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'The European is an orphan' - Milo Rau on The Dark Ages #HF16

Swiss playwright Milo Rau created a theatrical trilogy about the demise of the European ideal. The second part The Dark Ages is now at the Holland Festival. Rau combined his actors' painful, personal life stories with themes from the works of Chekhov, Shakespeare and the Greek tragedies. With a Freudian sauce: 'Countless people who are The Dark Ages have seen ask me: 'Milo, is something wrong with your father?'

Atelier Infini. Bosquet

Peerless: 15 stories about refugees, in 49 traits and old set paintings

This is a review of a performance that is already over, and which, moreover, I participated in myself. That's not allowed at all. But it's also a story about refugees in Europe, a theatre floating above the clouds, a church made of marzipan, tunnels in Palestine and 49 draws. So I do it anyway.

Last weekend, during the Kunstenfestivaldesarts, a miracle happened at the Royal Flemish Theatre in Brussels. Scenographer Jozef Wouters and his crew had settled in the old hall with its domed roof. Completely renovated ten years ago, 'de Bol' is now an old-fashioned frame theatre equipped with the latest theatre technology. Including those 49 draws, and that was what it was all about.

On a pull,

Interview Jiří Kylián on Free Fall in Korzo

Jiří Kylián: 'The silence of a photograph, I love that'

With Free Fall, Jiří Kylián shows his photographic works for the first time. He talks enthusiastically about his discoveries, his inspiration, and Sabine. The house in The Hague where Jiří Kylián has lived for more than 30 years radiates joy of life. Warm colour tones, fragrant flowers, classicist furnishings yet cosy. Unmistakably the 'touch of a woman.' That woman is Sabine Kupferberg, the life partner and... 

'Alva'. Unknown stage work by Vondel discovered

This was our April fool's joke for 2016. Thanks for sharing! During renovation work at the Stadsbank van Lening building on Amsterdam's Oudezijds Voorburgwal, a manuscript of a work of poetry that has since been attributed by literary historians to Joost van den Vondel (1587-1679) has recently turned up. It concerns a rough, unfinished version of a play entitled 'Alva' and is dated around... 

'My mother's death was the beginning of my writing'

'Exciting and accessible, with great tragic content and an unexpected and poignant ending'. With those words, writer Jan Vantoortelboom was awarded the Zeeland Book Prize last week. A Quattro Mani visited him in Zeeuws-Vlaanderen and talked to him about his novel De man die haast had. 'I have grown as a writer.' Writing house 'The Tortelnest' adorns the hand-painted... 

Loïc Perela and Jan Martens: As a spectator, you are finally faced with a question again

As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,... 

Modern. Medieval. Mariken

OPERA2DAY presents the world premiere of Mariken in de tuin der lusten at the Koninklijke Schouwburg in The Hague on 11 October. An opera with the collaboration of an impressive list of artists, including composer Calliope Tsoupaki, Asko|Schönberg and actress Hannah Hoekstra as Mariken. But will you achieve success with an opera, with modern-classical music moreover and Middle Dutch text? Director and creator Serge van Veggel... 

Calliope Tsoupaki on Mariken in the garden of lust: 'I was surprised by that 16th-century text!'

On 7 October, the first try-out of Calliope Tsoupaki's opera Mariken in de tuin der Lusten will go on at Theater aan de Schie in Schiedam. Sunday 11 October is the world premiere at the Koninklijke Schouwburg in The Hague. At the invitation of Opera2Day, Tsoupaki immersed herself in Mariken van Nieumeghen, heroine of the miracle play of the same name that took place exactly five hundred years ago in... 

Rik Wouters, Autumn, 1913, 135 x 140 cm, Oil on canvas, Royal Museum of Fine Arts Antwerp ©Lukasart in Flanders

Belgian colour on Dutch cheeks - 7 reasons why you should visit 'Colour Unleashed' soon

Sometimes I think I was born in the wrong time. Wouldn't it be wonderful to live in the period when modern art was born? Then I correct myself: no, there were many problems and uncertainties back then too. But the new exhibition Colour Unleashed at the Gemeentemuseum Den Haag makes me hesitate again. Because the exhibited... 

