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Panic is contagious, sex is not. About my anxious hours during and after Sex and Anxiety at the @hollandfestival.

Panic. On the tram between Leidseplein and Amsterdam Centraal, I suddenly lost the Dutch translation of 'string quartet'. So I typed 'violin quartet' into my facebook update, trying to make a connection between a blow job and Ligeti. Joking, perhaps, but there was something much deeper behind it, in that tram, after the music and theatre event 'The String Quartet's... 

Our only unique @hollandfestivalspecial #2: inspiration and constriction in the first week #hf18

Our Thea Derks sat watching a traffic light for a few hours on Thursday 7 June and observed that the music was better. It happened during the opening of the 2018 Holland Festival. In the tradition of Ruth Mackenzie, the opening was of mixed reception, and that is actually a good thing. Even at a time when the Amsterdam Arts Council is in a... 

'Kata' shows at @hollandfestival how inspiring a peaceful fight can be (review)

What a grandiose invention to think of breakdance as martial arts dance! In a sense, of course, it has been so from the beginning. Young people in New York's poor neighbourhoods developed their spectacular dance techniques in the 1980s. These were a means for them to express themselves in their own unique way. This was a necessity of life in a society that... 

Podcast. Love cures in Scheveningen. You don't need LSD or magic mushrooms for transcendence.

The miracle happened right at the first location. On a bare piece of dune in front of beach café Oscars there are rocking benches. From one of those benches I looked, swaying, over a slope of marram grass, then a couple of terraces and beyond that the sea. As it was a weekday, but summer warm, some bathers had already settled into beach chairs. Crowded it was... 

Richters Patterns @Hollandfestival: Traffic light jumps to red, traffic light jumps to green

Music and images, it remains a tricky combination. Do you see a picture with music, or do you hear music with a picture? That question was not answered unequivocally at the opening concert of the Holland Festival. The slowly changing colours of Gerhard Richter's canvases were matched by Marcus Schmickler's slowly fading sounds. While Richter's Patterns soon became boring,... 

TWOOLS 18 by Scapino Ballet Rotterdam

TWOOLS 18 reflects contemporary worldview (and that's not good)

If you want to see a do-nothing dance programme, TWOOLS 18 by Scapino Ballet Rotterdam is the wrong place. If you want to see how young creators live their world, you're in the right place. TWOOLS the 18th edition TWOOLS is an occasional platform that offers young choreographers the chance to work with a top company. All the makers participating in the 18th edition of TWOOLS... 

Ruth Mackenzie's latest Holland Festival promises to be just one of the most exciting

Here it is. The one and only interactive Culture Press Holland Festival Special. A special that has already been deployed over the past few months, and will be added to in the coming month. During the festival, we have regular reviews and reports, and podcasts. A new edition of this Special will appear every week. On Mondays. And then you can also subscribe via... 

'Fleshy, divinely bawdy at times.' - Buddingh Prize 2018 for Radna Fabias during sizzling Poetry International (#pifr)

Danez Smith is quite something. Or rather two, because the American poet likes to be addressed in the gender-neutral, or rather gender-plural plural form. A form of address not yet very common in Dutch, and thus avoided by everyone. Thursday night, 31 May at the former ro theatre, now Theater Rotterdam - Witte de With, fell around the... 

Maya Fridman: Prokofiev's Fire Angel with hard rock attitude

Russian-Dutch Maya Fridman (Moscow, 1989) plays classical and contemporary music as well as rock, jazz, folk and flamenco. Communication with the audience is now her main aim. So why limit yourself to a particular style or genre? The Cello Biennale website rightly describes her as a 'musical jack-of-all-trades'. She scored highly in 2016 at this... 

La clemenza di Tito: scorching performance by Teodor Currentzis & musicAeterna

Classical music matters again. - At least if we judge by the protests against the Stockhausen project and the fierce polemics about opera directors' interventions. Teodor Currentzis and Peter Sellars' La clemenza Di Tito, for instance, caused controversy even before its Dutch premiere. They deleted the interminable recitatives and added music from Mozart's Mass in... 

That's why Iris Hannema is the best travel writer in the Netherlands: 'Anyone who has not made a good fool of himself on a trip has not really been somewhere.'

'Iris Hannema writes like a guy,' I wrote a few years ago in a review of her The Bittersweet Paradise (2016). You wouldn't get away with that now. Actually, I meant to say: Iris Hannema writes solid, image-rich, independent ánd critical texts that you rarely come across in female as well as male travel journalists. Why that is, I will tell you later. Get lost' Typical... 

Debussy's music blossoms subtly and powerfully between Lidy Blijdorp and Julien Brocal

To have an Ode to Debussy begin with one of his last compositions is a fine choice. Cellist Lidy Blijdorp and pianist Julien Brocal perform this programme to mark the centenary of the composer's death. Last strength Debussy suffered from cancer for the last six years of his life. This disease made his life unbearably hard. Yet three years later he... 

