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It has been investigated: culture sector almost succumbs to work pressure (Solution: go cycling in the library)

'I would love to have a human resources manager on staff, but yes, quite a shame.' Dixit the director of a medium-sized arts institution. As in the rest of the Dutch SME sector, in the arts sector personnel policy, or HR policy, is something that is at most done on the side. Anyone who has ever got it wrong can tell great stories about... 

Especially for our subscribers: the great Holland Festival 2017 e-book

The advantage of being a subscriber to Culture Press is, of course, mainly that we can exist thanks to you. So our independent sound remains audible, so you get the interpretation of the news as you get it nowhere else. In June, a total of 14 authors hit the road for you to see as many Holland Festival performances as possible.... 

Why it is beyond stupid of the NPO to move Radio Kunststof

Radio Kunststof is one of the most successful early-evening programmes on our national disaster channel Radio 1. That success is partly due to its great formula: a long conversation with a more or less well-known figure from the arts and media corner. However, much more important reason for that success is the broadcast time. Between seven and eight in the evening, very... 

Mantra (II) Stockhausen with middle finger raised is highlight #HF17

Smoothly they descend the stairs of the Amsterdam Concertgebouw. Lucas and Arthur Jussen are dressed to kill. With their fussy-cut, see-through costumes, they have already won their first battle before they have even played one note of Karlheinz Stockhausen's Mantra. Not only in their outfits, but also in their quirky playing, the young pianists show guts. Lovely, such a... 

Mantra (I): Pushing for Jussen brothers swaying Stockhausen #HF17

Lucas and Arthur Jussen are 'hot'. You could call the young piano brothers the headliner of this Holland Festival Proms. Well before the start of their concert, visitors are therefore already gathering in the corridors around the main hall of the Concertgebouw. Everyone is out for a good seat. To sit, because standing, as we know it from... 

I had a perfect near-death experience in the Amsterdam theatre #HF17

Sometimes you don't need a lot of words for a great story. Often, few words also require more effort than many words. That idea Blaise Pascal once managed to coin. Yesterday, on the penultimate day of the seventieth Holland Festival, the statement was reinforced in another, unexpected way. Australia's Back to Back Theatre told the story of... 

Thriller writer Jo Nesbø: 'Harry Hole is a very intense character'

He is a tormented, loner and contrarian fellow, but also one of the best detectives the Oslo police force has to offer. And: a much-loved character. Harry Hole is back, in Jo Nesbø's new thriller The Thirst. If the interview could be a few hours later, as he is suffering from jet lag. Popular Norwegian bestselling author Jo... 

Setan Jawa, Garin Nugroho.

This is why Setan Jawa was such a special highlight of the Holland Festival #HF17

Setan Jawa is the latest film by prominent Indonesian director Garin Nugroho (b. 1961). It is a 'silent' film, shot in black and white by Teoh Gay Hian. It was shown at the Muziekgebouw aan t IJ during the Holland Festival last weekend. The music to the film is played live by Rahayu Supanggah Gamelan Orchestra and the Netherlands Chamber Orchestra. Inspired... 

Why it's good that the Holland Festival gets this general manager #HF17

Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why... 

Forbidden Music Regained: web archive of persecuted composers

On Wednesday 20 June, Kajsa Ollongren launched the website Forbidden Music Regained at the Uilenburgersjoel in Amsterdam. The capital's deputy mayor and alderman for culture quoted astronaut Neil Armstrong, calling the project 'a giant step for mankind'. She continued, "The website is also important for the city of Amsterdam, because we cannot and must not forget what happened in our city seventy years ago. 

MIRROR MIRROR by Conny Janssen Danst

For this one moment, you won't want to miss MIRROR MIRROR by Conny Janssen Danst

You can think of several reasons to go and see MIRROR MIRROR by Conny Janssen Danst at the RDM Submarine Wharf. But there is one in particular. Conny Janssen Danst is back in a former submarine hangar in Rotterdam with MIRROR MIRROR. That shed is located on the waterfront near the Rotterdam Academy of Architecture and an Innovation Lab. An industrial setting that also returns... 

Franui: Consolation and cheers band from Tyrol surprises with true-life songs #HF17

Florian Boesch is at the front of the stage, around him are his bandmates. On big screen behind the band, a chair slowly melts away. Boesch has hands casually in his pockets. With a smile, the violinist initiates a horlepie-like tune. Wie leiblich und frölich, Zu schweben, zu singen, Von glänzender Höhe, Zur Erde zu blicken! By the clutches... 