FC Bergman literally and figuratively gives (the) space

the atmosphere It is 30 degrees in Den Bosch. People with headphones on clap for something we, the passers-by, do not see. At a shopping centre, girls with masks roll on the ground. There is commotion everywhere. Festival Boulevard is in full swing and the whole city seems to join in. The terraces are full and the mood is high. I make my way... 

Feeling the 3d scan (photo author)

Rembrandt expert in an hour thanks to the Mauritshuis

For eight years, the Mauritshuis researched and restored his painting 'Saul and David'. As a result, it can now be definitively attributed to Rembrandt. But the small exhibition 'Rembrandt? The Case of Saul and David' mainly shows how the museum collaborated with all kinds of different scientists and laboratories to unravel the numerous mysteries surrounding the canvas. As a visitor, you will be taken through the... 

MOMIX Botanica, photo Max Pucciariello

Jurassic Art! - 10 times art with dinosaurs

Twenty-two years after Jurassic Park the fourth instalment of the well-known dinosaur films enters Dutch cinemas on Thursday 11 June. In Jurassic World we see in 3D how the dreamed theme park with live dinosaurs is finally realised, and how things go grandly wrong when overambitious showmen start genetically manipulating dinosaurs. In each new volume, the plot is thinner, the special effects become more dominant and the scientific pretensions less so, but no one can deny that the Jurassic Park-films have revolutionised. Also in the arts.

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Vormidable: two Flemish visions of renewal sculpture

The annual major sculpture expo in The Hague in 2015 is called 'Vormidable'. In its own museum, on Lange Voorhout and at several satellite locations, Museum Beelden aan Zee shows how Flemish art experienced a true revival from the 1990s onwards. Panamarenko, De Bruyckere, Fabre, but also lesser-known names renewed sculpture - in two opposite ways. Guest curator Stef van... 

Giya Kantsheli: 'I never wanted to compose Georgian music'

Georgian composer Giya Kantsjeli (Tbilisi, 1935) composes archaic-sounding, expressive works with slow progression, tremendous tension and heartbreaking melancholy. Characterised by fierce dynamic contrasts, his music often suddenly switches from an almost inaudible pianissimo to an oorsplitting fortissimo. On 23 February, Vredenburg's broadcasting series The Friday presents his monumental Styx for viola, choir and orchestra.... 

Camerata Trajectina 40 years young

In a sold-out Geertekerk in Utrecht, Camerata Trajectina exuberantly celebrated its fortieth anniversary yesterday. In those four decades, the ensemble has worked tirelessly to put the Dutch song repertoire from the Middle Ages to the Golden Age on the map, not only on stages, but also on sound carriers. Entirely in style, attendees were treated to a varied... 

Why couldn't shocking art also be endearing?

Vlindertje Smit and the service of what is dead It is an orderly, clean space, not unsociable, despite the pieces of horse bone that dominate the studio in their showcases. Visual artist Butterfly Smit prepares animals and parts of animals. Thinking back to the publicity storm that British artist Damien Hirst stirred up with his preserved-animal artworks, you might expect Butterfly Smit to... 

Moritz Eggert: 'I want to give Wagner back his innocence'

With Tragedy of a Friendship commemorates Flanders Opera the bicentenary of Richard Wagner's birth. It is a production by controversial artist Jan Fabre, author Stefan Hertmans and composer Moritz Eggert. When I approach the German tone poet to talk about this opera, he reacts with shock: there is ab-so-lutely no question of an opera! Could I please clear up this misunderstanding once and for all?

The best woman in the best place: Ellen Walraven director Rotterdam Schouwburg

This was a possibility not many people initially thought of. After all, after her tropical years as director of the Amsterdam debating centre De Balie, Ellen Walraven was in need of some more substantive work and peace and quiet on her mind, So we suspected that she would stay on in

The Dodo revives for Holland Festival edition 2011 #HF11

This week the Holland Festival erupts and we are there. We are producing a Dodo Festival Day newspaper with a sizeable team of professional journalists, as we did before for Springdance and The International Choice of the Rotterdam Schouwburg, for example. We follow the festival closely to bring news as it happens. We go to see performances where others... 

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