Really Happened is No Excuse, or: How playwright Sadettin Kırmızıyüz gets passed left and right by De Luizenmoeder

I attended the try-out of Metropolis #1 at The Hague's Theater aan het Spui and a week later - because I couldn't believe my eyes the first time - I also went to the premiere. Rarely did I see something so blood-curdlingly exciting on stage. But unfortunately for the wrong reasons. A lot of a-musical notions Metropolis is the... 

'Actually, the romantic relic Platonov has been snowed in for about a hundred years. And now he comes back, and he walked into the wrong room'

Platonov, Theater Utrecht's latest show, premiered on 2 March and is an instant hit: rave reviews in all major newspapers. Artistic director and director Thibaud Delpeut bases his version of this archetypal Chekhov play on the translation made by actor Jacob Derwig in 2000 for 't Barre Land. This equally legendary play fitted... 

Fanny Mendelssohn: in the shadow of Felix

Fanny Mendelssohn (1805-1847) was the four-year older sister of Felix Mendelssohn. They both received a solid musical education, with her surpassing him in virtuosity at the piano. Her relationship with Felix was intense, but also suffocating. At his hands, Fanny Mendelssohn failed to build an independent career as a composer. To this day 

Narrative concert on Shostakovich: here you can hear how much humanity, character and creative spirit communism tried to kill.

The greater the resistance to be overcome, the greater the achievement. This wry wisdom is expressed in the Russian narrative concert 'Living under a tyrant'. Cellist Lidy Blijdorp adds another beautiful, personal and original episode to her Cello 020 series with this programme around the life story of composer Shostakovich. She performs in this concert together with... 

Maarten Baanders watched 'Nachthexen 1: Jeanne'. 'The music works its way right through you. At first, this gives me an uneasy feeling. But gradually it pulls me along.'

Is she on a podium of honour or a scaffold? Joan of Arc holds a monologue. She shouts out her words. The beat of the music propels an ominous atmosphere into the room. On the floor, five dancers make resolute movements. In a long series of statements and confessions, Jeanne speaks out what moved her to seek the battlefield. And. 

Marieke Nijkamp wrote an American bestseller, and her next book is also going like a rocket: 'Young people shy away from not much'

This young writer from Hengelo - she turns 32 in January - sold over a quarter of a million copies of her debut novel This Is Where It Ends in the United States. It spent 64 weeks on The New York Times bestseller list. So Hengelo-based Young Adult writer Marieke Nijkamp did feel slight pressure while writing her second book, Before I... 

A museum with impact. How museums can raise historical awareness and offer people comfort, perspective and connection

More than a million Dutch people feel very lonely, according to the Health Monitor 2012. Among them are an increasing number of young people - all social media notwithstanding. Perhaps we could stop this 'loneliness epidemic' if we realised that none of us is really alone. What we so often forget is that we are directly connected to thousands of others: the people... 

Brian Elstak wrote Tori. Finally a book for all children? Afke Bohle asked hers. The answer is surprising.

A Quattro Mani's pop-uprecent Afke Bohle takes up the challenge of reading a book with her sons. After good experiences with Suzie Ruzie and Susan van 't Hullenaar's The Green Hand series, she is now venturing into Tori, Brian Elstak's recent children's book in collaboration with author Karin Amatmoekrim, touted as: 'finally a book for all children'.... 

Publicity image BOG. for KID.

'BOG.' plays 'KID.': how a simple question to the audience can lead to exciting theatre.

A collection of makers they are. A collection, but not a collective. What an 'f' can't already make up. So language is quite a thing. And crowdsourcing is quite a thing. These makers collect words from their audience, and give them back in a performance. That's 'BOG.', a still fairly young group trying to use language to make theatre to get us to... 

The only one - review in letter form (Why Peter Perrett is a true survivor)

Hey H., Tonight I went with J.P. to see Peter Perrett & Band at Paradiso, Small Hall. Sold out! I've told you about J. before, he was the deejay who gave me a 'crash course' in sincere music at the Eindhoven Bakery when I was 15 (1988). Before I tell you about Peter Perrett and why his music is worth... 

Suddenly feeling the urgency at Dancing on the Edge

As soon as I, as an art consumer, begin to suspect arbitrariness in the artist or his creative process, I drop out. Incidentally, this observation now surprises me. After all, I am no fetishist of form, nor am I a canon junkie, and I am not qualified in any of the standard artistic disciplines. Not a composer, not a performing musician and not an actor. Neither filmmaker nor director, nor a lyricist graduate.... 

Still thinking about tougher sentencing, thanks to 'Prison Monologues'

Utrecht's Wolvenplein prison is sort of empty. Anyone who doesn't happen to have a conviction behind them themselves should go there for fun. I did so myself two years ago on an art project about the surveillance society. When I returned on Tuesday, 17 October 2017, for The Prison Monologues, the impression was still there. The... 

Lavalu's nocturnal movement

High up in a posh flat, Lavalu (stage name of Marielle Woltring, Cleveland, Ohio, 1979) recently gave a try-out of her new programme at Eindhoven's FlatFest festival. For the first time now, she will tour without a band, solo with piano, in small venues where there is a good grand piano. On that Sunday afternoon in Brabant, it soon became clear that somewhere, something was... 

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