#IFFR Tigercheck (1): Mythical tales and charming doubts
With the revamped, more compact Tiger competition, IFFR aims to show what the festival stands for. Nurturing new talent with a voice of its own. Is the Tiger roaring again?
Festival
45e #IFFR: Restyling Rotterdams festival lijkt vooral cosmetisch.
45e Filmfestival Rotterdam, het eerste onder nieuwe directeur Bero Beyer, gaat sterk van start met Beyond Sleep, naar W.F. Hermans’ Nooit meer slapen.
Zingende Gustav Mahler en stamelende Beat Furrer raken de ziel
Mahler op een programma van Asko|Schönberg – hét gezicht van de avant-gardistische atonaliteit, kan dat wel? Voor vaste gastdirigent Etienne Siebens is dit geen vraag: in zijn programma’s zoekt hij graag de grenzen op tussen geliefde klassiekers en nog levende componisten. Op donderdag 4 februari plaatst hij de ensembleversie van de romantisch zingende Vierde Symfonie van Mahler – die met…
Krzysztof Penderecki: 'In chamber music you can't gloss over anything'
In 1961, Krzysztof Penderecki (Dębica, 1933) put his name on the map in one fell swoop with Lament for the Victims of Hiroshima. This avant-garde, expressionist piece for string orchestra flogs the ears with heavily dissonant harmonies full of microtones. With this uncompromising orgy of sound, the Pole struck the mental and physical inferno caused by the atomic bomb on the Japanese city in 1945 in the...
The Access. Winternachten chief guest Susan Neiman on David Bowie (among others) #wn16
The last bit is always the most exciting. After a nice conversation with festival presenter Francis Broekhuizen, chief guest Susan Neiman suddenly joined us. It was nearing twelve, quite a bit of wine had actually already been poured into presenter and guest, but still. Suddenly you find yourself talking to a great philosopher and writer about David Bowie. This was the last session at Winternachten....
A Saturday night with Connie Palmen, Adriaan van Dis and Socrates. #wu16, #wn16
Next time, there will be 10 people queuing for a hotseat, 100 online viewers and dozens of live spectators in the foyer. At least I hope so, because only then will experimenting with new forms, apps and devices make sense, of course. At the second Winternachten night, Saturday 16 January at the Theater aan het Spui, we had slightly fewer viewers than...
Queues to the door for Knausgård at Winternachten #wu16 #wn16
Lots of audience and wonderful stories made the Saturday of the literary festival Winternachten a party. For the visit of Norwegian writer Karl Ove Knausgård in the afternoon, queues stretched from the auditorium to the front door of the Theater aan het Spui. The festival's evening programming was also well attended. While American-German philosopher Susan Neiman spoke in...
Storioni Festival: champagnefles waarvan de kurk bijna afknalt
Op donderdag 21 januari start de negende editie van het Storioni Festival, gewijd aan het vijfhonderdste sterfjaar van Jeroen Bosch. Vrij naar diens beroemde triptiek Tuin der lusten kozen de musici van het Storioni Trio en Frank Veenstra, artistiek manager van Muziekgebouw Eindhoven, voor het thema ‘Dromen en Demonen’. Composer in residence is de Pool Krzysztof Penderecki, die beroemd werd…
Forget Jinek. The conversation about art can go to a new dimension: blab.im at #wu16
On Friday 15 January, we conducted a first experiment with the platform 'blab.im'. During festival Winternachten, we reported live, via the internet. We did so in English, because most of the viewers we had were English-speaking. We could see that. That is already the most striking difference between something like Blab.im, and ordinary television. Blab.im in the Netherlands is still...
Winternachten: an engaging and amusing evening of talking about Evil #wu16
Literature is not a means to bring about political change, but to change people. That is exactly what he aims for with his books, Egyptian writer Alaa al Aswani said yesterday at Winternachten, where his new novel The Automobile Club of Cairo was presented. That is probably how visitors to the literary festival at the end of the evening also came to...
On the sofa with The Signature Hunter, The Translator and Abdelkader Benali
Three and a half hours of streaming video from a seating area at The Hague's Winternachten festival. I won't blame you if you didn't follow everything. I wasn't quite there myself at the end. Still, it was a success. If only because it hasn't been done here in the country before. Blab is so new that...
Winternachten is about something
Hello Darkness is the theme of the international literary festival Winternachten, this coming weekend in The Hague. It takes guts, in a time when everything has to be fun and cosy and we prefer not to spend our free time dealing with misery or 'heavy topics'. That is why we love Winternachten, because that festival really goes...
