Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.
How many male genitalia Yasmine Allas had weighed in her hand. For a while, that was the question during Writers Unlimited's most shameless programme to date. This latenight talk show addressed the question of how shameless writers actually dare to be these days. Kristien Hemmerechts, always good for a few firm statements, met her peers in
And then, just like that, you can miss the highlight of the first Winternacht because you don't pull it together with a presenter. Flemish author Bart van Loo, according to many a twitterer, seems to have uttered beautiful sentences in the programme 'Daar geef ik mijn leven voor', but that was well after midnight and I was already
Lebanese writer Hanaan Al-Shaykh (Beirut, Lebanon, 1945) opened Wrtiters Unlimited on Thursday 17 January with a blazing argument against Arab culture of shame. This, according to the writer whose books The story of Zahra, Women between sky and sand, Beirut blues and Only in London have been translated into Dutch, so deep in
Writers Unlimited Special - One of the important guests at Writers Unlimited is Roland Colastica. This Curaçao author made his debut in 2012 with the children's book 'Fireworks in my head'. The book was enthusiastically received, and has since grown into a modest bestseller. Major strength of the story is its colourful and rhythmic style, but just as important is
Some artists age beautifully. Johnny Cash aged beautifully, Bruce Springsteen remains young in an absurd way and all members of the Rolling Stones turned into convincing zombies after their unnoticed deaths in the seventies
Everywhere, arts attendance is falling dramatically, except, for now, in Rotterdam. There, the Rotterdamnse Schouwburg managed to keep the number of paying visitors the same, or even increase slightly to over 147,500, in its first real cultural disaster year 2012. In its own press release, the management (currently in the hands of Jan Zoet) attributes this to sharper programming and revivals of successful productions, and an increase in the number of concerts:
With paper, you never know ('0.3% of newspaper readers read the reviews on the art page'), and with TV it's always a bit of estimating and extrapolating too, but the internet is rock hard. We know how many times you read one of our pieces, and how long you lingered at our videos. Well: we were already proud last year, now we are well over 200,000
Unrest in poetry land. By a error 'ambiguity' in the website of the National Turing Poem Contest several hundred poems disappeared from the competition probably for the wrong reasons. Alexis de Roode, herself a multiple prize winner, raised the issue on facebook.
Rijksmuseum Twente can probably stay open now that culture minister Jet Bussemaker (PvdA) has promised the chamber to halve the planned 50% cut in operations. Moreover, she is going to fight hard to keep the Cultural and Artistic Formation subject in secondary education as a compulsory examination subject 'left or right',
Terwijl de stad enorm moet bezuinigen op muziekscholen, bibliotheken, een paar toneelclubs en andere leuke dingen voor de mensen, zoals openbaar vervoer en zorg, bouwt den Haag wel een nieuw kunstgebouw. Liever gezegd: de gemeente steekt 181 miljoen in het slopen en vernieuwen van de theaters aan het Spui, omdat de architect die het complex 20 jaar geleden bouwde kennelijk zijn werk niet goed heeft gedaan.
The Netherlands' greatest artist is dead. Can happen. But can I then also curse heartily? Because Jeroen Willems is irreplaceable. As a journalist, you know the drill: of actors over 60, or of otherwise fragile stature, you have a necrootje ready. If you are well-known and meet the requirements, count on your friends and acquaintances to...
The previous Secretary of State for Culture, Halbe Zijlstra, made his draconian cuts cast in concrete. The 35-40 per cent cut in the budgets of orchestras, theatre companies and some museums has become law. The new minister of culture, PvdA star Jet Bussemaker, cannot change that at all an iota. And if she even wanted to: the architect of the cuts she has to allow sits in the chamber as the ruling party's group leader. No chance That he will allow his policies to go down the drain.
Anyway: while Amsterdam's city newspaper Parool was embarking on a campaign against the Dutch capital's city company at the behest of the Flemish publishing board, the same Toneelgroep Amsterdam was winning the hearts of New York audiences with a production of the already years-old 'Roman Tragedies', which a few here did not even like overall: http://www.wijbrandschaap.nl/2007/06/romeinse-tragedies-hf2007ta/
If the Netherlands consistently sticks to previously adopted PVV positions, the second chamber will say 'No' to a European investment in culture, innovation and media on 21 November 2012. However, if the current Rutte government sticks to the pro-European stance included in the coalition agreement, the Netherlands will cease its opposition to the 1.8 billion euro contribution to strengthening culture, which has now been approved by all other European member states.