American kindergarten drama with a body count of 2 million on #HF17

Chances are not inconceivable that you have never heard of Fortunato Depero. Or maybe you are a lover of classic design and still have an old mini bottle of Campari somewhere. He made that. As a playwright, you might well have overlooked him. On 21 June, I went to see if you could find yourself with that... 

Julia Wolfe: 'Anthracite Fields is a poetic reflection on the lives of miners'

American composer Julia Wolfe (1958) has a thing for the social history of her homeland. Steel Hammer reflects on the unequal struggle of man versus machine, as described in the folk ballad John Henry. Anthracite Fields zooms in on the hard life of miners in Pennsylvania. She won a Pulitzer Prize with it in 2015. The full-length oratorio is experiencing two July... 

Alain Platel sets all of Carré on edge with overwhelming Nicht Schlafen #HF17

The plofnies came totally unexpectedly. The family father behind me, out with wife and presumably reluctant adolescent son, burst out after about 10 minutes into the performance. Just when a deafening silence had descended over the sold-out Theatre Carré. At least four people, including myself, were shocked to the core. A sneeze had never been this loud before, but as quiet as during... 

Art that is not about anything. Greek spectacle The Great Tamer was a delight on #HF17

During the first two weeks of this Holland Festival, almost all art was about something. The festival theme of 'democracy', conceived for the occasion, appears to have penetrated just about every hairline. Sometimes painful and highly topical, as in the National Theatre's phenomenal 'The Nation', sometimes downright embarrassing, as in Romeo's heavily overrated 'Democracy in America'... 

Anna Woltz: 'I think normal people are boring'

On Wednesday 21 June, the Zilveren Griffels, Zilveren Penselen en Paletten and Vlag en Wimpels will be awarded - the prelude to the presentation of Het Gouden Penseel and Het Gulden Palet in September and the Gouden Griffel in October. Interview with last year's Golden Griffel winner Anna Woltz on writing, growing up and the Griffels, of course. By Tijmen... 

Robert Lepage pulls out all the stops in '887'. (Because we forget so much.) #HF17

Twenty-five Canadians are listed for design and production of sound, video, music, lighting and stage technology. Nine Canadians are working behind the scenes for two hours. During those two hours, one Canadian is on stage. In front of six hundred spectators. What those 35 people have all managed to pull off tickles your imagination and tells... 

Opera Octavia.Trepanation #HF17: drama missing

The opening image of Octavia. Trepanation is an immediate hit. On either side of Lenin's lauded head is an army of Chinese terracotta warriors. - Headless. Lenin's brain suffices for all, the suggestion is. Associations with the image of Che Guevara in Reconstruction from 1969 come to mind. But where that opera conveyed its (anti-American) message with crystal clarity,... 

New single: Queens of the Stone Age sticky with sexy sweat

In the Netherlands, this Thursday afternoon is sunny. Clothes stick to bodies. Hotpants everywhere. Boys take off their shirts in parks. This afternoon, Queens of the Stone Age's new single plops onto YouTube. The Way You Used to Do is sweaty and hot. Pleasure settled Queens of the Stone Age don't surprise. There's no need to. The band is grand... 

The Tempest Society: Too bad Jesse Klaver wasn't in the audience #HF17

Struggle is by far the word that falls the most in the video triptych 'The Tempest Society'. The struggle for a dignified existence, the struggle for papers, the struggle with a system that does not want to give you rights. Refugees struggle with these issues day in and day out, year in and year out. In this video triptych, Moroccan-French director Bouchra Khalili (Casablanca,... 

Dries Verhoeven's Phobiarama is a pointless machine #HF17

I went to Amsterdam to face my social anxieties on the once infamous Mercatorplein. I saw a sunny square with a trendy bar and bakfiets mothers around a play fountain for white children (brrrr! gentrification), old veiled and un veiled women chatting on a bench (help! multiculture) and a performance in a converted bumper car tent (Waaaah! Holland Festival). What I didn't... 

Franui and Boesch unpretentious #HF17

Some 25 years ago, 10 musicians got together in Innervillgraten. A hamlet in East Tyrol, to play funeral marches. A band formed: Franui. By making quirky arrangements of music such as by Schubert and Mahler, Franui gained international success. At the 2017 Holland Festival, they will perform a programme of music about life and impermanence. In collaboration with baritone Florian... 

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