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Keith Haring, Untitled (velum), 1986. Installation 2017. Photo: Gert Jan van Rooij. Collection Stedelijk Museum Amsterdam

I call on the cultural sector of the Netherlands: put 80% of your marketing budget into cultural education.

In my work, I entice people to come into contact with art. And especially art with a big K. The art that is often marketed as 'difficult' or, in an attempt to get rid of its negative image, as 'vulnerable'. Liberal politicians would perhaps say art that 'doesn't act normal'. It is the kind of... 

Silvia Colasanti: 'My string quartet is about the beauty and nostalgia of Rome'

Whether flowing melodies, driving rhythms or dense clouds of sound, the music of Silvia Colasanti (Rome, 1975) is always lyrical. On Monday 29 January, Quartetto di Cremona will perform the world premiere of her string quartet Ogni cosa ad ogni cosa addio at Muziekgebouw aan' t IJ Amsterdam. The concert is part of the String Quartet Biennale, which takes place from 27 January... 

Whether thriller writer Tomas Ross (73) has now mastered writing after dozens of books? 'Sometimes I shudder at my own sentences'

Tomas Ross, also called the godfather of Dutch 'faction', concludes his trilogy on the Dutch East Indies with his new thriller Het verdriet van Wilhelmina. ,,Readers often say: with you, we never know what is true and what is false. You might find that an objection, but I think it's a compliment.'' Arnie Springer The new thriller by Tomas... 

Why it's good that the Holland Festival is putting the focus on Africa, rather than opting for a single artistic director.

William Kentridge and Faustin Linyekula. Remember those names, if you didn't already know them, because they are going to help shape the face of Holland in the coming year. They have been appointed by the Holland Festival as 'associate artist'. In doing so, the festival puts the phenomenon of 'artistic director' out of business. A necessary choice at a time when the price for that kind of figure is faster... 

Maarten Baanders watched 'Nachthexen 1: Jeanne'. 'The music works its way right through you. At first, this gives me an uneasy feeling. But gradually it pulls me along.'

Is she on a podium of honour or a scaffold? Joan of Arc holds a monologue. She shouts out her words. The beat of the music propels an ominous atmosphere into the room. On the floor, five dancers make resolute movements. In a long series of statements and confessions, Jeanne speaks out what moved her to seek the battlefield. And. 

Good news for Urban artists in need of money. Three cultural funds are proposing eight 'Matchmakers'. (But at least 12 are needed)

Opinions differ on the size of the pot of money waiting for them, but 'urban' makers in particular do not yet know how to find their way to our art subsidy system. That is why the three cultural funds that deal mainly with performing arts have appointed ambassadors in a number of Dutch cities. These 'Matchmakers' should narrow the gap between The Hague and 'the region'.... 

We spend less time reading, but the bookseller doesn't notice. Is the government doing enough to promote reading, or too much? (Why e-books are still far too expensive)

'Good literacy is a prerequisite for functioning - now and in the future - in our information society and knowledge economy.' This was stated in the press release sent out by KVB Boekwerk last week. The occasion was a SCP study which showed that we in the Netherlands are again spending less time reading than a decade ago. It listed impressive percentages. 'Over... 

Jens van Daele: 'The power of women is greater than that of men'

'I admire the strength of women. I experience it as greater than that of men. Women's strength lies in the dedication with which they can deal with things. The courage to push boundaries.' Jens van Daele, in his latest theatre show 'Nighthexen 1: Jeanne', pays tribute to the strength of women and highlights their heroism from... 

Winternachten 2018 ended up being a beautiful ode to anger. #wu18

She is 14, heavily veiled and bespectacled, with a voice that can be heard in the farthest corners of The Hague. She wants to be a surgeon but first she wins the preliminary round of the school competition for young poets at Winternachten. What anger there is in that person. What maturity sounds from her cry... 

Symphony of Psalms Igor Stravinsky: away with romantic sentiment

On Wednesday 24 January, the Nederlands Kamerkoor presents an adventurous concert at Muziekgebouw aan 't IJ to kick off a short tour. On the lecterns are rarely heard music by Lili Boulanger and Ton de Leeuw. The highlight is Igor Stravinsky's famous Psalm Symphony in a version for choir and piano four hands by Dmitri Shostakovich. Ralph van Raat and Bobby Mitchell sign... 

Is Emmanuel Macron's long arm sowing discord at a Hague Literature Festival? Just barely. (But should we all speak French again someday?) #wu18

Leïla Slimani, the Moroccan-French author whose novel A Soft Hand won the prestigious Prix Goncourt, has cancelled at the eleventh hour for Winternachten. The reason was not Thursday's storm. THE reason was personal. But could also be due to something else. The chief guest of the International Literary Festival in The Hague, Alain Mabanckou,... 

