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'Jett Rebel, we heard you and the money for the cultural sector you are asking for is ready. In Brussels!'

Young artists, filmmakers, musicians, writers and other new thinkers are drowning in the effects of the Corona crisis, as a cry for help from Jett Rebel in de Volkskrant again showed. Assignments are falling away and there is little room for new initiatives. A whole generation of creative talents seems to be lost in jobs in the hospitality industry or at the GGD. The European Recovery Fund... 

Amsterdam Museum runs conversational campaign for Golden Coach

The Amsterdam Museum is running an innovative campaign for the exhibition The Golden Coach in collaboration with various agencies and creatives. Sharing knowledge and starting a national conversation about the controversial carriage is the goal. Head of Communications & Marketing at the Amsterdam Museum Maurice Seleky explains why this was chosen: ''The exhibition The Golden Coach tells... 

Judith Uyterlinde (World Editions) - Animation fits well with the artistic and fictional nature of our novels

As in the animation sector, the book trade is hugely diverse. Within the Netherlands, around 4,500(!) publishing houses operate. From cooking and baking to self-help, from fact to fiction, an awful lot is written and published in the Netherlands. But there is also a publisher, World Editions, which does operate from the Netherlands, but focuses on the English market. They translate existing... 

animation michiel peeters programmer tivoli vredenburg

Michiel Peeters (TivoliVredenburg) - We want to make visual art a more prominent part of our programme

Public space is dressed up with visualisation, music video and art in many places, including TivoliVredenburg. Either via projection mapping on buildings during events, or via LED panels in shop windows and abris, but also as digital art during performances and lobbies in theatres. In TivoliVredenburg, in the heart of Utrecht, they even create separate events for it. Canvas is a programme that... 

FUNERAL FOR STREET CULTURE - A Critical Celebration and Mourning of Counter Culture A group project by Metro54 and Rita Ouédraogo and hosted by Framer Framed

Over the past year, the global pandemic and reignited Black Lives Matter protests have had a huge impact on our daily reality. A Funeral for Street Culture seeks to explore and make visible the sense of loss and other consequences of these events within art and culture. The group project, curated and initiated by Metro54 and curator Rita Ouédraogo,... 

aniamtie animation31 interview siety boerhave

Siety Boerhave - Whether animation can be timeless and live action cannot is an interesting question

Motion design and animation are often used in the visualisation of a leader. Behind the scenes of television programmes, a lot of work goes unseen. We offer an insight into everything that makes a programme. This often starts with an idea that is developed into a concept. Television design Someone who is very good at developing these concepts is Siety 

Between Past and Future. Frank Scheffer films a fruitful meeting between East and West #HF21

Saturday 26 June at the Holland Festival, a special evening around two music films by Frank Scheffer: the documentary Inner Landscape and the opera film Si Fan. Supplemented by a short live performance by Chinese musician Wu Wei. This will present a musical journey from the seventh-century Tang Dynasty to contemporary electronic music. An evening with unexpected perspectives.

Theatrical installation looking at current events from the Maroons' perspective, this summer at Plein Theatre

Swart Gat/ Golden Age (Dunguu olo - katibo-ten) is a theatrical installation about Amsterdam's slavery past and Maroon culture from Suriname. The concept is by Tolin Erwin Alexander, Berith Danse and designer Bartel Meyburg. The theatrical installation, which has lost none of its urgency, has been further finished and will start again in summer 2021! From 17 June (19 June... 

Dance & theatre collective Movementalist, in collaboration with Plein Theater, presents the Movement Expo Aceleratio at the NDSM Fuse from 27 May (premiere) to 30 May.

The art of slowing down in times of pandemic. Aceleratio is an interdisciplinary performance installation that aims to confront online and offline audiences with struggle, freedom, courage and comfort, from the need to embody these times. Artistic directors Dayna Martinez Morales & Vincent Verburg are the initiators of Movement Expo Aceleratio. Ten experienced and very different performers in... 

illustration accompanying article Animation31 interview with Stephane Kaas

Animation & Stephane Kaas: 'I like to give animators a certain freedom.'

We stelden hem een aantal vragen naar zijn ervaringen en invloeden. Wat is jouw ervaring met animatie tot nu toe? ‘Als kind tekende ik graag strips. Ik maakte met een vriend de strip Kaas-Trek, een soort persiflage op Star-Trek, en die verkochten we dan aan klasgenootjes en daar kochten we snoep van. Who framed Roger Rabbit herinner ik me als… 

image accompanying article on martin koolhoven by udo prinsen

Animation & Martin Koolhoven: 'With animation, I kept thinking: what don't I know? That made me insecure.'

