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David Grossman: 'I know what it's like to live on with trauma'

More than 20 years ago, David Grossman's phone rang. A woman by the name of Eva Panić Nahir had something to say about an article he had published in an Israeli newspaper. Grossman smiles at the memory. 'What my piece was about I don't remember, except that she thought I had not gone far enough in my criticism of the government. I did find it refreshing to be attacked for once by someone from the left, instead of - as usual - the right wing.'

Gaudeamus: as a 75-year-old younger than ever

Anno 2020, Music Week is buzzing like never before. Even corona has barely caught on. How many 'Mozarts' have emerged by now I will leave open, but the rich and varied off- and online offerings create some choice stress. At 75, the organisation is younger than ever: Gaudeamus is the place to be.

Milo Rau at opening Theatre Festival: 'Maybe we should deliver a little less and listen a little more'

Things need time and distance to become a story. Good, then, that in his 'State of Theatre,' the traditional opening of the theatre season, Rau did not take the floor himself, but handed it over to people who are now in the midst of the confusing time of austerity, coronasteun and political turmoil. Because the 100 international makers he asked for a book entitled "Why Theatre?" could not come because of the pandemic, six Dutch makers were invited. 

Youngsters

94-year-old Jan Hoek from Rotterdam wrote a letter to the youth that everyone will have read by now - there hasn't been so much attention paid to a message from an elderly person since that string from Terlouw's letterbox.That message is sympathetic and clear: young people, just hang in there a little longer, for our sake, then you can... 

Sender Boulevard pauses to remember the Dutch East Indies

'For Indonesian Dutch, 15 August is definitely not liberation day,' explains playwright Bo Tarenskeen. The last day of the alternative Festival Boulevard in Den Bosch, Sender Boulevard, coincides with the commemoration of Japan's surrender on 15 May 1945. The Dutch East Indies, the colony exploited by our country for centuries, had also been liberated from the Japanese, but the end... 

Spanish writer Carlos Ruiz Zafón (55) has died. 'I put a lot of pressure on myself.'

With the million-seller The Shadow of the Wind, the first part of the four-part The Graveyard of Forgotten Books, Carlos Ruiz Zafón established his name as a writer in one fell swoop. His novel The Labyrinth of Spirits, published in late 2017, was the culmination of a year-long showdown with himself. Not long after, he fell ill; in early 2018, Zafón was told that... 

Love & Revenge aims to reshape the Arab world

You take film classics like Dracula and Star Wars, track down their Arabic remakes, and edit these fragments on a live soundtrack that fuses Arabic pop history with electronic music of today. This, in short, is the recipe of the dynamic collaboration between musician Rayes Bek and video artist Randa Mirza, better known as Love & Revenge. With their compelling show,... 

youngNBE supports War Child in campaign Break the silence

The wind players of the jongNBE (young Dutch Wind Ensemble) will support War Child's campaign Doorbreek het zwijgen (Break the Silence) in the coming month. In the Netherlands, everyone has lived in freedom for 75 years, but 149 million children grow up in war zones. With this campaign, War Child wants to raise as much money as possible for these children, so they can enjoy playing together, playing sports... 

We can learn this from Conny Braam's new war novel: 'Racism is a silent, destructive force.'

South African soldiers thought by fighting along during World War II they would gain the right to vote and independence, because they were promised that. But after the war, not freedom but Apartheid awaited them. With We are the Avengers of it all, writer Conny Braam sheds light on this painful history. Four years ago, Conny Braam (72) published the successful novel Ik ben Hendrik... 

Culture Press podcastcorona (21) - Oscar Kocken: 'Not being allowed to perform your work for six months is pretty gross.'

'Yes, of course it was something we already saw coming in every way. That made me mentally prepared. But then when you actually hear it... It's just SO sour. It's every time - I don't blame anyone, to be clear - but every time you get bad news, you try... 

Because there are also just little creatives with a story: 'Zuheir, born glassblower'.

The absurdity of the pandemic is slowly sinking in, but still remains unfathomable. We will keep you updated on developments. But the bow cannot always be tight. Sometimes a moment of attention is needed, for the beauty people are capable of. Therefore, a short film about glassblower Zuheir Alkazzaz who fled Syria because... 

Why this book is suddenly ominously reminiscent of the situation in Italy now: 'Everything I describe in my book does happen somewhere in this world.'

With northern Italy cut off from the outside world because of corona and looking increasingly desolate, we are reminded of an interview we had a few years ago with writer Davide Longo about his book The Vertical Man. A book à la The Road by Cormac McCarthy, in which Longo outlines a desolate world that has changed dramatically as a result of... 

Divided loyalties, racism and a split house in HBO's The Plot Against America

I had the chance to attend the 500th anniversary - it took place at the beautiful Teatro La Fenice - of the first Jewish ghetto during my visit to Venice in 2016. One of the speakers was historian Simon Schama. During his lecture, I was given a brief history of Jewish suffering in Italy. According to... 

'I have become a freer writer.' Esther Verhoef on the new dimension in her work

Short stories have been written by Esther Verhoef (51) for as long as she has been writing fiction - since she was seven. Whether they are 10 or 100 pages long, her stories are as dear to Verhoef as her novels and thrillers. 'Look,' says Esther Verhoef, unfolding the flaps of the cover of Labyrinth - the stories. On the inside are old, on... 

49th edition Film Festival Rotterdam opens with Mosquito - history as a fever dream

In the trailer for the International Film Festival Rotterdam, which kicks off on 22 January, film images crumble into abstract shapes and colour patterns. It has to do, I understand, with the wonder of the irrepressible urge to make stories. Once, a cave dweller put a painted hand on the rock face. In the digital age, we conjure stories with coloured pixels. The... 

Writing with your voice - Thea Beckman Prize winner Bianca Mastenbroek is not deterred by her disability

Becoming a writer without being able to use your fingers to type - Bianca Mastenbroek (44) no longer turns her hand to it. Last year, she won the Thea Beckman Prize for her historical novel Hendrick, the Dutch Indian. Looking back on a jubilee year: 'This prize is the crowning glory of my work'. For anyone who has yet to read your book Hendrick, de Hollandsche Indiaan,... 

When was the last time I hopped? Eye impresses with Francis Alÿs' expo on the world as child's play

An exhibition with only children playing, doesn't that quickly become too tacky or cosy? Not if the artist is Francis Alÿs. Although it is hard not to smile at the sight of a sandcastle, I left the room with a head full of questions about the nature of humanity. No small feat of hopscotching kids and girls 

Open your eyes, watch and reflect, engage in conversation. Opening IDFA 2019 showcases the sublime extremes of documentary.

The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.

'Once you become suspicious, you develop more and more anxiety' - Meriç Artaç addresses fear and mistrust in her chamber opera Madam Koo

'A new piece is usually only heard once, then it disappears into a drawer forever.' Such a sigh I often hear, in all tones. Not only from composers, but also from ensembles, concert organisers, musicians and even subsidy providers. Good news, then, that Meriç Artaç's opera Madam Koo will be repeated twice this month, Wednesday 11 December in CC... 

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