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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Leila Slimani and Fatma Aydemir: two young writers who are really changing my view of the world. You can meet them at Winternachten 2018

During the upcoming edition of Writers Unlimited/Winternachten in The Hague, two writers who are making exciting news with their work and their success will drop by. Fatma Aydemir, journalist from Berlin, wrote with 'Ellebogen' an abrasive debut about a Turkish girl who is a bit less prepared for her future than everyone would like. Parisian author Leila Slimani won in... 

Scene from The Place To Be. Photo: Jochem Jurgens

Rolling stones, screaming kitchen maids, smoke bombs and noble punk: why the upstarts in Theatre Frogs Winter Collection offer so many surprises.

Two men. Not even very muscular, not even very tough. But what dockworkers. And what simplicity to tell something really beautiful. One rolls himself up like a stone and the other rolls that stone up a mountain. That mountain consists of stage sections that are each at least half a metre in height from each other.... 

Jouman Fattal, on TV next year, already seen in Frog's 'Winter Collection'

Called The Winter Collection, it is a five-day mini-festival full of surprises. Utrecht-based Theatre Kikker has now made it a tradition to provide some real surprises every year around Sinterklaas. 10 performances by young creators, from video art, to rowdy dance performance, from a silent monologue to post-dramatic cyberpunk, enough to give any theatre lover a wake-up call.... 

Publicity image BOG. for KID.

'BOG.' plays 'KID.': how a simple question to the audience can lead to exciting theatre.

A collection of makers they are. A collection, but not a collective. What an 'f' can't already make up. So language is quite a thing. And crowdsourcing is quite a thing. These makers collect words from their audience, and give them back in a performance. That's 'BOG.', a still fairly young group trying to use language to make theatre to get us to... 

Performing Arts Fund subsidy leads to more performances for fewer audiences

Currently, the amount a performing arts company receives in subsidy depends on the number of times it plays. The Performing Arts Fund, which is responsible for that subsidy, has now investigated the effect of this. That research shows that companies are increasingly struggling to sell performances of a single production. This causes companies to... 

Mirjam Koen, Adorno, why on earth theatre about Adorno!

Beethoven and Bach brought the true music. Karl-Heinz Stockhausen the future. The rest, from Beatles to hoempa, was 'jazz', commercially capitalist and therefore pernicious. Very briefly, this is what we should know Theodor Adorno from. Paul R. Kooij now plays this art-philosophical sharper in a performance by Mirjam Koen. Just when the division based partly on Adorno's thinking between... 

The current distribution of grants across genres and institutions

Culture Council: 'No more distinction between high and low art' (and much more)

Musicians are no longer allowed to perform for a pittance. At least, not if the club they work for, or perform in, receives a subsidy. In a sector opinion released today, the Culture Council argues that the structural underpayment of workers in the creative sector is no longer sustainable. 'If that means fewer programmes can be made (or that there... 

At last: a piece with real vision from the Culture Council

'Successive interventions have stripped, juridified and amended the BIS and the state funds. But more importantly than that, trends and developments in and around cultural life are making new demands on the cultural system. It is out of date in several respects.' So says the Council for Culture in its 'reconnaissance' published today. In it, the contours of the future... 

Minister Ingid van Engelshoven (centre) superior in first culture debate (Photo: screenshot livestream Lower House)

House: 'Minister van Engelshoven has passed baptism of fire'. (Why the VVD needs to find a new culture spokesperson)

The debate on the 2017 culture budget on Monday 13 November was a breath of fresh air. Not because there was suddenly a lot more money coming out of any top hat, but because there was a minister with vision. And with room to express that vision. After seven years full of pushing and pulling and rejected motions, cash shift operations and bicycle bell trading, there was finally... 

10 million back. Van Engelshoven means business.

Of course, this is really actually better news than what was already in the coalition agreement. The extra 10 million fought for last year for performing arts institutions that were good enough but fell below the saw line because of running out of money will get structural money added. Good news for a few clubs that would really be out of business otherwise, like Orkater. The good news... 

4 reasons why 'cultural entrepreneurship' and subsidy don't mix.

Afterwards, it actually dawned on me what had gone wrong at No Man's Land. The event, a sort of combination of networking drinks, symposium and mega workshop was set up from the best of intentions. Initiated by The Cooperative, the club not to be confused with The Cooperative. The latter De Coöperatie is based in Amsterdam and is an alliance of freelance... 

This is what makes The Dead Society such a successful podcast: noise.

I treated myself to one of those noise-cancelling headphones. The thing produces anti-noise to filter out highway, refrigerator and air conditioning from my daily life. So that I can listen to podcasts better. Podcasts like The Dead Society's. In which I am reminded again how important background noise from highways, air conditioners and rustling trees is. Radio journalist Carine van Santen... 