Susan Neiman chief guest at Winternachten 2016: Why the atomic bomb really fell on Hiroshima
Propaganda is not just something that occurs in, say, Russia, but also in the West - more so than we ourselves realise. For example, is it widely believed today that the atomic bombs were dropped on Hiroshima and Nagasaki to force Japan to capitulate and thus end World War II, nothing could be further from the truth. In that respect, Germany goes...
Violinist Daniel Rowland: 'One spontaneous action can change the world'
The healing power of music, some firmly believe in it - in 2013, it was even the premise of the City of London Festival. Believing that music can connect people and have a healing effect on conflictual societies, festival director Ian Ritchie asked the Brodsky Quartet to commission a composition around this theme. Thus was born the by...
Pierre Boulez turns 90 yet again
This year was a celebration of two composers from two seemingly completely different planets. The Estonian Arvo Pärt (b 1935) turned eighty, the Frenchman Pierre Boulez (b 1925) ninety. One is unparalleled among a wide audience for his eloquent 'tintinnabulist style', the other is applauded by a select group of insiders for his avant-garde compositions, which the general public, however, experiences as incomprehensible...
Mantra voor 2 piano’s van Stockhausen: iconisch meesterwerk
In 1970 was Karlheinz Stockhausen (1928-2007) uitgekeken op ‘intuïtieve’ composities waarin de uitvoerder zelf zijn of haar pad moest kiezen uit een reeks van schriftelijke aanwijzingen. Zoals bijvoorbeeld Intensity, waarvan de partituur bestaat uit deze tekst: Speel de individuele tonen met zoveel toewijding tot je de warmte voelt die van jou afstraalt. Speel verder en hou ze aan Zo lang als je kunt.…
One last IDFA Award: Afghan rap star Sonita steals audience's hearts
A young Afghan who dreams of a career as a rapper turns out to be the ideal protagonist for an appealing documentary. Sonita is winner of the IDFA audience award.
The IDFA is almost over. Time to take stock.
With one day to go, it's time to look at what stood out about the International Documentary Festival Amsterdam. The picture of the entire festival is diffuse, as befits a fest whose programme booklet is almost three hundred pages thick. There was, as always, a sea of films about abuses and current political issues, but there were...
Idfa viewing tip 27 November: Perhaps the weirdest and fiercest film of the festival
It doesn't often happen to me that just under 30 years after seeing a film, I still remember in what state I left the theatre. Supreme confusion it was. Was all this real? As a filmmaker, were you allowed to hit your interviewees? Was it staged? It was too horrifying to imagine everything really happening
IDFA viewing tip for Monday 23 November
Today's IDFA viewing tip is for a special film about a special man, Sun Mu. That's not his real name, it means 'without borders'. And that is very appropriate for this artist. For years, he was a successful propaganda artist for the regime in North Korea. Until he ventured the great crossing. He swam (literally!) to freedom and has lived since the...
IDFA viewing tip for Saturday 21 November
I didn't have to think long about today's tip. Chantal Akerman's latest film runs this afternoon at 13:15. No Home Movie is about her mother, who survived Auschwitz, and her final days. And about the difficult relationship Akerman had with her mother. She tells in an interview that they were in Mexico together once
‘Zonder extra geld zullen ook succesvolle festivals omvallen’
De Tweede Kamer heeft een paar weken terug ernstige problemen veroorzaakt voor de cultuur in Nederland. In een nobele poging om een paar festivals en een jeugdtheater te redden veroorzaakten SP, D66, CDA en PvdA een chaos. Ze namen een motie aan waarin onze minister van Cultuur werd opgedragen alsnog geld te reserveren voor een paar festivals en een extra…
De muziek van Arvo Pärt: niet altijd een warm bad
Welke titels schieten je te binnen bij de naam Arvo Pärt? Sonatine opus 1; Symfonie nr. 1; Perpetuum mobile, of Fratres; Für Alina; Spiegel im Spiegel? Ik gok op de tweede reeks, want met dit soort stukken veroverde Pärt eind twintigste eeuw de wereld. Het publiek stroomde in drommen toe om zich onder te dompelen in zijn welluidende klankwereld, maar…
IDFA-special (1): 28ste International Documentary Film Festival Amsterdam opent met intrigerende familiegeschiedenis
IDFA 2015 opent sterk met intrigerende familiegeschiedenis A Family Affair, maar het belangrijkste programma-onderdeel is Benjamin Barber: Jihad vs. McWorld.
Rotterdam in teken Arabische film
Arab Camera filmfestival in Rotterdam opent met een luchtige noot uit een onbekend filmland. In From A to B leren drie rijkeluiszoontjes uit de Emiraten op eigen benen staan.
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