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Diversity, schmiversity (my reservations about the CCD Award)

Brief summary. On Wednesday afternoon, I went to the presentation of the important award (actually two: audience award and jury award) called Code Cultural Diversity Award. I did not see a single fellow journalist(s). What I did see were lots of professional advocates speaking on behalf of people who were barely present themselves in the Galaxy. NB: the author is of Aruban-Chinese-Dutch descent and in no way wants to undermine the urgency of the issue of diversity... 

Huub van der Lubbe and Christine Otten on love in times of racial hatred

We Had Love, We Had Guns by Christine Otten is about black resistance fighter Robert F. Williams, who fought for black equality. In the theatre adaptation of the same name, white actors - including Huub van der Lubbe - play black characters and vice versa. Double talk about personal sacrifice, skin colour and connection. Idlewild It is a remarkable coincidence. America is taking... 

Edward Snowden and Oliver Stone make a resounding statement

In the presence of Amnesty International and Edward Snowden - via a video link from Moscow - Oliver Stone's new film Snowden premiered at Tuschinski on Thursday night. The dramatised story of the young, gifted public servant who is troubled by his conscience and decides to go to the press is not very original or compellingly portrayed. But on the wave of... 

ISH Fund Performing Arts awards

Performing Arts Fund cuts dance subsidies. Not enough, according to some.

The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would... 

These are the winners, losers and newcomers in Amsterdam arts

Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside the specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."

So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.

Volg de opening van Poetry International live!

Alle vier de avonden van Poetry worden live gestreamd via YouTube. Vanavond: de opening. Live vanuit de Rotterdamse Schouwburg.
https://youtu.be/sWEzRLxbnCM
Het festivalthema van deze 47e editie is NEWSPEAK: Hoe gaan dichters om met ideologisch geladen en vervuilde taal als gevolg van framing? 'Minder! Minder! Minder!' En wat kan de dichter met nieuwe taal, Urban Language die ontstaat door vermenging van talen en culturen, doorspekt met citaten uit film, clips en social media. In drie programma'...

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'Poetry is always political'. Poetry International explores 'framing'

Is the language of poetry still free from ideology and manipulation? Or is it nonsense to think that poetic language escapes framing, the ideological loading of words? That is the main theme of this year's Poetry International poetry festival, which kicks off on Tuesday 7 June.

In advance, 5 reasons why no one needs to apologise to Halbe Zijlstra.

Volgens de VVD moeten alle kunstenaars en kunstliefhebbers van Nederland ‘sorry’ zeggen tegen Halbe Zijlstra. Omdat ze zo boos op hem zijn geweest, toen hij zonder enig achterliggend idee 30 procent van de kunstsubsidies afschafte. Volgens het ministerie van Cultuur zou het namelijk fan-tas-tisch gaan met de kunst in Nederland. Wie het persbericht leest dat het ministerie daar gisteren over… 

One and a half million for art. Provided it is directly demonstrably useful

One and a half million euros sounds quite a lot. So a cry of joy will be heard here and there now that Jet Bussemaker is allocating that extra amount to culture. After all, this is yet another make up after the almost 300 million her ministry took from the sector earlier. However, the conditions the culture minister attaches to the money tell a different story: the money is only for art that is demonstrably useful.

Bonnie Doets (photo: Antoinette Mooy)

Modern dance wins prizes at Dutch Dance Days

Tijdens de 16e editie van de Nederlandse Dansdagen zijn diverse dansprijzen uitgereikt: de Prijs Nederlandse Dansdagen 2013, de Zwanen en de Dioraphte Dansprijs. Respectievelijke winnaars zijn choreograaf Giulio D’Anna, danser Medhi Walerski, Club Guy & Roni voor Midnight Rising, danseres Bonnie Doets van Scapino Ballet Rotterdam en Keren Levi met The Dry Piece.

De uitreiking van de Zwanen werd dit jaar live uitgezonden door NTR Podium. In een voormalig industriële werkplaats in Maastricht ...

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Art breaks the rut of Hoog Catharijne in Call of the Mall

Je staat er eigenlijk weinig bij stil, hoe raar stilstaan in een winkelcentrum als Hoog Catharijne is. Tenminste: als je niet stilstaat met je hoofd naar een etalage of je vingers in een bak fastfood. De code om met glazige blik door een shopping mall te zweven is zo algemeen dat het ook voor jezelf wennen is wanneer iets je dwingt om opeens echt te kijken. De kunstmanifestatie Call of the Mall bereikt dat effect in heel korte tijd. Voor je het weet is een schreeuwend verlichte schoenendiscounte...

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Fiction in dance films, (how) does it work? Good question at festival Cinedans

Fransien van der Putt, together with choreographer and dance filmmaker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.

Twee jonge vrouwelijke choreografen vervullen belofte met Batsheva Dance Company tijdens Springdance Festival

Met twee voorstellingen, ”The Toxic Exotic Disappearance Act” en ”House” laat Batsheva Dance Company indrukwekkende, sublieme dansbeheersing zien en frisse dynamiek.  Maar ook onrust, zoeken en verwarring. Het tijdperk van happy, harmonieuze dans is voorbij. Tijdens een lezing over dans, voorafgaand aan de voorstelling, wordt benadrukt dat hedendaagse dans zich niet compulsief hoeft af te zetten tegen andere dansstromingen. Deze artistieke… 

Eindelijk antwoord op prangende vragen uit toneelgeschiedenis

Ooit geweten dat ‘De bruiloft van Kloris en Roosje’ in 1707 voor het eerst werd opgevoerd, en dat dit de voorloper is van de huidige oudejaarsconference? Dankzij de theaterencyclopedie die vanaf 1 september online te vinden is, zijn deze en nog vele wetenswaardigheden te vinden. Het Theaterinstituut Nederland (TIN) is initiatiefnemer en levert een groot deel van de inhoud van… 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

Ruim drie miljoen voor Het beste van twee werelden

Het Fonds voor Cultuurparticipatie heeft in het kader van het programma Het beste van twee werelden subsidie toegekend aan acht meerjarige projecten van professionele kunstinstellingen. Het gaat om een totaalbedrag van € 3.397.333. Met het programma Het beste van twee werelden wil het Fonds voor Cultuurparticipatie een impuls geven aan de samenwerking tussen professionals en amateurs op cultuurgebied. Er zijn drie… 

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