On social media, and in mainstream media for that matter, it is not helpful to be overly clever. The adage of my father, who was a journalist and taught me not to be afraid to ask stupid questions, has been elevated to a code of honour. You only have to watch 15 minutes of Op1, or WNL on Sunday, and you make...
Maybe it's the snow, and my little dog that made me so happy. Maybe it's the sledding children in 'The Pit' of Lunetten, and maybe it's the lameness that creeps up on me after so many valiant attempts to keep up the fun of art in times of Corona. But I sat through the first minutes of VPRO's Onstage...
Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.
Listening away, does the word exist? I did. And still do. For music. Just as you can look away from something, I listened away from the CD that was so thoughtfully sent to me. Here's the thing. This autumn, I received CD Wounds & Brutality through the post as a gift from Tom America- composer, musician, quirky creator. I've been a fan of America since 2011. He...
It is no coincidence that I am rereading The Twelve Year Wedding just now. Because the tightness in the story resembles the tightness of our own time. Like Delia and Martin Bagot, we are trapped in a suffocating existence. Shun contact with fellow human beings. Miss the fresh air of visits to cafés, museums, film houses and theatres. Dublin 1917 is the Netherlands 2021.
‘Het begint nu toch echt iets met mij te worden,’ dicht Vrouwkje Tuinman met gezonde zelfironie in de bundel Lijfrente. In haar geval kun je dat wel zeggen – Lijfrente won vorig jaar de Grote Poëzieprijs. Het is een mooie regel, zeer geschikt om te pas en te onpas voor je uit te prevelen. Te onpas is het leukst: je…
‘Je geliefde voor je ogen zien ontsporen is het ergste wat er bestaat: het meest veilige wordt ineens het meest onveilige. Je kunt weken of maanden samenleven met iemand voordat duidelijk wordt dat diegene langzaam afglijdt in wanen.’
Can you experience magic at home the way the Dutch National Ballet promises with its online stream of the Christmas Gala? If the comments during the stream are to be believed: yes.
My tip to the bonzes in Het Gooi: forget young people. Focus on the wandering forties and fifties, who yearn for disruption. This broadcast of VPRO's Mondo was unforgettable.
In IDFA winner Radiograph of a Family, the Iranian revolution invades the marriage of filmmaker Firouzeh Khosrovani's secular father and her religious mother. What makes this family portrait so special?
Today opens IDFA's The DocLab, perhaps my favourite part of the festival. With its own competition, commissions and exhibition, this is the realm of digital experimentation.
Fortunately, the Groninger Museum also puts enough focus on the aural aspect; not only are visitors treated to the various Stones songs, culminating in the concert in Cuba in 2016, but they also pass by fragments of der band members themselves and (popular) cultural figureheads such as director Martin Scorsese.
Weismann strikes me as too brilliant and intelligent a director to throw himself into an adventure that could break him for good. An alpha male, a big ego, it was well known. And couldn't keep his paws off young women.
The Garden is a new dance film by Sem, now also a dancer with the Dutch National Ballet, which premiered last week. The choreography is by British dancer Pascal Johnson, with five dancers dancing on the roof of artist Jean Dubuffet's famous artwork Jardin d'émail in the sculpture garden of the Kröller-Möller Museum. That in itself is special enough, however, it is the optimism of the dance film that impresses.
So on 18 October 2020, something happened. VPRO's Mondo had suddenly become an upbeat broadcast. And this in these times, when lamentation and mourning over lockdowns and impending bankruptcies dominate everywhere. What was going on?
Since Saturday 10 October, you can watch the Dutch National Ballet's ballet Live online for 2.95 euros. I did it. It was worth it.
Alum plays classics 'unplugged' once in a while. That means no fuss, just the story and the players. With Bakchanten, 2,500 years old but never surpassed in eloquence since, they have gold in their hands.
The chance of encountering a hedgehog or an (abandoned) nest with eggs in real life is unfortunately getting smaller and smaller with the shrinking area of nature and the extinction of many animal species, but the 'realness' of Helmantel's paintings still lets you enjoy these beautiful phenomena.
The performance is outstanding, a lot of time has clearly been spent on it. However, this cannot prevent the performance from slumping a bit halfway through.
The scope of the stories that stand a chance of winning the Thea Beckman Prize awarded by the Archeon today is wide. The five contenders on what Thea Beckman's work and nomination for the prize mean to them.
What impressions, what images stick? Why am I enjoying this so much? The performances during the corona crisis deliver great gratitude: that I get to experience this, that actors, writers, directors and collaborators are faithful to perform for me for weeks or even months on end. The declaration of love is mutual.
With its expressive music, stylish costumes, dazzling video images and beautiful lighting, The Flying Dutchman is a feast for the eyes and ears.
The restless head in front of the torso, fists nervously searching for grip under the pale blue jumper. His life a relentless affliction of generations of oppression under factory labour, alcoholism and domestic violence. And deep love nonetheless, between this tormented father and son. Until almost the end of the monologue "Who killed my father?", the high bed remains untouched. Only then do they learn...
Exterior, day. A deserted street in a southern Dutch town, unusually bright daylight. No sound. A man drives up and parks at a vacant power point. He walks to the entrance of a large, empty, modernist building. He is greeted by a very very old veteran, who tells him that "the wife is in for a moment", "she asked me to go on the...
Boukje Schweigman is an artist this country desperately needs. My deep admiration for her arose with 'Klep', the performance with which she graduated from the Amsterdam mime school long ago. With eight others in a trolley, looking around through very small flaps in a world where sweet creatures are equally curious about you, after which a minimal touch has the impact of...
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