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TWO FANTASTIC DAYS

Insayno was city poet for two days - you involuntarily think of that commercial in which a temp says at his grand farewell party, "It was two fantastic days" - and in doing so probably set a record as the shortest-serving city poet in history, with one city poem to his name ("sister of the capital"). What was the problem?

Hanna Kulenty composes new piece for Bass Clarinet Festival: 'I'm making a collage of emotions'

Polish-Dutch Hanna Kulenty (Białystok, 1961) writes music that gets under your skin. Whether it is early works like Fourth Circle for violin and piano (1994), the opera Mother of Black-Winged Dreams about multiple personality syndrome (1995), or more recent compositions like the Viola Concerto (2015) and her Flute Concerto No.3 (2018), irrevocably you are taken on an exhilarating journey with a... 

Everyone saved? Only a few festivals suffered heavy damage.

The total of eight festivals that were given a place in the Basic Cultural Infrastructure thanks to vigorous political lobbying are in the clear. They do not benefit from the extra millions released by the Cabinet on Budget Day to rescue the Performing Arts Fund, because they are not (or no longer) covered by it.

Kaija Saariaho central composer at November Music: subtle timbres paint inky black scenario

Pièce de résistance will be the brand new Reconnaissance (Rusty Mirror Madrigal) for choir, percussion and double bass. Saariaho composed it commissioned by November Music and the Donaueschinger Musiktage. The first performance was scheduled at the German festival, which, however, was also cancelled. - A stroke of luck for November Music.

There are also problems with the region in Limburg (and people suspect the advisers of being arbitrary and pre-emptive)

The cultural centre of gravity in Limburg has been in the south for years. However, to encourage southern institutions to programme outside the region, only 1 extra point is available. Examples of the problem of geographical spread also exist at the Council of Culture and the Performing Arts Fund.

David Grossman: 'I know what it's like to live on with trauma'

More than 20 years ago, David Grossman's phone rang. A woman named Eva Panić Nahir had some things to say about an article he had published in an Israeli newspaper. Grossman smiles at the memory. 'What my piece was about I don't remember, I do remember that she thought I had not gone far enough in my criticism of the government. I did find it refreshing to be attacked for once by someone from the left, instead of - as usual - the right wing.'

Gaudeamus: as a 75-year-old younger than ever

Anno 2020, Music Week is buzzing like never before. Even corona has barely caught on. How many 'Mozarts' have emerged by now I will leave open, but the rich and varied off- and online offerings create some choice stress. At 75, the organisation is younger than ever: Gaudeamus is the place to be.

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