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The Netherlands Film Festival Conference also addressed the theme of diversity. How do we really make Dutch film for everyone? There is no ready-made answer. But there is the incentive to keep raising it. Speak out!
Rare re-screening of Olow Seunke's highly acclaimed debut 'The Taste of Water' on the occasion of 40 years of Kring van Nederlandse Filmjournalisten. Gerard Thoolen and Dorijn Curvers are breathtaking as the cynical civil servant and the girl in the closet. As if Seunke had foreseen the problems in youth care.
"Over the past two-and-a-half years, I have started making choices. Where ten years ago I thought of going into life as a dance teacher, now the question is: do I really want to? What makes me happy, what do I want to share with the people around me?" For Lotte Willemsma, the first two years of the Corona pandemic were...
Almelo has been on the map for a few years now thanks to theatre. I went to see Van Katoen en Water on Thursday, an open-air spectacle with well-timed downpour and a full-moon rise like you can only experience in the almost gentrified old-industrial heart of Twente's poorest city. Mashed potatoes were served beforehand, with a johmas salad. Wine flowed profusely. In...
Next to the industrial complex was another large hoisting plant. Inside were some reminiscences of past activity. The factory hall in Amsterdam-North where Stork made its machines was now completely deserted, cold, bare and quite dirty. Here we stood, director and chairman of Dansmakers Amsterdam, Ger Jager and me. Was this going to be the new home for Dansmakers? And was much scepticism among our...
Her life has become what Ellen ten Damme (54) once dreamed of: free, exciting and she can make a living from her music. Like a troubadour, she is touring the country in the coming months with her new show Barock. 'Only in my French home do I do normal things.' 1. I can take myself seriously 'As a 3-year-old, I was already hanging from the highest lamppost. I...
Alex Mallems, the artistic director who put Zeeland on the map in this century (since 2001), has left both the Zeeland Nazomer festival and its associated production house Zeelandia. This is the outcome of a protracted conflict with the business director appointed since last year, Sylvie Dees. According to a report in Theaterkrant, according to Dees, he would 'without permission make commitments...
Some things that used to be fun cannot be done now. Things like smoking in class, posters of David Hamilton in the dorm room, underpaying women, driving a car with a bottle of gin behind it, you name it. This week, an interesting riot was added. The Amsterdam Fringe Festival, the naughty sister of the Dutch Theatre Festival, chose a campaign image that, to...
Of the 122 stage texts read by the jury of the Dutch Toneelschrijfprijs, just under 30 were written by female authors. In a field where the number of female workers is huge, this is striking. Because, the jury rightly stated, in written Dutch theatre, the male gaze is still dominant. While the theatre audience percentage-wise more women...
"The government is demanding that we only show artists from our own region. That would be a huge loss for us, as we are an international art space. But we have found a way around it. We now invite top international artists who live here, or we offer them a residency, so they live in the city temporarily. That way, ...
"We firmly believe that a well-developed and widely implemented Culture, Climate & Environment Code helps the worlds of art, culture and creation to take up their role within the most pressing issue of our time. That role is one of social innovation and creativity in the service of the arts, but also in the service of society and a liveable...
"That we find today's culture of memory uncomfortable finds its cause already in the concept of 'remembering'. After all, in the strict sense of the word, we can only remember something we have experienced ourselves. But what should 16-year-old schoolchildren remember when they visit the Buchenwald memorial site? Upon them comes the call to remember something that even...
Paul McCartney - according to Philip Norman's biography (2016) - had discovered a nice extra source of income as an enterprising musician: the music rights of colleagues. He bought up the rights of others and the money flowed in. Friendly and naive, he tipped Michael Jackson to do the same and yes, to his shock, a few years later, music rights of The Beatles were...
It could be because of the weather, or my mood, but 2022 was one of the best editions of Theatre Festival Boulevard I have experienced in decades. From the interesting, and also a little disruptive opening to the final night, which I experienced yesterday, I saw guts, passion and pushed boundaries. Not everywhere all at once, but...
John Buijsman and Helmert Woudenberg make a very funny duo. Buijsman the archetypal Rotterdammer, certainly also in terms of tone of voice, but also the actor who is role-steady, playing distinct characters. In De Recreanten, a play he made for and about his own holiday resort in Hoek van Holland, he plays together with Helmert Woudenberg. The creator of continuous improvisation has a...
We take stock halfway through this edition of Theatre Festival Boulevard in Den Bosch. Host Wijbrand Schaap does so together with Dana Kibbelaar, since this year a member of the two-headed management (with Tessa Smeulers), writer and journalist Jowi Schmitz, dance critic Helen Westerik, and makers Oscar Kocken and Jellie Schippers. We talk about what is so special about...
After nearly 30 editions, I finally had my Boulevard baptism of fire. And what a breath of fresh air it was. Audiences from 2 to 80, a festival terrain you can just stroll across without a ticket. Even better: a festival area where you can also watch acrobatics and dance on an outdoor stage without a ticket! I saw people walking their dogs and checking to see if there were any...
It was a bit much of a good thing, but the proximity of so many happy people in a small room, with no air conditioning but enthusiastically sweating dancers, was nice to experience. It's called 'Out of the Box' and is being danced and acrobatched together by The100hands from Breda during the Bossche Theatre Festival Boulevard. A performance for people from...
For a while it looked like we had walked into a live version of The Square, but it was just the official opening performance of Theatre Festival Boulevard in Den Bosch. Now, that festival is miles away from the self-absorbed elitist art world that is rocked by a human gorilla act completely out of control in that Danish film, but uncomfortable was...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: artists' interests. Above the children's circus The ground floor of the building on Passeerdersgracht in Amsterdam housed children's circus Elleboog. On the second floor were the chess federations: the national federation and Max Euwe's international federation FIDE, which you could sometimes see in person....
'We are used to thinking in extremes. It is still the only way to be heard. Loud action is the only thing that matters anymore, it seems. Therefore, we have to be careful to remain curious about where that action comes from, what desire there is. That personal attention is needed, to crawl under that actionism
Let's start yesterday with a fundamental dialogue with the entire arts sector, using the vitality and creativity of the arts as inspiration, both for the sector itself and for society as a whole. Our sector talking, thinking, participating, deciding! in good times and in bad times. Never be silent again ...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: providence for artists. The office at Noordeinde in The Hague. At the meeting table, all board members had a fixed place. At that spot was a packet of cigarettes of the right brand ready for everyone. The meetings started at the stroke of two o'clock. Around half past...
A dance concert with a standing audience promises to be something new. Because how often does it happen that in the audience, whipped up by music and dance, you have to sit on your hands. This sounds like the outcome! We get to watch and move ourselves to Krautrock, mixed with trance-like repetitive parts. Lisbeth Gruwez and Maarten van Cauwenberghe invite us...
Amare hosted for the first time the final performances of one of the new residents of The Hague's cultural colossus: the dance department of the Royal Conservatoire. What stands out. The pandemic over Last year, in the old conservatory, a maximum of 50 visitors could attend the final performance, with mouth caps on and with two chairs away from each other. The new dance theatre in Amare...
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