As the government has killed the entire circuit of production houses and further education, seven theatres have jumped into the gap. They are joining forces to enable a number of 'young' makers to develop their work after all. By offering a number of performances in advance
The discussion was and is endless, but now we have figures. Thanks to the Ministry of Education, Culture and Science's new 'key figures', we now know how much the state (all of us) are spending for the opportunity to experience art: per inhabitant, the state spends 38.90 per year on subsidies for dance, theatre, museums, youth theatre, opera and orchestras. So that's just over 3 euros a month. Indeed something to get into each other's hair about, we think.
Halbe Zijlstra is proud of his policy, and keen to come and tell it in front of the entire cultural sector. So on Sunday 26 August, he appeared on stage during the annual 'Paradiso Debate' to reiterate how well things had gone with the 200 million cut in the arts sector. He praised the resilience of the affected art world, and would be happy to do the same again.
I would like to take a moment to put this one to you. Quote from this morning's volkskrant, where editor Harmen Bockma makes a valiant attempt to list all the figures of culture carnage, but fails a little in doing so. It also remains difficult to identify the breakdown in the basic infrastructure add to the dropout at the fund, but it is proving altogether difficult to discern what
Ze heeft het druk gehad. Hoogzwanger werkte Yasmeen Godder (Jeruzalem, 1973) aan haar eerste choreografie voor Batsheva Dance Company. In een maand tijd stampte ze onder de vleugels van Batsheva haar nieuwe voorstelling The Toxic Exotic Disappearance Act uit te grond, en beviel tussendoor van een gezonde dochter. Voor de derde keer presenteert de Israëlische choreografe Yasmeen Godder haar werk…
A wheel cannot be invented often enough. After all, someday something truly new will emerge. In marketing land, this is pretty much the constitution. That is why it is so moving to see how
Tax benefits to be gained this year (...) With effect from 2012, under the new Giving Act, there is an additional tax facility for donations (incidental or via periodic donations) to charitable institutions (non-profit organisations) designated as cultural institutions. Those cultural donations may be multiplied by a factor of 125 per cent for the gift deduction. This...
State secretary does not give museum park Orientalis a cent (...) Interim director Peter Berns had asked Zijlstra, state secretary for Education, Culture and Science, for a one-off subsidy of six million euros. The province of Gelderland is willing to make a one-off contribution, if necessary, but only if the government also comes over the bridge. So that is not the case now, confirms a disappointed Berns. Source:...
Coincidence? The two Dutch documentaries in the main competition of the IDFA documentary festival both explore what music can mean to people. Two films that also complement each other perfectly - one starts from the perspective of the listener, the other from the musician. In About Canto, Ramon Gieling outlines the profound influence that Simeon ten Holt's Canto Ostinato...
Groningen municipality cuts back on Gezinsbode The municipality is going to cut back 150,000 euros on publishing city notices in the Groninger Gezinsbode. The City Council wants to publish decisions and permits electronically from now on, for example on the municipality's website. (...) The number of pages in the Gezinsbode will be halved. (...) source: OogTV 10 Nov 11 Most councillors expect subsidies to be cut...
"Programmatic ingenuity goes hand in hand with Fischer's ebullient and finely crafted performances". So when someone says that about you, you have earned a prize. So that is what the jury of formerly the Classical Music Prize thought of Iván Fischer, the Hungarian-born conductor who was therefore awarded the 'Ovation' on Monday 17 October 2011. And so then the 'Ovation'...
Pim van Klink is his name. He has been popping up everywhere lately. Especially when the malign subsidy orientation of the cultural sector needs to be pointed out, every medium calls Van Klink first. Last week, he once again threw his hobbyhorse into the henhouse in the NRC and was invited to join Buitenhof. And according to our trench-coat-clad...
Turntables and theatre have something in common. Especially in recent years, theatre-goers increasingly run the risk of facing a so-called rotating stage. After Johan Simons made use of this technical style figure in his direction of Hiob at the Munich Kammerspiele and Christoph Schlingensief made the stage turn spectacularly in his swan song Mea Culpa, it is now...
The festival for short film Go Short in Nijmegen is not quite over yet, but last night the winners of the various competitions were announced at the Award Show in LUX. The award for best short fiction went to Incident by a Bank by Swedish director Ruben Östlund. He took a failed 2006 bank robbery as the starting point for...
We had done the necessary research work ourselves, and then it turned out that something had also been sent to the House of Representatives, which contained many more figures. We asked for those figures and were shocked. After 2012, when the current arts plan expires and after a year of inaction and wait-and-see for the entire sector, a...
'The drawing is literally and figuratively striking, painfully comic and wry: it brings tears and laughter at the same time. The combination of the boy's peaceful pose with the cruel assault on his body lingers in your mind. The print needs no text; it could appear in any European, even global newspaper, so powerful and universal is...
About 8 million Dutch people do something with art. They have music lessons, macramé plant pendants, paint plates or put together Christmas cards. But they also play theatre, sing in a choir, are part of a hip-hop crew or death metal band. That these practitioners of amateur art are not automatically also regular visitors to professional art is a mystery to many people. The Fund ...
Ola Mafaalani. That's a very fierce one. So you can never ignore that. The human is so full of passion and emotion that all her stage work, because she is a director, cannot possibly leave you cold. At least, so it was until recently, with me personally finding her last play at Toneelgroep Amsterdam 'Hemel boven Berlijn' the most beautiful, because it was also the most...
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