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Zéro: from slapstick to Zen ritual - First edition Zéro Mime & Performance Festival 15 & 16 December

Experience mime at the Zéro - Mime & Performance Festival: the first two-day festival in the Netherlands entirely devoted to physical and visual theatre. Expect new and established makers, location performance alongside large hall productions, comforting alongside abrasive, inside and outside de Meervaart 15 and 16 December 2022. Including turboslapstick performance Knock-Out and Erosion, winner of the BNG Bank Theatre Prize. The... 

Like the best clowns, Elias de Bruyne knows how to connect humour with existential angst. At Festival Boulevard #tfboulevard

One of the very best things about Festival Boulevard is the variety of programming. Theatre, dance, music, youth performances, mime, comedy, it all mixes together. And the festival offers just as much space to young makers as to the old hands. So you get a good overview of what the up-and-coming generation of theatre makers has to offer.... 

Benjamin Verdonck renews, for a moment, your view of the world. At Theatre Festival Boulevard #tfboulevard

One of the things that make Boulevard so special in the Dutch festival landscape is its generous focus on Belgian performances. Where Dutch theatres programme less and less work from across the southern borders, Boulevard continues to offer a stage to a large number of Belgian makers. Learning to live together This produces very varied work again this year. At the heart of the festival is... 

PLEIN THEATER presents The Week of Karina Holla from 25 to 28 November

Therefore, from 25 to 28 November, the PLEIN THEATER presents The Week of Karina Holla: An in-depth look at the performance War Women and an ode to the work of Dutch mime player, actress, choreographer and director Karina Holla and her significance for theatre.
An in-depth look at the performance War Women and an ode to the work of Dutch mime player, actress, choreographer and director Karina Holla and her significance for theatre.

Taking off and landing softly. That's what Schweigman& offers during Sender Boulevard, and we need it

Boukje Schweigman is een kunstenaar die dit land hard nodig heeft. Mijn diepe bewondering voor haar ontstond bij ‘Klep’, de voorstelling waarmee ze lang geleden afstudeerde aan de Amsterdamse mime-opleiding. Met acht anderen in een karretje, door hele kleine klepjes rondkijken in een wereld waarin lieve wezentjes  al even nieuwsgierig zijn naar jou, waarna een minimale aanraking de impact van… 

Scene uit The Place To Be. Foto: Jochem Jurgens

Rollende stenen, gillende keukenmeiden, rookbommen en edelpunk: waarom de beginnende makers in Theater Kikkers Wintercollectie zo veel verrassingen bieden.

Twee mannen. Niet eens zo heel erg gespierd, niet eens zo heel erg stoer. Maar wat een dokwerkers. En wat een eenvoud om iets heel moois te vertellen. De een rolt zichzelf op als een steen en de ander rolt die steen een berg op. Die berg bestaat uit podiumdelen die elk zeker een halve meter in hoogte van elkaar… 

Ten days of theatre with bollocks in Kikker Kiest (At once up to date)

'When Paul moves his little finger something happens. They have a scene where Jochem draws a picture of Paul. Paul is posing naked. And that lasts. That takes a long time. You and I, as amateurs, would fill that with all sorts of poses and movements, but Paul doesn't do anything. You think. And all sorts of things happen. HIj is doing something, then, but.... 

Beatles tour bus (replica) Photo: Chris Samson CC.BY 2.0

You had one chance to sustainably improve arts subsidies

The decision will be official in mid-September, but behind the scenes it has already been made. The Netherlands will have a very small basic cultural infrastructure for the performing arts, and a very large fund that anyone who wants to make theatre, dance, mime or music must apply to. I asked around a bit recently, and so that's what it's going to be. That way, politicians can't... 

Joris Smit in Tasso, photo Kurt van der Elst

Joris Smit on Tasso and Joan of Arc: no theatre that puts the audience to bed

The National Theatre plays Jeanne d'Arc by Friedrich Schiller and simultaneously retakes Johann Goethe's Tasso. Joris Smit plays in both plays, even the title role in Tasso. We talk to him about German romantics, Sallie Harmsen, the new-fangled National Theatre and the importance of going down on your face. Tasso and Jeanne, Goethe and Schiller. Is German romance... 

Garry Feingold and Ger Jager, Dance Makers, 2012. Photo: Jean-Pierre Jans.

Extremely rare landslide possible in contemporary dance in the Netherlands.

In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation is pushing away the voice of artists: procedures and formats are... 

Quirky Veem sets example for dance sector

Het Veem is a small but important theatre and unofficial production house overlooking the Houthavens in Amsterdam. The house has long been home to internationally operating contemporary performing arts. A place where the artist and his or her experimental work are still central. Since Anne Breure became director in 2014, it bears the addition House of Performance. With... 

