Philippe Quesne. Both performances address the current political climate. Whereas Swamp Club is explicitly silent about the world it calls into question, The Great War Machine is instead a rhetorical spectacle, constructed from quotes from TEDtalks. Both performances make mechanisms felt, rather than pointing out culprits. Voluntarily withdrawing or being shut out, the neoliberal order does not seem to allow much more choice. There is no question of resistance.

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Theaters: voedt je publiek op en kap met die last minute acties

Net als kinderen moet je je publiek soms een beetje opvoeden. Als ze iets doen dat je prettig vindt, beloon je ze daarvoor. Gedrag dat je minder graag ziet wil je juist ontmoedigen. Toch doen veel theaters precies het tegenovergestelde met hun reserveringskosten en last minute acties. Het is al jarenlang een trend. Bezoekers besluiten steeds later dat ze een… 

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Thanks to fixed book price law, no handcuffs gift at fifty shades of grey

A few months ago, the Council for Culture advised Minister Bussemaker to maintain the law on fixed book prices. And that while the functioning of the law has not been proven at all. For enterprising booksellers, this law is a block. This law earned erotic department store Christine le Duc a €15,000 fine. They came up with a playful... 

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World Broadcasting Archive next victim of cuts

Radio Netherlands World Broadcasting no longer exists. The subsidy was withdrawn because no one in the VVD knew what it was: shortwave. And because the PVV, which was also in government at the time, finds everything scary that contains the word 'world'. Bad for those who miss calls from the ANWB emergency centre at breakfast for the Alpenkreuzer, even worse for... 

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Gooische Vrouwen beat Hobbit. Cinematic year 2014, eerily stable, with five caveats

Stable, stable, stable. That refrain sounded again and again at the announcement of the cinema industry's annual figures at the New Year meeting in Tuschinski. Hajo Binsbergen, vice-chairman of the Netherlands Association of Film Distributors, informed that in 2014, with the high number of 30.8 million visitors, the passage to the cinema was almost the same as 2013. The Dutch market share was with again... 

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They are going to pay. Cable operators on their knees for screenwriters

Tonight many drunk screenwriters on the streets, and in Leiden a few very happy older journalists. Lira, the organisation that has to collect money for them from the big, wealthy, and non-paying guys, has won twice. They already had, of course, but the cable companies didn't want to get rid of the gold plating on their luxury yachts. So they ignored the judge's ruling and... 

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Farce around The Interview turns into thriller - Sony succumbs to threat from unknown source

It gets crazier and crazier with The Interview, the US comedy in which the CIA wants to implicate two television journalists in an assassination attempt against the leader of North Korea.

You could almost say that film has once again been overtaken by reality.

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logo Netherlands Association for Performing Arts

Reason 6 for no apology to Halbe: 'Premature, tendentious and damaging to the sector'

The distinguished part of the arts sector is also reacting furiously to the VVD's statements, chronicled by De Telegraaf this morning. This brings the number of reasons for the sector not to apologise to Halbe Zijlstra to six. Whereas we previously gave five reasons, the Dutch Association of Performing Arts now also declares that we are only in the course... 

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'Immersive reality' shows fierce future for visual journalism on #IDFA

So I spent five minutes in singer-songwriter Patrick Watson's studio. He played a bit. Put his phone in the ashtray. Said something to his labrador. And I could look around quietly while he played. Behind me, in front of me. Below and above. Nothing like sitting at an artist's home while he plays. And he wasn't bothered... 

Read More "'Immersive reality' shows fierce future for visual journalism on #IDFA

World premieres by MacMillan and Roukens at Vredenburg's Friday

After years of concerts in the 'Red Box' on the A2, AVROTROS' De Vrijdag van Vredenburg on Radio 4 returned to the centre of Utrecht last summer. The new TivoliVredenburg was built entirely around Vredenburg's former Great Hall, renowned worldwide for its fabulous acoustics. Many a tear was shed at the reopening. To a new hall belongs... 

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The magic formula: art covered in applesauce

The post on facebook that dominated my timeline today: the spontaneous concert at NS station Amsterdam Centraal, taken from the website of the NRC (link: http://www.nrc.nl/muziek/2014/10/09/hoe-drie-artiesten-onverwacht-samen-optraden-op-adam-cs/ For several weeks now, this station has had a piano on which anyone can play. A playful action by the NS to make waiting more fun. This leads to surprising situations. Like this one in which a pianist... 

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Joop Daalmeijer Marathon (2): 'So that caution is not always necessary.'

Wijbrand Schaap: 'When it comes to talent development and embedding in society, it also has a lot to do with the absolute basics. It also touches on the minister's two functions: education and culture. Arts education in primary schools does not really help embedding. No attention has been paid to art in the pedagogical academies for years.... 

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Gergiev under fire. How a silly statement and half-hearted attempt at nuance worries Rotterdam. And exposes a bigger problem.

Protests abound again tonight at a concert conducted by Valery Gergiev, this time at London's Barbican. Many of the protesters are demanding that the orchestra explicitly distance itself from the Russian star conductor and speak out openly against gay legislation in Russia.

Read More "Gergiev under fire. How a silly statement and half-hearted attempt at nuance worries Rotterdam. And exposes a bigger problem.

The National Theatre prevented Stopera from becoming The National Theatre

It would have been so nice: The National Ballet together with The National Opera in The National Theatre, as you have in the capital of any self-respecting country. But so that didn't happen. The home of our National Opera and Ballet clubs is now called 'Nationale Opera en Ballet'. The National Theatre made sure of that, which, like the Nederlands Dans Theater, is not in our capital Amsterdam, but in its residence in The Hague.

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