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collective bargaining agreement

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Agreement collective labour agreement for theatre and dance and music ensembles 2025-2026

On 2 December 2024, Kunstenbond and the Nederlandse Associatie voor Podiumkunsten (NAPK) reached an agreement in principle on the Collective Labour Agreement for Theatre and Dance for 2025 and 2026 and on the Collective Labour Agreement for Music Ensembles. Both collective agreements will run for two years: 1 January 2025 to 31 December 2026. Meanwhile, the constituencies of both social partners have also agreed to the CAO agreements.... 

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Akkoord Cao Toneel en Dans 2024

Amsterdam, 12 september 2023 – De collectieve arbeidsovereenkomst toneel en dans is door zowel de achterban van de NAPK als van de Kunstenbond akkoord verklaard. In de cao is een algemene salarisverhoging afgesproken van 5% plus een verhoging met een vast bedrag van € 150,–. Deze salarisontwikkeling betekent een gemiddelde loonstijging van 9,44%. Op 6 juli jl. hebben de Kunstenbond… 

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THEATRE AND DANCE COLLECTIVE LABOUR AGREEMENT DECLARED UNIVERSALLY BINDING

Met de publicatie in de Staatscourant van 8 juni 2022 is de Cao Toneel en Dans 2022-2023 algemeen verbindend verklaard (AVV). Dit betekent dat alle professionele Nederlandse producenten die toneel- en/of dansvoorstellingen maken, deze cao moeten toepassen voor hun personeel. Cao-partijen Nederlandse Associatie voor Podiumkunsten (NAPK) en Kunstenbond hebben de AVV aangevraagd om de arbeidsvoorwaarden voor de gehele toneel- en… 

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Cultural big earners: jump through your karma for once

My story about cultural big earners turned out to be the talk of the town in the cultural sector. Not publicly, i.e. mainly behind the scenes, I was approached. One of the few people who did speak out publicly was Henk Scholten. On Facebook, he responded to a column by journalist Aukje van Roessel about the questions raised by The Hague city council 

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Why should the cultural sector level out when the problem is caused by external funders?

Het artikel van Ingrid van Frankenhuyzen over de hoge beloning voor sommige directeuren in de kunstsector (Vergeet KLM en Booking: ook in de gesubsidieerde kunsten zijn de directeuren grootverdiener.), en de toelichting daarop van Wijbrand Schaap in de nieuwsbrief van het Cultureel Persbureau missen context. Waarom vind ik dat?  Salarissen binnen culturele instellingen volgen CAO’s/loonrichtlijnen die in de branches zijn… 

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Tears and pancake flour - Noël Fischer a week after Trojan Wars cancellation

Director Noël Fischer, artistic director of HNTJong, Het Nationale Theater's youth club, learned a week ago just before the first try-out that she and Trojan Wars would not be allowed on stage for the try-out, nor for Saturday's premiere. Not an ordinary performance but a marathon performance with three parts, with fodder for the mind (music) and the... 

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Een kwart van waar ze recht op hebben! (Hoe de Publieke Omroep musici tot de bedelstaf veroordeelt)

Toen ik laatst aan middelbare scholieren probeerde uit te leggen hoe weinig de orkestleden betaald kregen die bij het Eurovisie Songfestival de muzikale verrassingsact verzorgen, keken ze me verwilderd aan. Immers, het was meer dan je als 16-jarige verdient als vakkenvuller bij de gemiddelde grootgrutter. Dus wat was eigenlijk het probleem? Daarom nu maar even een andere rekensom, dankzij de… 

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Song festival-gate update: fee for spectacle orchestra even lower

Those who want to be musicians have to bleed. Earlier, we reported that the highlight of the Dutch edition of the Eurovision Song Contest was going to be performed by professional musicians and conservatoire students who would receive 100 euros a day for it. Outrageously little, when you know that full days of work were going to be involved anyway, for eight days. Well: it's even worse than... 

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Dutch Edition Of Eurovision Song Contest Is Underpaying Musicians. (And existing orchestras are left out)

We got some confusing messages last weekend. The reason was the festive announcement of the organisation of the Eurovision Song Contest that a special symphonic happening would take place at the finals in Rotterdam. Third year and master students of the Rotterdam Conservatoire, part of Codarts, as well as young professional musicians were invited. A 'fee' would be available for... 

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Eurovision Song Contest had the Metropole Orchestra, but chose students.

Where is the Metropole Orchestra? A unique orchestra, the only one in the world that can pull off the complete repertoire from classical to pop and jazz? The orchestra that used to accompany the Dutch acts at the Song Festival when everything was still live? The orchestra, which as recently as December was on tour with our new Song Contest candidate,... 

Read More "Eurovision Song Contest had the Metropole Orchestra, but chose students.

What is the remplaçanten-cao and why is it so bad that the NPO applies it to the Eurovision Song Contest?

[update: they get even less, see post below] We received confusing news last weekend. The occasion was the festive announcement by the organisers of the Eurovision Song Contest that a special symphonic happening would take place at the final in Rotterdam. Invited were third-year and master students from Rotterdam Conservatoire, part of Codarts, as well as young professional musicians. For the performances... 

