Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.
The Dutch cinema industry presented its annual figures. 14.3 million visits means a very lean year, as a result of the corona measures. No Time to Die was the best-attended film, accounting for 12% of the year's total. Plus point is the good Dutch market share. Theatres should reopen soon, the industry believes.
IDFA-DocLab is celebrating its 15th anniversary. Leading platform for all kinds of interactive or non-interactive, virtual or physical projects through which artists give us a different window on reality.
IDFA 2021 will kick off on 17 November. Again largely on location. A pleasant surprise this year is the rich crop of Dutch documentaries.
During the Netherlands Film Festival, Joris Hoebe (New Noardic Wave) and Guido Franken (CineSud) launched the new network organisation Screen Talent NL. A network that ultimately aims to inspire and support talent and film activities in all regions of the Netherlands.
Producer Pieter van Huystee resumes working with Heddy Honigmann, one of the Netherlands' leading documentary filmmakers. In her latest film No Hay Camino (There is no road), she looks back on her work and life. Interview with Van Huystee, on the road he travelled with her over 25 years.
Saturday 26 June at the Holland Festival, a special evening around two music films by Frank Scheffer: the documentary Inner Landscape and the opera film Si Fan. Supplemented by a short live performance by Chinese musician Wu Wei. This will present a musical journey from the seventh-century Tang Dynasty to contemporary electronic music. An evening with unexpected perspectives.
For the exhibition of the anniversary programme Vive le Cinéma! Art & Film, Eye Filmmuseum and the Rotterdam Film Festival invited five filmmakers to create work for the three-dimensional space. Intriguing installations that play with camera and viewer, image and meaning.
With its closing chapter, the International Film Festival Rotterdam celebrates its 50th anniversary from 2 to 6 June. And the celebration of cinema. At least online. But whether audiences can experience the real festival feeling again in the theatres is far from certain. Opening film is The World to Come.
As part of its 75th anniversary, Eye Film Museum is making 75 restored classics available on this year's Eye Player. A fine collection, even if something is sometimes left to be desired.
Distributor Cinéart, which specialises mainly in European arthouse, presents the Directors' Collection. New and old work by leading film authors.
On 1 February, the 50th International Film Festival Rotterdam kicks off online. Here are some advance viewing tips.
Due to the corona pandemic, 2020 was also a crisis year for the cinema industry. Attendance fell by 56% compared to 2019. But the cancellation of US blockbusters allowed the Dutch market share to rise.
Earlier this year, Cinekid was in danger of dropping out of the basic cultural infrastructure due to a 'no, unless' advice from the Culture Council. An updated application has now changed the Council's mind. If the minister adopts it, Cinekid can go full steam ahead for four years. An interview with Cinekid director Heleen Rouw.
In IDFA winner Radiograph of a Family, the Iranian revolution invades the marriage of filmmaker Firouzeh Khosrovani's secular father and her religious mother. What makes this family portrait so special?
A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.
Golden Calf winner Buladó is now our Oscar entry. That will satisfy advocates of more colour in Dutch cinema. And on Sunday, check out Festus Toll's When You Hear the Divine Call, a more modest but equally telling example of new light in Dutch cinema.
The 40th edition of the Netherlands Film Festival pushes the boundaries. Corona makes everything go differently. Now in more than 100 theatres across the country, and also online. For groundbreaking work, there is the sixth instalment of the Directors' Forum.
Animation Festival Annecy 2020 is online. The Black Women in Animation panel addresses the paucity of black role models for young viewers in animation.
In its advice for the BIS period 2021-2024, the Council for Culture strongly criticises Cinekid. What does director Heleen Rouw think of this?
Artist/filmmaker Johannes Hogebrink likes weird films. Is he really trying to teach a dog to delta-fly?
Cake Trotters Home treats young children to original short films. Watch, marvel and then draw or craft yourself. Ideal for the May holidays.
Netflix and the Netherlands Film Fund today announced the establishment of a new support fund. This is to provide help to collaborators on film and TV productions that have come to a standstill due to corona. Netflix is making €1 million available for this purpose. An amount comparable to the budget of a small Dutch feature film. This is part of a broader package of...
The short film is the poetry of cinema. This statement by a Berlinale programmer is cited with approval by Go Short. This internationally highly regarded festival for short films - stepping stone for the Oscar and other awards - was supposed to have taken place in Nijmegen in early April. But, unsurprisingly, corona drew a line under it....
It is 1895. Colonel Georges Picquart (Jean Dujardin) has just been promoted, to his own surprise, to head the French army's intelligence service. To get rid of the sewer smell there, literally and figuratively, he frantically yanks on the window in the musty office. It won't open. A touching image in J'Accuse, one of the most talked-about films of this...
Is black and white in film making a small comeback? You would almost think so. A black-and-white version of the critically acclaimed Parasite was released. Many film fans, meanwhile, also enjoyed the bizarre but impressive The Lighthouse, in which black and white helps lift the drama above reality. Now for Bait. Shot by Brit Mark Jenkin even with an antique Bolex...
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