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Why measuring leads to knowing less and measuring even more. On the futility of trend reports and indices

They have learned something at Boekman. The foundation, which since this year has had the honour of managing the culture index, understands that trend graphs say precious little. We have observed this several times on this site, and the researchers now confirm this wholeheartedly. So this year the club is doing things differently. For the past few months, sixty wise men and women have been... 

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Why a sooty coat should always be explained. (Without tour guides, ushers and interpreters, art loses any raison d'être.)

Art has always needed explanation. Even 'easy' art, even 'art that sells itself'. Art has needed that explanation ever since the first caveman found out that her sooty smudges on the cave wall looked very much like a bison. Actually, this is why it is wrong to speak of 'explanation' and 'need'. Art and story are one, since the... 

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Threatened theatre directors speaking: 'It literally hurts me when I hear that something like this is going to be abolished.'

'I didn't know you could also be digitised away in this sector, but so you can.' Susanne Visser and Annemiek Lely sounded the alarm on Saturday 7 December. Their jobs as ushers at theatre performances are in jeopardy. Companies would rather keep people engaged through podcasts, and such an usher only costs money. On Monday, December 9, we obtained... 

Read More "Threatened theatre directors speaking: 'It literally hurts me when I hear that something like this is going to be abolished.'

Open letter from theatre directors: 'Spectators want human contact'

Over the past year, we, Annemiek Lely and Susanne Visser, heard various noises about boring introductions and useless fringe programmes that would add nothing. Such comments pass the revue in the artist foyer, at the bar or find their way onto social media. 'I want after-shows led by a local presentation talent instead of a drawling dramaturge,' wrote an already established director 

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'At many theatres, you don't have to arrive if you don't bring your own audience.'

I spoke to Peter Pluymaekers, artistic director of Theatre Group Zep, about what it is like to make theatre for vmbo students. The occasion was the not-so-jubilant performance of Cleopatra. Listen to the podcast on anchor: 'I'm always a bit reluctant to do Shakespeare. I find him difficult, and young people often find him corny. I felt the same about the... 

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Ready or not: Forum Groningen is open, but is it for everyone?

Controversial and an eyesore for many: Forum Groningen. It has occupied minds considerably over the past few years. On Friday 29 November, the cultural centre in Groningen was finally opened to the general public. Interest in Forum is certainly there, as the counter already stood at 50,000 visitors on Tuesday morning. The prestige project that has cost the Groninger quite a few taxpayers' pennies... 

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New parents are born every year! (Why theatre programmers need to take much more risk)

With red cheeks, I hang up the phone a little bewildered. Just now I had a telephone appointment that took a completely different turn. I had a brief conversation with a theatre programmer who is still unknown to me. She unfortunately told me not to programme anything with our impresario, because there was really no need for artistic performances in her city. This lady stated that her... 

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Musicians in plastic and a rock-hard snare drum - Forty years of orchestra de ereprijs celebrated with 4 new compositions - one for each decade

As an intro, the percussionist of orchestra the prize of honour played a cadenza of air beats. When he unexpectedly gave a cutting blow on his snare drum, everyone was startled. Thus, with Bewegung ohne Bewegung for cello and ensemble by Jan van de Putte, opened the anniversary concert of the ensemble founded in 1979 by Wim Boerman. Last year,... 

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Why I am suddenly hugely in favour of live music in any theatre performance.

I went to Rotterdam Zuid to see Shakespeare. The play was called Cleopatra and someone had tried to turn it into a feminist manifesto. That is something like making a rhinoceros jump through a hoop: the British bard relates to feminism as Thierry Baudet relates to Greta Thunberg. So it had not succeeded, and the reviewer of... 

Read More "Why I am suddenly hugely in favour of live music in any theatre performance.

Drenthe landscape fascinates and enchants in Barbizon of the North

With the storm of publicity, Vincent van Gogh's 'Weeds Burning Farmer' (1883) seems to be the star of the new exhibition Barbizon of the North - The Discovery of the Drenthe Landscape 1850-1950. The centrepiece of the exhibition, as befits a good diva, is still some time away. It is 'fashionably late'. However, a spot has already been reserved. The... 

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Open your eyes, watch and reflect, engage in conversation. Opening IDFA 2019 showcases the sublime extremes of documentary.

The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.

How the miracle doctor fell into oblivion - and why writer Rinus Spruit hopes for rehabilitation

He brought hypnosis and psychotherapy as treatment methods to the Netherlands and had a thriving practice with the well-known writer Frederik van Eeden. But mention the name Albert Willem van Renterghem, and (almost) nobody will ring a bell. With his book De wonderdokter, compiler Rinus Spruit hopes to restore honour. Albert Willem van Renterghem (1845-1939) was once considered "the miracle doctor... 