Still thinking about tougher sentencing, thanks to 'Prison Monologues'

Utrecht's Wolvenplein prison is sort of empty. Anyone who doesn't happen to have a conviction behind them themselves should go there for fun. I did so myself two years ago on an art project about the surveillance society. When I returned on Tuesday, 17 October 2017, for The Prison Monologues, the impression was still there. The... 

Kassys plays the blues (About hopeless depression and a real-life pizza delivery man)

That you can put a shoe on. But also not. That it doesn't really make much sense to put a shoe on, if you will take it off later in the day anyway. Why bother? Why live? Recognisable? For anyone who has ever been in a slump, yes. Theatre group Kassys, most recently a worldwide hit with 'Total Eclipse of... 

'Crusade' by Artemis is top theatre that will make any layman a fan.

Jetse Batelaan has spent pretty much this entire century making the most extraordinary theatre in the world. At least, of my world. Often with very few words, always with a great sense of bare aesthetics and usually sympathetic with a weird twist halfway through. His latest masterpiece is an adaptation of Thea Beckman's Crusade in Jeans. Though we need at least three quarters of... 

Add 100 million for art. But then sing the national anthem.

It succeeded. And that's even though we really didn't have a cent's worth of confidence left here. But still. It is there, in the financial section of the 'Confidence in the Future' coalition agreement: 'Intensification of 0.1 bln euros for the benefit of the cultural sector and historical democratic awareness. (RA_631)' That's 100 million euros, which is exactly what one of... 

Museum Association juggles numbers. (Why all our museums are doing great)

Museums in the Netherlands are doing well. Today, the Museum Association released a kind of annual report in which this was made abundantly clear in tables and graphs. Visits are increasing. Between 2015 and 2016, the sector counted 2.5 million more visits. Mainly by foreign tourists. At the same time, more and more museums are running at a loss. According to the Museum Association, that negative balance now hits for... 

Fair Practice Code is beta version. (Why it will remain unsettled in the arts for a long time to come)

Art subsidy cuts have been passed on to the weakest shoulders. Minister Jet Bussemaker made no bones about it in one of her latest public appearances. 'I have often praised the resilience of the sector, and we should celebrate that,' she declared yesterday at the presentation of the Fair Practice Code, 'but I also saw that subsidised institutions... 

Sadettin Kırmızıyüz. Photo: Joost de Haast

Dutch version of The Wire moves from Rotterdam to The Hague

Nationale Toneel Theatre is working on its mission to bring society to the stage. The Nation, that insane marathon with Romana Vrede about a disappearance in the Schilderswijk neighbourhood, and Mark Rietman, will be ready this autumn. Anyone who thought it was time for another slice of tedious retro hag comedy after that is wrong. We do have a classic coming up in... 

Five weeks of Bambie in Utrecht? Could just be the way to a more diverse culture

Speaking of diversity, within the dominantly white theatre audience, it is also full of bubbles. Over the past two weeks, for instance, I have just let it dawn on me how little overlap there is between the audiences of the two art theatres in my city, Utrecht. At least: for a while I sort of immersed myself in the world of... 

Lounging spectators at TivoliVredenburg (Photo: author)

Poets are the stars in blistering #Night17 (why edition 35 was the best)

Don't let the numbers fool you. Sales figures and print runs of poetry collections say absolutely nothing about the popularity of poetry in the Netherlands. This is not only clear from research. You can also conclude it simply from the fact that there is a Night of Poetry in the Netherlands. So on Saturday, 16 September, this phenomenon turned 35. Of the recent editions... 

The theatre world is divided, but not diverse. A call to authors.

This week, two things already became clear about the Dutch theatre world. One: the topic of diversity is finally really on the map and two: the theatre world, however small, is hopelessly divided. During Het Theaterfestival, there were two debates/ meetings/ symposiums on the lack of diversity in theatre. One on Monday, the other on Thursday. Bit much in one... 

Research shows: 96% of Dutch people are hopelessly idiotic (of poetry)

We like to be touched, we Dutch. And if we are not touched ourselves, we want to touch others. These are the two main reasons why people seek out poetry. This memorable fact has come to light thanks to research by Utrecht scientist Kila van der Starre. She will soon receive her PhD on a quantitative study into... 

Culture Council doesn't have plans ready yet

This summer, all was well. In Theatererkrant, house organ of the performing arts, an article appeared, apparently also on behalf of the Council for Culture. It showed how a hitherto unknown company called The Transition Office had pretty much completed the new sector plan, employed by the Council for Culture. Many people had been spoken to and now there were still... 

Theatre season opens with pep talk for paralysed artists.

To start right away with the rottenest news: according to Ferry Mingelen, D66 is not going to fulfil its election promise of 100 million reparations for the arts budget. The retired parliamentary journalist announced this during his opening speech of Het Theaterfestival, Thursday 7 September at Amsterdam's Stadsschouwburg theatre. He had spoken to party leader Pechtold on Tuesday. The latter had said that the ten... 

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