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Zvizdal - Chernobyl so far so close, by Berlin/The Zuidelijk Toneel

Do you want the audience back, Sarah Sluimer? Then give it back to the actors.

In the Volkskrant of 8 May 2017, Sarah Sluimer lets loose. The opinion maker (for Volkskrant and De Correspondent, among others) used to be a theatre maker and now wonders aloud why she is a bit done with theatre. Because she actually writes that down. I quote: 'I breathed theatre. I ate performances and was convinced that what was there,... 

About directionless hipsters, their parents, and the war in Europe (coming) #HF17

Vincent Macaigne is uncomfortable. He looks around nervously every time the waitresses run past with trays full of clinking glasses and slam the doors. He has barely slept, and the previous evening he had walloped the audience of the Swiss Theatre Vidy with his brutal, inimitable performance En Manque. Braced, he sat down for the interview. "Sorry, I... 

How to get 10 million young people reading. The story behind Hooked.

Something is changing considerably in the world of literature. Libraries are closing or turning into flex spaces for poor freelancers. The sold circulation of an average successful novel remains in four figures. Young people no longer watch TV or listen to the radio, but make their own well-watched and generously paid films on YouTube. Or they sit the... 

Don't leave respect to the free market

The SER report published on Friday 21 April rubs it in nicely: the cultural sector is on the verge of collapse. It is even worse than a year ago. This shows that the patience of a PvdA culture minister over the past four years has not helped. Indeed: Halbe Zijlstra's multiplier of misery is doing its job entirely as expected.... 

Culture outside the Randstad: Amersfoort's struggle

Displaced paintings by Armando. Artists fleeing the city. A tinpot that brought financial disaster and summer festivals that attract tens of thousands of visitors every year. And you thought Amersfoort was boring? A footnote along the A1 motorway? Forget it. Let me tell you about this city struggling with its cultural identity. A story in eighteen impressions. Guilty landscape In his youth... 

Art criticism in times of Facebook and Blendle. (A survival guide.)

In a discussion (on facebook, where else) about NRC Handelsblad's departure from Blendle, an editor of that newspaper made very disparaging remarks about a reader who had paid 30 cents for one of his articles. In a recent article on Frankwatching, an expert concluded that investigative journalism could only survive if we started subsidising newspapers.... 

Joop Oonk turns her neighbourhood into a stage

Joop Oonk (27) creates dance performances with the Misiconi Dance Company, but not of a standard kind. She also calls it inclusion dance. Dancing with wheelchairs, for example, and then doing it in public spaces. Time for a chat with this extraordinary choreographer. Fortunately, you don't have to be an art barbarian not to know the word inclusion dance. Joop Oonk choreographer, artistic director... 

Jan van Mersbergen: 'As thriller writer Frederik Baas, I feel freer'

We know him from such wonderful novels as To the Other Side of the Night and The Last Escape, but Jan van Mersbergen has more to his credit. He recently surprised us with The Rider, written from the perspective of an old horse, and now there is Diary from the River. Not a novel, but his first thriller, published under the pseudonym Frederik Baas.... 

Anyone can be a hero. Rachel van de Pol on saving the world (or at least a little bit)

You can dream of a better world, but why not take action yourself? Journalist Rachel van de Pol (33) decided to do a good deed every day for a year, from asking for a doggy bag at a restaurant to ragging the neighbours' windows or handing out ice creams to construction workers at... 

No party really shows heart for art, so vote for a human being #TK2017

By now, we are a little surrounded by voting guides and electoral compasses. There is one for every area of policy. What to vote for if you have a beating heart for art? The Correspondent gave a nice little overview the other day. It showed that art is indeed a hobby of mainly left-wing parties, at least when it comes to subsidised art. Art... 

Eef van Breen for President (why politicians should not miss this concert)

Shimmering. Wondrous, ferocious. Poetic, powerful. Creative and humorous. Musical. Engaging. Layered. Spirited. A few days after my concert visit, words like these keep bubbling to the surface. And even though the Eef van Breen Group (EvBG) with Chapman for President is a typical case of 'especially go there', 'hear for yourself' and 'cannot be described', I'll make an effort. In the beginning My... 

Photographer Ed van der Elsken liked to colour outside the lines

If he could have, photographer Ed van der Elsken would have preferred to have a camera built into his head, to capture the world twenty-four hours a day. What he did manage to make are countless beautiful photographs, films and books. The Stedelijk Museum in Amsterdam shows his rich legacy at the major exhibition The camera in love. He was... 