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(update: Song Contest response and nuanced message) Playing with the Eurovision Song Contest Orchestra? From 100 euros per day

In the first version of this post, we assumed 100 euros for 8 days. We turned out to be misinformed. The application of the remplaçants' collective agreement, mentioned in the explanation by the Song Festival, gives a bit more leeway, although its hourly and daily rates are still controversial. But 1,000 euros for eight days is now apparently the going rate.... 

Read More "(update: Song Contest response and nuanced message) Playing with the Eurovision Song Contest Orchestra? From 100 euros per day

Why does the fair practice code really only apply to the arts?

Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be... 

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Social Fund Performing Arts turns out to be moneypit: assets halved in five years. Why is this bad news?

'If we continue at the current rate, the fund will be exhausted in the foreseeable future.' This can be read in the 2018 annual report of the Performing Arts Social Fund. Plenty of reason to sound the alarm, indeed. Is this yet another victim of the cabinet's cuts? Not really, it turns out. When you look at the documents in detail, you see mainly that... 

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Why a code is not going to change anything about unfair practices in the arts

Dutch youth theatre has been awarded the Prize of the Dutch Critics this year. Quite rightly so. That youth theatre of ours is of superior quality, diverse, dares to tell stories and look outside its own navel. It is more than a pity that, as an adult without a child, you don't come into contact with that theatre so often. Many an adult would fervently... 

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VACANCY - Business leader (m/f) 0.8 fte from 1 January 2019

Mugmetdegoudentand is a quirky Amsterdam-based theatre company that has been making successful theatre and occasional television for more than 30 years. The group creates new Dutch repertoire that describes the spirit of the times with a personal voice. De Mug produces plm 4 performances a year, including an ambitious European project in 2020. De Mug is subsidised for several years (planning period until 2021) by the municipality of Amsterdam.... 

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Paradiso debate 2018: Optimistic arts sector wants less supply and better pay

Less supply of subsidised art is good for the country. Antoinette Laan, culture spokeswoman for the governing VVD party, has thought so for at least eight years. Back in 2011, then still as alderman in Rotterdam, she stated that she did not understand why art institutions were open on weekdays. After all: everyone was at work then and so couldn't come and have a look anyway. Listen here... 

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Who pays the artist? Lower House hears about shocking reality in the arts in roundtable discussion

Whether the artists performing on DWDD got paid for their performance. Esther Ouwehand of the PvdD did not know. She was not the only one, at the roundtable session on Wednesday 25 April on the labour market in the cultural sector. None of the MPs, fund managers, trade unionists present knew. So we asked on facebook and twitter how it was even done.... 

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Culture Council wants review of system, but cautious 'Theatre Sector Opinion' is licence for arbitrariness by House of Representatives

Today, the Culture Council comes out with one of the weaker advices in its existence. The Netherlands' highest cultural advisory body showed vision, leadership and boldness earlier this season with the 'Verkenning' and the 'Sectoradvies Muziek'. The exploration called for a reversal of subsidy flows, with urban regions taking the initiative. In the advice for the music sector, it broke... 

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Good that the Amsterdam Arts Council wants to invest in culture, but more is needed.

Well in advance of the March 2018 municipal elections, the Amsterdam Arts Council has come out with an Advisory Cultural Investment Account. The advice actually comes just too late to serve as input for the various election programmes of Amsterdam's main political parties. It is, however, well in time to possibly play a role in the coalition negotiations that will follow the... 

Read More "Good that the Amsterdam Arts Council wants to invest in culture, but more is needed.

Fair Practice Code is beta version. (Why it will remain unsettled in the arts for a long time to come)

De bezuinigingen op de kunstsubsidies zijn afgewenteld op de zwakste schouders. Minister Jet Bussemaker wond er in een van haar laatste publieke optredens geen doekjes om. ‘Ik heb vaak de veerkracht van de sector geprezen, en dat mogen we ook best vieren,’ verklaarde ze gisteren bij de presentatie van de Code Fair Practice, ‘maar ik zag ook dat gesubsidieerde instellingen… 

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Why it's good that the Holland Festival gets this general manager #HF17

Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why... 

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Petition! NAPK wants to go to the barricades for the performing arts

The NAPK (Dutch Association for the Performing Arts) is sounding the alarm bell for the performing arts. The association of employers in the performing arts is launching a petition today and submitting a second fire letter to the Lower House on 1 November. Earlier this year, NAPK already sent a letter to the Lower House. And that was then written about here. Now, in preparation for the Lower House debate on the culture budget, a second... 

Read More "Petition! NAPK wants to go to the barricades for the performing arts
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Performing Arts Fund cuts dance subsidies. Not enough, according to some.

The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would... 

Read More "Performing Arts Fund cuts dance subsidies. Not enough, according to some.

Art without creators is not culture. Sign the petition.

We reported earlier. Worldwide, the Netherlands is Crazy when it comes to protecting the creators of books, films, journalism, art, theatre, dance and so on. And no, IT IS NOT ABOUT SUBSIDY NOW. It is about archaic legislation that does protect the middlemen, but leaves the creators outlawed and disenfranchised. That middlemen are paid extremely well, have... 

Read More "Art without creators is not culture. Sign the petition.

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