Monday 18 May 2015 he will be cremated in Utrecht: Ton Hartsuiker, tireless champion of new music in our country. In recent years, his health was ailing; he would narrowly miss his 82nd birthday. He was active as pianist, music educator, conservatory director, administrator and radio presenter. Even after his retirement in 1998, he did not consider quitting his...
Yep, I'm running behind, because just now I finally saw (in parts) the King's Day concert! But hey, good music has no expiry date and for now this concert will be online for a while. What a party! Some of my favourite musicians participated. Faithful readers of Culture Press know that violinist and composer Oene van Geel is definitely one of them. He brought along Zapp4...
Even before the final notes of Benvenuto Cellini had sounded, the audience erupted in loud cheers and cheers last night (12 May). So Monty Python director Terry Gilliam's team pulled out all the stops to make this first opera by Hector Berlioz an unforgettable experience. That his dadaesque staging evokes memories of the joke-and-roll approach of the...
The fastest, and most beautiful, way to cycle through Leidsche Rijn is along the Groenedijk, and then all the way to the end. Pedalling 20 minutes from Utrecht Central Station, there recently, and for 2000 years, lies Castellum Hoge Woerd. It is a newly built idea of a Roman fort that guarded the ancient border of the Roman Empire here, along...
Ton de Leeuw lived in Paris for the last decade of his life and studied with Olivier Messiaen in his younger years. On 21 May, Cappella Amsterdam will present four of his French-language choral works in the Muziekgebouw aan 't IJ. The programme also includes works by his student and friend Daan Manneke and the young French composer Laurent Durupt....
At Amsterdam's Stadsschouwburg, Hans Kesting will once again play the title role of Shakespeare's Othello, in a legendary version by top director Ivo van Hove, already 12 years ago. A stone's throw away, at De Balie, is the equally impressive actor Kenneth Herdigein in David Mamet's play Race. Why connect the two? Hans Kesting, the...
There was once a celebrity (pianist, composer and conductor Reinbert de Leeuw), a biographer (Thea Derks) and a riot. De Leeuw was against the publication of his biography Reinbert de Leeuw: man or melody and made no secret of it. In the TV programme Zomergasten (Summer guests), he even dismissed the dissertation-like standard work as an almost endearing puff piece. Meanwhile...
How can you write about a three-day conference, part of which took place behind closed doors, the closing night of which looks very neat on vimeo, but where the tension in the room was palpable? With a completely open mind and not much more background than an average newspaper reader, but with a firm belief in the power of the arts,...
The 1970s have for some time been the target of what we shall conveniently call the up-and-coming generation. And so we are talking about the 1970s as the glory years of hippyism, the jubilant times of the left-wing church and everything else that, with the knowledge of today, is dirty and dirty. They were the years when...
Nederlandse Reisopera, Gluck: Orphée et Eurydice (opera), 1 May to 6 June Dazzling debut by director Floris Visser at the Nederlandse Reisopera. Rather than showing a centuries-old opera about an even much older myth, he exposes the core of Gluck's opera. It results in a heartbreaking performance about mourning and the inability to accept that your loved one is no longer there....
The Movies that Matter film festival offers a programme of engaged and socially critical films not only in March. With Movies That Matter On Tour, special films are screened throughout the year throughout the Netherlands. In May, it is the Dutch documentary Burden of Peace. Burden of Peace tells the impressive story of Claudia Paz y Paz, the first woman to...
The power of data The arts sector in general is little 'tech savvy'. Sure, nobody can do without a website and a Twitter account will hardly be lacking anymore either. But there are few examples of groups, theatres or artists making the most of the power of digital. Setting up a good 'client relations management system' (crm) with profiles of all visitors or buyers, to keep those...
After all the misery surrounding HET Symfonieorkest, the premiere of Orphée et Eurydice last night (1 May) at the Wilminktheatre was a breath of fresh air. Defying all worries, the Nederlandse Reisopera realised a shimmering performance, which was rightly rewarded with a minute-long ovation. With magical colour fields, slow-motion movements and mysterious shadow play, director Floris Visser brought the timeless love drama to life. A must-see for...
Jewish-Palestinian film duo Yaron Shani and Scandar Copti on their blistering drama Ajami
Wednesday was the opening night of the three-day conference What's Art Got To Do With It? on art, politics, and Israel/Palestine. How do you open a conference on a loaded topic that everyone, especially from the sidelines, has an opinion on? With music. Because how can you be against it? The evening began amiably with a short performance by the Amsterdam Andalusian...
Is that possible? Picture-less film? Sure, just see-or better-listen to Chapman for President by the Eef van Breen Group on 2 May during LISFE: a cinematic sound project based on a personal story. An encounter with political refugee Chapman gave trumpeter, singer & composer Eef van Breen new eyes, ears and the idea for this film without images....
Tonight, the Nederlandse Reisopera premieres a new staging of Gluck's Orfeo ed Euridice, opera of all operas. With this masterpiece, the German composer put an end to Baroque malpractice in 1762. Not only were the libretti impossible to make sense of because of the endless series of subplots, but also the case was duly...
1. Intimacy That the atmosphere in a packed hall becomes intimate enough for a girl in the audience to ask legendary American rapper-poet Black Ice the question: If poetry equals love, as he had just proclaimed, did it ever break your heart? Black Ice, the man who strings his associations together faster than Halbe Zijlstra strings his stupidities,...
The acute financial problems at HET Symfonieorkest prompted Jacques Monasch to put questions to minister Bussemaker. Yesterday came the answers Bussemaker. In summary: everything is not too bad. Only: the minister is giving the Chamber the wrong figures. The minister relies on figures from Culture in focus 2014 and reports "The percentage of own income of HET Symfonieorkest was...
A girl stands waving and around her a rain of soap bubbles descends, so many that it almost seems as if the girl is taking off. She stands swaying and her ecstasy and tears of joy slowly turn to deep despair and disbelief. What she sees cannot, cannot be true, because it destroys everything she is - to what she...
Relief for Amersfoort's cultural organisations. In the proposal for the multi-annual budget 2015-2018 (presented last night by the college to the city council), they remain largely unaffected when it comes to cuts. Only theatres De Flint and De Lieve Vrouw have to make cuts. It is possible they will merge in 2017. Recently, there has been a lot of unrest in the cultural world. The...
Opinions on Ryan Gosling's directorial debut Lost River vary widely.
Everything comes together in Enschede. Revenue models that appear to be based on air, but are defended to the hilt by administrators. Jubilant reports on rising museum visits, but smaller museums are going under. Aldermen acting out of cultural interests, but then playing residents against each other to make draconian decisions. All this to disguise the ruins of Rutte I. A quick recap:...
With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. This was already evident in previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art. Now William Kentridge has been given the honour of...
On Sunday afternoon 26 April, I was a member of the press jury at the final of the Prinses Christina Competition in Lucent Danstheater in The Hague. Definitely not a punishment, as all six finalists performed at top level, no matter how young and inexperienced they were. Time and again, the organisation proves that all the gloom about the future of classical music is nonsense: this year too, there were...
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