Animatie kwam begin 2020 dankzij Covid19 maatregelen versneld onder de aandacht als vervangende optie voor live-action. Terwijl veel filmproducties stil kwamen te liggen werkten diverse animatieproducties ‘gewoon thuis’ stevig door aan series, korte en langere films. In de sector moedigen we de gedachte tot meer gebruik van animatie natuurlijk erg aan, maar hoe simpel is het eigenlijk om zomaar over… 

Bart Rutten: we need to keep a close eye on parents in the Miffy museum in particular

'The spontaneous breeze should be planned at least 15 minutes in advance. After all, you have to buy tickets for a block of time. When you enter our venue, you immediately see all the security measures we have taken to protect staff and visitors. There are huge screens to separate the flow of visitors. There's a chance you won't get lost in... this time. 

Conductor Elim Chan: 'I can't walk away from the music.'

'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female... 

Zeitgeist and chance cannot be captured by an algorithm. Why a robot should not replace the music programmer.

Last Wednesday, 2 October, at the annual congress of the Vereniging Nederlandse Poppodia en Festivals in Tivoli/Vredenburg, I saw an interesting presentation by Jonas Kiesekoms, research coordinator at PXL-Music in Hasselt, Belgium, and musician. The question is now classic: can a robot replace the music programmer? With his research group, Kiesekoms is working on several applications that use data science to improve ticket sales for concerts,... 

At last. Interest groups arts and creative industries seek collaboration

It is actually a footnote in the press release that lobby organisation Kunsten '92 sent out into the world today. But, as always with footnotes, it did contain the most important news. Because Kunsten 92, the club in which organisations in the arts sector polder, is "exploring cooperation" with the Creative Industry Federation. The latter is the Arts '92 of everything that is also culture and creativity,... 

Shout out! The big fill-in for the new arts plan.

The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural... 

An app won't get you there. Why the minister should make archiving all arts mandatory

The heritage sector is not the sexiest sector of the Dutch cultural world. Even though nude exhibitions are flying around your ears this season, you're more likely to think of obscure museums, monuments, stamp collections, old stuff. This is how it happened that the Digital Heritage Netherlands Foundation could exist for almost 25 years without anyone in the 'more popular' arts (stage, film, literature)... 

How drinking beer and Haute Couture go together just fine at the Fashion + Design Festival Arnhem

When I thought of fashion, I pictured an elite group at the catwalk: catty models and hostile designers. After my visit to the Fashion + Design Festival Arnhem, all those images have been completely adjusted. In the month of June, everyone in fashionable Arnhem seems to be working together. Fashion designers walk fraternally with each other in a fashion parade, sharing studios, catwalks and celebrating... 

Geeks and mouse arms at the Muziekgebouw. The bar is high for @hollandfestival's new bosses

Then suddenly there is a very different audience in Amsterdam's Muziekgebouw aan het IJ. Gamers. Or rather developers. And hardcore new-music aficionados. 'I only come for Maze,' said my neighbour petulantly. He came for the music ensemble. Not for the games, that is, not for the computer graphics. And maybe not even for Claron McFadden. That famous, hyper-pliable opera singer who appeared in... 

Zwierende parachutes en trillende spieren op Playful Arts Festival: ‘Als de bezoeker niets doet, bestaat het werk niet’

Af en toe schuurt het bij Playful Arts, een intiem festival dat spel en kunst samenbrengt. Alles draait om interactie, zelf doen, ervaren. Sommige bezoekers moeten even een drempel over. Maar dan gebeurt er wel iets. ‘Die dansers moeten echt een keigoeie conditie hebben’, hoor ik iemand achter me vol eerbied mompelen. Aan de overkant van de straat wijst een… 

Stef Aerts directs 3D show JR at @hollandfestival: 'To go from 700 pages of real literature to a manageable stage text doesn't just happen.'

Listen to an atmospheric impression and the full interview with Stef Aerts here. Children have the ability to turn adults' worlds upside down. Eleven-year-old JR is really getting into it. On a school trip, he learns how the stock market works and then turns it to his will. In doing so, unhampered by a prefrontal cortex, that part of the brain... 

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