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Secrets of Karbala: The Crusades in oriental light and glass marionettes #hf16

How can you rewrite an intensely complicated history from a different perspective? By using grotesque glass puppets and not actors. This revolutionary invention was shown at the Holland Festival on 8 June, and can still be experienced there 9 June. In that film, Egyptian artist Wael Shawky takes us back to bygone centuries and shows us... 

Harrison Birtwistle: from shocking to guttural musical theatre

In his youth, Harrison Birtwistle (1934) was one of the Angry Young Men of English music, now elevated to the peerage and going through life as 'Sir Harry'. He trained as a clarinetist and composer at the Royal College of Music in Manchester, where he was annoyed by the conservative climate. Together with John Ogden,... 

Meg Stuart at Holland Festival: 'The sacred theatre is gone, but the expectations remain.'(HF16)

The show Sketches/Notebook (2013), which has its Dutch premiere at the Holland Festival on 6 June, is virtuosic, radical and extremely gentle. Choreographer Meg Stuart loves small scale, even when she occupies the biggest stages with partners like the Volksbühne (Berlin), Théâtre de la Ville (Paris) or the Münchner Kammerspiele. Details win out over big lines and often play a leading role in pieces that scrutinise human behaviour incredulously.

Sketches/Notebook stands out

Brazil expo in The Hague barely bothered by turbulence in Brasilia

Impeachment proceedings, social unrest, corruption: recent reports on Brazil paint a not very optimistic picture. Yet this very country is at the centre of the major annual major sculpture exhibition in The Hague. The reason: the Olympic Games, later this year in Rio. But does the suspension of President Roussef make Brazil a risky cooperation partner for an exhibition?

Festival Spring opens with disappointing play by Nicole Beutler

The honour of opening Utrecht's dance and performance festival SPRING fell this year to choreographer Nicole Beutler[hints]Nicole Beutler (Munich, 1969) is a choreographer and theatre maker. After studying Fine Arts at the Art Academy (Münster and Munich), she came to Amsterdam for the AHK's School for New Dance Development, where she graduated in 1997. Her work is at the interface of visual art, theatre and dance(Source)[/hints]. The performance 6: The Square exhibits an inimitable fascination with dancing and thinking in squares. Squaredance, a very old folk dance tradition in couples, especially popular in America, and the futuristic functionality of Bauhaus are linked in this choreography to thoughts about creating order and pigeonholing. How exactly

The underdogs by Mark Haddon

His novel The miraculous incident with the dog in the night, starring the engaging autistic boy Christopher, made British writer Mark Haddon (1962) an instant audience favourite. In his first collection of short stories Pier collapses he once again shows strength in describing people who are just slightly different from most, yet oh so recognisable in everyday life. Compassion for the underdog, that's what it's all about.

Mark Haddon gave

Atelier Infini. Bosquet

Peerless: 15 stories about refugees, in 49 traits and old set paintings

This is a review of a performance that is already over, and which, moreover, I participated in myself. That's not allowed at all. But it's also a story about refugees in Europe, a theatre floating above the clouds, a church made of marzipan, tunnels in Palestine and 49 draws. So I do it anyway.

Last weekend, during the Kunstenfestivaldesarts, a miracle happened at the Royal Flemish Theatre in Brussels. Scenographer Jozef Wouters and his crew had settled in the old hall with its domed roof. Completely renovated ten years ago, 'de Bol' is now an old-fashioned frame theatre equipped with the latest theatre technology. Including those 49 draws, and that was what it was all about.

On a pull,

Interview Jiří Kylián on Free Fall in Korzo

Jiří Kylián: 'The silence of a photograph, I love that'

With Free Fall, Jiří Kylián shows his photographic works for the first time. He talks enthusiastically about his discoveries, his inspiration, and Sabine. The house in The Hague where Jiří Kylián has lived for more than 30 years radiates joy of life. Warm colour tones, fragrant flowers, classicist furnishings yet cosy. Unmistakably the 'touch of a woman.' That woman is Sabine Kupferberg, the life partner and... 

Cultural governance code needs maintenance: who monitors supervisor?

'Ultimately, of course, it ends up on my plate,' sighed Jet Bussemaker, minister of culture in cabinet Rutte II, the other day. She was speaking at the presentation of a research report into the functioning of supervisors in the cultural sector, in Amstelveen at the end of April. Because, she summed up: if supervision fails, there is no one but the minister to repair the damage.