What I learned from Jan Wolff, the late director of Muziekgebouw aan 't IJ

During the big January cleaning in my private museum, I rediscovered the book released in 2007, on the occasion of the Music Building on the IJ, which opened two years earlier. I had forgotten that it came with a CD with four pieces on it. The fourth piece is a recording of the opening speech given by Jan Wolff [hints]former director IJsbreker, more than twenty... 

When you lose a sibling. On the grief of 'forgotten grief'

My father died in 1997. He came from a family of 10 children, five of whom have since died. My aunt Minke wrote a book about it: Broederziel alleen? The book stirred up a lot of emotions and had eight reprints in a short time. Grief for a deceased sibling turned out to be forgotten grief. In English, mourners are forgotten... 

A witty little book about suicide (8 uncomfortable questions to Jente Posthuma and Bas Uterwijk)

Writer Jente Posthuma (1974) and photographer Bas Uterwijk (1968) teamed up to create a booklet about the carefully planned suicide of Uterwijk's father, Henk. Try to think a little good of me is an intimate, searching, resigned and at times hilarious portrait of a loved one who has fallen away. Bas and I met on the Brazilian Jiu Jitsu mat sometime in 2005. We were trying to... 

Artists, get out into nature, before it's too late (and other reasons for hope)

There are those, including in the arts, who still think the world has not changed for good. Who suspect that a vote for a culture-friendly party will at a stroke turn back the clock eight years. Those people will wake up after 15 March to a new world, even if the Netherlands has suddenly chosen whether or not... 

Michel Faber: 'Writing is an act of protest' #wu17

It was a beautiful and disarming lecture by Australian-Dutch writer Michel Faber, yesterday at the Friday Night Unlimited of the literary festival Winternachten, in his hometown The Hague. His lecture was on 'Fiction in times of fake'. 'Before I start making lofty statements about literature and what literature is capable of in today's world, I want to be open with... 

It has been proven: culture makes people happy. That calls for a good campaign

The positive effects of culture are demonstrated again and again. It is high time the sector used these facts in improving its image. Our western and southern neighbours have boosted the image of culture with a number of successful initiatives. The sports sector is another example of image building that the cultural sector can learn from. There... 

A museum is for everyone, with or without gin-tonics

Museums should be places where everyone feels welcome, argues art editor and curator-in-training Roxy Jongewaard. An argument for public and free museums: "A museum for everyone who can pay 17.50 in entrance fees is not a museum for everyone." In the coming year, I get to live out a personal dream: I will work as a curator in a major Dutch museum.... 

Gerard de Kleijn makes Museum Gouda more accessible

Gerard de Kleijn is leaving on 1 February after six years as director at Museum Gouda. The flamboyant, eloquent and erudite director leaves behind a financially and artistically healthy Museum for his successor Marc de Beyer. De Kleijn made the museum more accessible to Gouda residents and art lovers from outside the historic city. In 2016, the museum attracted around 40,000... 

Marcel Möring: 'Only in my study do I feel at home'

Writer Marcel Möring got off to a flying start in literature, with his award-winning novels Mendel's Legacy (1990), Het grote verlangen (1992) and In Babylon (1997). But when Dis, the first part of a trilogy, was published in 2006, literary critics made mincemeat of him. The second part Louteringsberg was also mostly poorly received. Today, Dis appears... 

Seven shows you wish you had seen in 2016 (but don't give up hope)

In The Hague, they think it's a waste of money. Let them. Here are seven performances that were more than worth 'that sin'. Mona, Ariadne, Mariken, but also breathtaking circus theatre, a secret marriage, genre-transcending satire and the greatest set ever. Mona, NTJong (youth theatre/drama) 1. It is the biggest pitfall of the age indication in theatre performances. Put 6+ and you... 

My 2016, and why it scared me to death. (A list)

Five art experiences will always stick to this bizarre year for me. And one thing really scared me. Whether the worst is now behind us? At least the most extraordinary is still on view until 5 February 2017. A chronological overview of what was unbelievable, unthinkable, inconceivable, unbelievable and perhaps untrue. Much of it, by the way, will be in 2017... 

Garry Feingold and Ger Jager, Dance Makers, 2012. Photo: Jean-Pierre Jans.

Extremely rare landslide possible in contemporary dance in the Netherlands.

In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation pushes away the voice of artists: procedures and formats are... 

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