Opening Night at Winternachten celebrates the power of perseverance, and supports writers in captivity. (Why sometimes a cardboard TV can help)

'Writing and reading, like sex, are a form of fusion. Literature is the practice of impurity'. Pakistani-American author Mohsin Hamid can formulate. In his Free the Word speech at the opening of Winternachten in The Hague, the man, who wrote an international bestseller with The Fall of a Fundamentalist, made a case for impurity. 'Purity,' he told the... 

Why a universal basic income is necessary for the survival of the arts

A hopeful experiment has begun in Finland. In the Netherlands, too, they are trying to get something off the ground, although the government is thwarting the plans for now. Why is unclear. Because even big-capitalists like Elon Musk (Tesla) and Mark Zuckerberg (Facebook) are now saying it: a Universal Basic Income (UBI) is the only way we can advance our society, and with it our civilisation... 

Last 7 Words Dutch Don't Dance

'This is God'. Choreographer Thom Stuart sets Haydn's Last 7 Words to dance.

First there was Kinder Matteüs: an interactive musical production with the Holland Baroque Society and the Nieuw Amsterdams Kinderkoor. Now The Dutch Junior Dance Division with the Matangi Quartet brings Last 7 Words to music by Haydn. You came to church every day, didn't you?" I ask Thom Stuart. No, the choreographer firmly denies. 'I never come to church.' 

Carmien Michels, European Poetry Slam champion: 'I hope I can give many people that extra push to go on their own journey of discovery'

The best performers are a few heads taller on stage than in real life. This also applies to Carmien Michels. I knew the writer, performer, slam poet and jack-of-all-trades in cultural life mostly from her legendary performances at the 2016 NK Poetry Slam and the Night of Poetry in September 2017. Radiance and presence, which... 

Ton de Leeuw by Groot Omroepkoor & RFO brass ensemble: music of 'being' versus music of 'becoming'

At the end of the nineteenth century, Western music gradually began to come apart at the seams. Composers used more and more dissonances so that the familiar tonality hardly fitted into its shell. From a constant desire for even more expression, the orchestra was expanded with ever-newer instruments. This led to monster productions such as Gustav Mahler's 'Symphony of the Tausend', with more than a thousand... 

There will be a hotline for sexual violence and harassment in the arts. Question remains as to who will... er... staff it.

Good news! The hashtag #metoo has finally led to action. There will be a hotline. The press release came today. 'The performing arts, film and television sectors have joined forces to launch an independent and umbrella hotline for sexual harassment.' This is more unique than you might think. In the performing arts, and certainly in the film and television sector, the situation is disastrous with the... 

ZEP takes on the sacred cows of love with comedy HABIB. (Why Rascal should just come and watch)

So certain words are taboo. Moroccan Said explains that his ideal woman has to be a virgin, chaste, and so should not let him ... well, that is. That word you are not allowed to say. The Turkish Evrim thinks that's big nonsense again. Why not call a spade a spade? In Habib, the latest performance by theatre group ZEP, it is all about... 

'We are too little aware of how well things are going at the moment'. HRM professor Paul Boselie on the future of our labour market.

Next Thursday, at Utrecht's TivoliVredenburg music palace, it will not be about music for once, but about work. During the event The Future of Work, internationally renowned professor Paul Boselie will throw a big punch. According to the author of the international handbook 'Strategic Human Resource Management', employees and employers lack the much-needed sense of urgency about... 

Marieke Nijkamp wrote an American bestseller, and her next book is also going like a rocket: 'Young people shy away from not much'

This young writer from Hengelo - she turns 32 in January - sold over a quarter of a million copies of her debut novel This Is Where It Ends in the United States. It spent 64 weeks on The New York Times bestseller list. So Hengelo-based Young Adult writer Marieke Nijkamp did feel slight pressure while writing her second book, Before I... 

When words become weapons, listening is pointless. Frank Westerman at festival Winternachten on negotiating with terrorists.

In the 1970s, a wave of terror swept through Europe. A wave that claimed far more victims in our regions than the Islamic violence to date. During literature festival Winternachten, from 18 to 22 January in The Hague, it is about the struggle for freedom, about us against them. On Saturday afternoon 21 January, Frank Westerman and Mohsin Hamid will discuss the... 

Composer Victoria Borisova-Ollas: 'Music has no nationality'

The most recent achievement of Russian-Swedish composer Victoria Borisova-Ollas (b. 1969) is Dracula. This opera based on Bram Stoker's book of the same name premiered at Royal Opera Stockholm in October 2017. A 'colourful and highly atmospheric musical score', it included 'one of the most emotional scenes in the history of Swedish opera', wrote one critic. Seven years earlier,... 

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