We too retweeted it: "Germany increases culture subsidy by 100 million". And we thus fed a half-truth. That half-truth is, that Germany is a heaven for culture lovers, a haven for people fed up with the chilly austerity of the Rutte governments. Germany may seem nice, but, As Volkskrant correspondent Merlijn Schoonenboom noted in March this year, cuts are being made there at least as hard as here.
The discussion was and is endless, but now we have figures. Thanks to the Ministry of Education, Culture and Science's new 'key figures', we now know how much the state (all of us) are spending for the opportunity to experience art: per inhabitant, the state spends 38.90 per year on subsidies for dance, theatre, museums, youth theatre, opera and orchestras. So that's just over 3 euros a month. Indeed something to get into each other's hair about, we think.
De overheid heeft de laatste decennia weinig moeite gedaan om in het Egyptische Damietta een culturele scene van de grond te krijgen. Er zijn geen werkruimtes. Geen galeries. Alleen een hele grote bibliotheek en een “cultuurpaleis”. Die zijn beide pas vijf jaar geleden geopend. Daarnaast zijn er een paar kleine onafhankelijke initiatieven. In de openbare ruimte.
Minister Bijsterveld van OCW gaat het land vragen om advies. Deze week is een zogenaamde internetconsultatie van start gegaan over het voornemen van haar ministerie om de Culturele en Kunstzinnige Vorming van Havo en VWO scholieren af te schaffen. ‘het Veld’ kan nu reageren, dus wij stellen voor dat u uw mening, en vooral uw inhoudelijke argumenten aan het ministerie kenbnaar maakt, via deze link:
This week, the curtain officially fell on the Theatre Emabassy, a club of inspired people who had Dutch artists collaborate with artists in developing countries such as Honduras, Bhutan and Congo. The resulting performances were only sporadically seen in the Netherlands, but every now and then a project made a broad impression here too, such as a 'On Hope of Blessing', played by real fishermen, but from Mali.
The Theatre Museum's entire collection has been saved. The archives of luminaries such as Wim Kan and Louis Davids, as well as 50,000 theatre reviews, 30,000 theatre posters, 146,000 photographs of 22,000 performances, 26,000 portrait photographs of 2,450 theatre-makers and an extensive audio and video collection will be housed at the University of Amsterdam.The move is possible now that the Ministry of Education, Culture and Science (OCW), with the ever-money-hungry State Secretary for Culture Halbe Zijlstra, is no longer seizing the reserves of the Theater Instituut Nederland (TIN).
Theatre company the Utrecht Games, city company of the Netherlands' fourth largest city, is on the brink of bankruptcy. It was recently revealed that the company led by artistic and business director Jos Thie has a deficit of €2.1 million. Correspondence that has since surfaced shows that it was already clear in May this year that the problems were getting out of hand. That was a month after the Utrecht subsidy advisory committee issued its laudatory opinion, and a few weeks before the Council for Culture issued its very thrifty advice.
It had to be a party, because there has been enough shouting and complaining and it doesn't help anything anyway. After a year in which the theatre sector in particular felt the hard hand of Mark Ruttes happy crisis policy, awards had to be handed out again. So the already not-so-huge crème de la crème of the Dutch theatre world gathered again for the gala at Amsterdam's Stadsschouwburg. It was a valiant attempt at optimism, while
Quite a few VVD people were angry with us, because last year we made the Rotterdam alderman for culture caught stupid: she argued that cultural institutions did not need to open during the week at all, because hard-working people only had time for art on weekends anyway.
I did it just like that. Proclaimed a show as the most important theatre innovation for 20 years. That's daring. Even though I made the term a bit more vague in a subsequent tweet, because, yes, there has been quite a lot of innovation in recent years, left and right in theatres. So let's stick to 'the last few years'. And then...
To be seen from Friday 7 September in the Amsterdam Stadsschouwburg foyer: this dancing copy by the artist Leonard van Munster. A nice combo of dance, technology, theatre and art, we thought.
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