Nell Zink: 'Writing is only good when it sounds good and doesn't... hurt'

She came, saw and conquered. Until recently, Nell Zink was almost the embodiment of the cliché image of the poor writer, alone in an attic room. But when American writer Jonathan Frantzen touted her work, she grew into literary hype in no time. Her publisher gave her a six-figure advance. From nobody to 'Her Nellness' -... 

Modern panoramas at Mesdag do not dwarf the old

Although Panorama Mesdag always focuses on one painting, it is not a static museum. Changing exhibitions sometimes highlight Mesdag and his time, sometimes more modern artistic expressions. This time, the museum has approached artists to develop new visions on the concept of the panorama. A laudable decision. Whether the new panoramas are all equally convincing is a second. The main work in the exhibition is... 

Roméo et Juliette proves: synthesis of opera and ballet exists

Most impressive is the moment when the orchestra falls silent and Romeo tries desperately to storm the white wall behind which his sweetheart Juliet has disappeared. Time after time, he runs up the steep slope, only to slide down defeated each time. His wild jumps and trotting make his black coat tails flutter high, as if he were a tipsy bird in... 

Böhmermann: Turkey is the place to be

'No barbaric act can ever erase press freedom,' French President Hollande tweeted immediately after the bloody attack on the editors of the satirical weekly Charlie Hebdo in January 2015. German Chancellor Angela Merkel walked side by side with him in a mass demonstration for freedom of expression. But that was the reality of the time. Now she stands ... 

Down with the novel pessimism

In times of Facebook, Twitter and Instagram, what power does the novel still have? Every so often, fiction is declared dead, but the International Literature Fesitval Utrecht (formerly City2Cities), which takes place this coming weekend in the former post office on the Neude, wants to show that novel pessimists are completely wrong. Nine highlights from the programme. PJ Harvey The Literature House, like last... 

The woman behind the maestro: Together and yet apart #Aaltje from Sweden

Aaltje van Buuren enjoys her busy life. She is the wife of successful star conductor Jaap van Zweden. She dedicates her charm and energy worldwide to non-profit organisations that improve the daily lives of autistic children. Music and art are forces that run like a thread through everything she touches. The family can be seen every week... 

Edith and Judith after arrival. So that's not how they hang in the exhibition! Photo Gemeentemuseum The Hague

Magical girls by Klimt and Schiele

There are outside opportunities to be taken advantage of. Egon Schiele's Portrait of Edith by his wife Edith will be joined by Gustav Klimt's Judith I from Vienna for a one-off at the Gemeentemuseum Den Haag. Two fascinating works, both very rarely on loan. And although the artists knew and appreciated each other, there is almost no greater difference imaginable than... 

Moisio's choreography 'Mum's the Word' makes you yearn for peace and freedom

Mothers and daughters: is there a closer bond? Their lives are an extension of each other. Mother treads the same path her daughter will later follow. She is a friend, to whom one can always fall back. But under the skin, a suffocating power struggle rages in which they hold and attack each other. Jealousy and competition gnaw at the domestic idyll. Escape is impossible. It is a... 

Royal Concertgebouw Orchestra 2016-17: Amsterdam meets Daniele Gatti

'The most important thing is to bring music to the audience,' says Daniele Gatti on Thursday 25 February during the presentation of the Royal Concertgebouw Orchestra's new season. 'Amsterdam meets Gatti' we read on large posters behind him. That does not appear to be a word too many: the brand-new principal conductor will be involved in all series, travels on the tour RCO meets Europe,... 

something raw logo

This was Something Raw 2016: less rebellious, more social

The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like... 

Erik Voermans 'From Andriessen to Zappa': enthusiastic plea for elitist music

Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he... 

Depot Mauritshuis, The Hague, Photographer: Ivo Hoekstra

Mauritshuis reveals secrets of the depot

A mythical aura often surrounds a museum's depot. How many works of unparalleled value does a top collection like the Mauritshuis let gather dust on its shelves? And more importantly, why? And as a museum, wouldn't it be better to sell them? In the exhibition Highlights from the Depot, the Mauritshuis answers such questions. At the same time, new questions arise,... 

Singing Gustav Mahler and stammering Beat Furrer touch the soul

Mahler on a programme by Asko|Schönberg - the face of avant-garde atonality, is that possible? For regular guest conductor Etienne Siebens, this is no question: in his programmes, he likes to explore the boundaries between beloved classics and composers still alive. On Thursday, 4 February, he places the ensemble version of Mahler's romantically singing Fourth Symphony - performed with... 

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