Reasons to do go to theatre Kikker (1: The Men's Night Out)

Ondanks de crisis in de podiumkunsten dwaalt er nog steeds veel jong talent door Nederland en omstreken. Zoveel dat bijhouden onmogelijk is. Wie kan immers alle festivals bezoeken, van festival Boulevard tot Noorderzon, van het Café Theaterfestival tot festival Cement en van het Amsterdam Fringe Festival tot het Zeeland Nazomerfestival? En dan ook nog precies die vier of vijf voorstellingen uit de… 

Theatre Rotterdam is going to do it all over again

On Monday 14 March, Theatre Rotterdam will present its plans for the upcoming arts plan period. On Thursday 10 March, Bianca van der Schoot already told about it during a public meeting with a class of Utrecht theatre scholars. What became clear from her story is that she has little desire to start bringing world repertoire with the old Ro theatre share in Theatre Rotterdam. She has a lot of... 

Liesbeth Gritter creates 'through-composed' pop musical based on Top 2000

"It's all right." In how many songs of the Top 2000 does that phrase appear? Too many to mention. So now the task is to sing all those different "It's all right"'s in the melody in which every audience will recognise them. The four actors in 'Total Eclipse of The Heart' by Theatre Group Kassys fill a thick hour in this way.... 

Important performances now available in full on Theatre Encyclopaedia

Watch Who's Afraid of Virginia Woolf by the Dutch Comedy in 1964, or Live, the 1979 video ballet by the Dutch National Ballet. You can now do so at the Theatre Encyclopaedia. Thanks to the crowdfunding campaign Being/Not Being. For some time, the Theaterencyclopedie had wanted to put videos of some of the crown jewels of Dutch theatre performances on the internet. A nice start has now been made on that. Through a Voordekunst action, even more money has been raised... 

Selectie Nederlands Theater Festival: een prachtlijst die nergens op slaat

Een prachtlijst. Anders kan de officiële juryselectie van het Nederlands Theater Festival niet omschreven worden. Keurig opgedeeld in grotezaal- en kleinezaalproducties, met ook nog eens een mime- en een locatieproductie. Tegelijkertijd slaat de selectie helemaal nergens op. Want ja, het Theater Festival geeft toe dat het voornamelijk naar toneel kijkt. En zijn er immers niet allerhande prijzen voor opera, jeugdtheater,… 

Less is more: het kan!

Yes, het kan! Less is more! De laatste verzuchting slaakte ik woensdag 13 mei naar aanleiding van de productie Benvenuto Cellini van Hector Berlioz, die Monty Python-regisseur Terry Gilliam maakte voor de Nationale Opera. Meteen dezelfde avond werd ik op mijn wenken bediend tijdens de première van De perzik van onsterfelijkheid van Rieks Swarte in de Toneelschuur in Haarlem. Het betreft een… 

Young Talent Performance (Fugaz Floor)

Talent development new buzzword in dance world: 3 encouraging initiatives

The fact that it is difficult to get a job after graduation is also well known in the dance world. Therefore, partly at the government's insistence, companies are putting in on talent development. They also hope to A better connection with schools. Jun dancers are now more likely to be on the front line of ballet: the theatre, and that is good news for audiences. Because the energy is fresh and the level has shot up considerably.

Boukje Schweigman's wordless philosophy

Even before she graduated from mime school, Boukje Schweigman swore off language. She worked out a wordless philosophy in her performances. She seeks the mystery of life. However vast and elusive her starting points may be, her performances give the audience the most direct, immediate, skin-tight sensation imaginable in a theatre.

Zimmermann & De Perrot give circus genre creative tap at @hollandfestival

Holland Festival Holland Festival

Circus, tricks, clownery, spectacle: it has been a party for centuries. But roughly the same party every time.

Zimmermann & De Perrot, originally clown and DJ respectively, found each other in the brilliant insight that circus could be turned into beautifully absurd modern theatre.

Zwischenfälle is a breathtaking barrage of 54 hilarious, short scenes about clumsy humans. You rarely see it this virtuoso #hf12

Twee mannen zitten samen aan tafel en eten spaghetti. De één werkt het bord pasta in no time naar binnen, en vertelt tegelijkertijd met volle mond een amusante anekdote – nét niet verstaanbaar – met woeste gebaren en zelfingenomen gebrom. De ander, een bejaarde vent, wordt totaal genegeerd. Ondanks verwoede pogingen slaagt de arme man er maar niet in om… 

Eugénie Rebetez shows the alienating contrast of a woman who wants to be more and is also at peace with who she is

Eugénie Rebetez in 'Gina'. Foto: Augustin Rebetez.

Haar volle dijen kletsen tegen elkaar. Ze schudt met haar ontblote armen en kijkt grijnzend naar de trillende huid op haar bovenarmen. Ze stampt woest over de speelvloer van Theater Kikker, terwijl haar forse lijf – gekleed in een klein nietsverhullend zwart jurkje – nadrukkelijk aan alle kanten vrolijk meestuitert. Je moet maar durven. In haar one woman show ‘Gina’ gaat de Zwitserse theatermaker Eugénie Rebetez aan alle gêne voorbij.  In de huid van Gina toont Rebetez haar eigen hunkering naar het sterrendom, met veel zelfspot en absurdistische humor. Een eigenzinnige mengelmoes van mime, stand up comedy, kleinkunst en hedendaagse dans.

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