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Why the magnificent annual figures of the theatre and concert hall managements make it clear that the system must be turned around. 

Things are once again going insane for Dutch theatres and concert halls. Every year, the directors, gathered in the VSCD, manage to come out with truly fantastic figures in the autumn. This year too, the cheers are unrelenting. Everything is growing. The number of jobs, and the number of volunteers, for example. (both up by 3% in... 

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If no one comes up with a Plan B... 

On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in... 

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Dutch youth film in dire straits too? Plenty to talk about during the Cinekid festival

The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production.... 

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'Like a terrifying chorus of ghostly aliens.' Why you just have to suffer Anna Korsun in November Music.

'Anna Korsun stood head and shoulders above her peers with her surprising, introspective and communicative music.' I wrote that in 2014, when she won the Gaudeamus Award. 'We are definitely going to hear more from her,' I concluded, and since then the Ukrainian has more than fulfilled that promise. She has made a name for herself as a composer, pianist, vocalist, conductor and (co-)organiser of concert series.... 

Read More "'Like a terrifying chorus of ghostly aliens.' Why you just have to suffer Anna Korsun in November Music.

World-famous 'brooding work' - why Monet's water lilies and wisteria are still so special

People used to think it was three times nothing, but today the paintings of water lilies and wisteria are the most famous canvases by French painter Claude Monet. We visited his gardens in Giverny and took a peek through the eyes of the master. Mugs and socks When you think of the painter Claude Monet, the first thoughts probably go to his colourful canvases... 

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Music from anger and powerlessness - Extra focus on sensational composer Georg Friedrich Haas in November Music

Last year, Austrian Georg Friedrich Haas caused a stir at the Holland Festival by openly talking about his master-slave relationship with his wife Mollena. If possible, even more startling was their joint production Hyena. Mollena Williams-Haas told a blood-curdling tale of how she rehabbed from her alcohol addiction, her husband providing the hypnotic music. This year, Haas is one of the central... 

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We are nowhere near crazy enough. Why theatre desperately needs a little more Crazy Wisdom.

'We will never be 'the same' enough, we fringe characters: bipolar, borderline, gay, lesbian, indeterminate, narcissistic, autistic, hysterical - and we are all fatally insecure and we all need a hug.' Permanent, seemingly inevitable insecurity is peculiar to the theatre industry. Ramsey Nasr hit that sharply in his speech on receiving his second Louis D'Or. The courage, or sometimes almost masochistic... 

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We predicted it right: Swans for Conny Janssen Dances and Schuitemaker

Ruben Brugman predicted it on 22 June. So it was not a total surprise. On Friday 4 October, the VSCD Dance Awards, the Swans, were presented at The Dutch Dance Days Gala of Festival de Nederlandse Dansdagen 2019 at Theater aan het Vrijthof in Maastricht. Conny Janssen, artistic director of Conny Janssen Danst, received the Golden Swan from minister van Engelshoven.... 

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'I am interested in situations or people that are overlooked in everyday life.' - Meriç Artaç two seasons guest composer of Day in the Fire.

'I always draw out my characters before I start composing. They are inspired by people I see on the street, personalities I admire, details that make someone special... I usually focus on one specific aspect of a character, a dominant mood that I then highlight in my composition.' Born in 1990 in Istanbul, Meriç Artaç was already... 

Read More "'I am interested in situations or people that are overlooked in everyday life.' - Meriç Artaç two seasons guest composer of Day in the Fire.

Red flags, pretty words and a resolute plan: Dogma 19. Turn a feature film like a documentary.

Following Denmark, the Netherlands now has its own Dogma manifesto. A modest but also ambitious statement from two young filmmakers who present a surprisingly clear plan after a season full of noise and concerns about Dutch cinema. Whether it is a pebble or a big pebble in the pond remains to be seen. In any case, they are going to do something,... 

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"'Well nice' is not good enough, that falls right off." Film critic Jan Pieter Ekker on possibly the last Directors' Forum at the Dutch Film Festival

The Dutch Film Festival is about to erupt. A spacious week with a broad overview of everything moving on Dutch screens, from public film to short student film. Last year was noisy: directors, editors and cameramen expressed gloom about the quality and guts of patriotic film. Visitor numbers don't seem to be overblown either, although... 

Read More ""'Well nice' is not good enough, that falls right off." Film critic Jan Pieter Ekker on possibly the last Directors' Forum at the Dutch Film Festival
Clara Schumann in 1878

Clara Schumann: still in Robert's shadow even after 200 years

Exactly 200 years ago, on 13 September 1819, Clara Schumann was born in Leipzig as Clara Wieck. She is among one of the greatest pianists of the nineteenth century. Against her father's wishes, she married Robert Schumann, whose work she fervently promoted. She also wrote well-received compositions of her own and was more famous than Robert. Yet after her... 

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