Although Panorama Mesdag always focuses on one painting, it is not a static museum. Changing exhibitions sometimes highlight Mesdag and his time, sometimes more modern artistic expressions. This time, the museum has approached artists to develop new visions on the concept of the panorama. A laudable decision. Whether the new panoramas are all equally convincing is a second. The main work in the exhibition is...
Last Saturday, 2 April, I attended the opening of four exhibitions in Amsterdam featuring work by Martyn Last, who died suddenly in September 2015. He was only 54 years old. The curators Jeroen Werner and Henk Wijnen (i.c.w. the galleries) created an impressive tribute to their late friend and art brother. It is an experience to see so much of Last's work at...
At the 19th edition of the Holland Animation Film Festival, versatility celebrates. From abstract to documentary. Special attention also to the connection between animation and installation art.
The world of art buyers is the world of 'somewhat older buyers'. The national art initiative We Like Art - a website that informs about buying art - wants to change that and tries to reach a different audience. It wants to get younger art buyers interested in buying art. Since many people do want to buy art,...
In the IDFA-themed programme Seamless Reality, artists explore the boundary between documentary and virtual reality. Experience the audio scent sensation or take a selfie in words.
It was cold in Den Bosch on Sunday 16 August and it rained as if it were not August but November. Not the ideal weather for the closing night of festival Boulevard. It was, however, an atmospheric setting for some installations and the performance 'Hello fear' that were on my programme. The installations were hidden behind the Mariapavilion (Tramkade's emergency location) and despite the...
Laser projection opens new vistas for digital film screening. On Wednesday, the JT cinema in Hilversum had the European premiere of Dolby Cinema with the screening of Inside Out.
In The Loom of Mind, Icelandic folk singer Mugison, his bosom friend Pétur Ben, and Flemish baroque ensemble B.O.X. join forces. What does that sound like: melancholic Icelandic blues with 17th-century instruments? Like a stand-up storytelling concert performance? Or like a drunken panda who wants to have a game? How did you find each other? Pieter Theuns, lutenist and founder of B.O.X.: "I found Mugison...
Festival Rumor 80, an irregular regular in Utrecht at three different locations each time, will show choreographer Marc Vanrunxt's new work Real, So Real this Friday at Theater Kikker. Starting point is Three Voices, a 1982 composition by Morton Feldman. A wonderful Flemish collaboration by Kunst/Werk and ChampdAction. Dancer Marie De Corte and singer Els Mondelaers shine in Real, So Real. The...
Amersfoort's cultural scene is in turmoil over a series of possible austerity proposals. In recent weeks, the public was allowed to give its opinion. The city council will make final decisions in May. Meanwhile, beloved theatre De Lieve Vrouw is already in dire financial straits. Amersfoort has been under financial supervision by the province of Utrecht since the end of 2014. The municipality mainly suffers...
Bring 50 distinguished and cross-disciplinary artists together and things will crackle tremendously. That will be the thinking behind the new Academy of Arts. The installation of 16 new, high-profile members already gave a taste of this. Actor Gijs Scholten van Aschat (board member) and visual artist Barbara Visser (president) expressed themselves a little cautiously a while ago about what the Akademie...
You haven't seen this before: stop-motion animation with figures made of Chinese porcelain. In the short film Mr Sea Chinese artist Xue Geng has depicted an ancient legend about an explorer, a prostitute and a snake
In early March, The Great War Machine, the new play by director Joachim Robbrecht, premiered at Theater Frascati. A week earlier, at the Rotterdam Schouwburg Swamp Club to be seen, by French director Philippe Quesne. Both performances address the current political climate. Whereas Swamp Club is explicitly silent about the world it calls into question, The Great War Machine is instead a rhetorical spectacle, constructed from quotes from TEDtalks. Both performances make mechanisms felt, rather than pointing out culprits. Voluntarily withdrawing or being shut out, the neoliberal order does not seem to allow much more choice. There is no question of resistance.
Ukraine, Boko Haram, IS, the economic crisis. The world resembles a borderline patient, as Ricardo Semler states. Dance festival CaDance also likes to hold a mirror up to politicians and power. With Exhausting Space by Spanish choreographer Iván Pérez succeeds just fine.
Nathaniël Mellors is one of the funniest artists whose work is on show at Art Rotterdam. No moving painting, no coarse-grained fluid slides and no Arnoud Mik either: Mellors' latest work: The Sophisticated Neanderthal Interview, is well-acted comedy about a serious intellectual subject: the art world. Building on the discovery that Neanderthals were not at all the primitive bat-wielding losers where...
So I spent five minutes in singer-songwriter Patrick Watson's studio. He played a bit. Put his phone in the ashtray. Said something to his labrador. And I could look around quietly while he played. Behind me, in front of me. Below and above. Nothing like sitting at an artist's home while he plays. And he wasn't bothered...
After the world premiere of Words & Beyond II: Nan Sul Hun by Seung-Won Oh yesterday at the Muziekgebouw aan 't IJ, the audience stood up as one to applaud Slagwerk Den Haag and the soloists. It was therefore a magical performance, which will be repeated at De Doelen in Rotterdam and at Theater aan de...
Nice 'old-fashioned' Holland Festival: a special set-up that confronts the audience with the implications of their own position and viewing behaviour. And that's just as well with Fassbinder's 'Die bitteren Tränen der Petra von Kant'. Melodrama was no stranger to the German theatre and film wizard. The bitter tears are of a fashion queen and her entourage, clinical is the setting, wafer-thin the story, and yet unusually exciting how this lady drama develops.
Young, promising talent among choreographers deserves protection in these times of austerity. Dance group Conny Janssen Danst is committed to this with the programme 'Rotterdam Spring'. Besides work by Conny Janssen herself, the programme features choreographies by Dario Tortorelli and Loïc Perela.
'Eutopia comes from the Greek and means as much as 'Good place'. With this installation, I want to make people think about what that is: a good place.' Architect and visual artist Filip Berte worked on his 'Good Place' for seven years and the result can now be seen in Utrecht's Zijdebalen Theatre.
Isn't avant garde dance too lofty? Is it still viable in these harsh cultural times? I Like To Watch Too aims to clear up this misunderstanding. The festival brings experimental dance closer to the public than ever.
Holland Festival
Thirty-eight singing Slovenian girls. We might expect something with colourful costumes against a backdrop of a sunny village scene. Instead
Rokia Traoré, Dieudonné Niangouna, Brett Bailey, Compagnie La Baraka by choreographer Abou Lagraa, El Gusto with Kashba Blues: there is a lot of Africa in the Holland Festival 2013. Performances that
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