Moving image. To be seen on TV, in a museum, in a cinema. On an iphone.
Moby Dick; or, The Whale is the latest gesammtkunstwerk by artist collective Moved By The Motion, Schauspielhaus Zürig and Wu Tsang. Her adaptation of the great American classic as layered as the book. Where Herman Melville uses accounts, scholarly sources and monologues, Tsang deploys film and music. In a collage of theatrical performance, dance, found footage, animation and documentation nature footage,...
How do you play a rainforest? I was once told that the rainforest makes deafening noise especially at night. On 7 June, I got to hear the same thing in the installation Altamira 2042, thanks to the Holland Festival. In that performance, Brazilian artist cum documentary filmmaker Gabriela Carneiro da Cunha managed to make the sound of the tropics tangible. In a...
Screen Daily brought the news a fortnight ago that the International Film Festival Rotterdam is going to restructure. Not surprising after two corona years: this has hit every festival, every cultural institution, hard. It became worrying when in recent days social media was full of reports of mass layoffs at the IFFR. All senior programmers were supposedly fired. Because...
It attracted widespread media attention in late 2020. Putin opponent Alexei Navalny survived an assassination attempt with nerve poison, revealed the suspected perpetrators and ventured back to Moscow despite everything. In this documentary, we witness it up close.
In the week that already began dramatically with the deaths of Jan Rot and Arno Hintjens, Henny Vrienten has now joined musician heaven. Far too young at 73, but still 41 years older than he was in one of his most famous songs. A bit weird, but mostly very sad. One of the most sympathetic musicians...
Ari Folman's (Walz With Bashir) new animated film Where is Anne Frank is the opening film of the Kaboom animation festival. Folman explains how it definitely had to be a film for young audiences, why it features an escaped girl from Africa, and why the concentration camp resembles the underworld from Greek mythology.
Euphoria cancelled due to situation in Ukraine - Intention to shift to Holland Festival 2023 With pain in its heart, the Holland Festival is forced to announce that Julian Rosefeldt's spectacular film installation Euphoria will not be coming to Amsterdam in June 2022. For the 75th edition of the Holland Festival, the world premiere of the new...
Cinedans presents an interdisciplinary programme where the two movement arts, dance and film, are pre-eminently linked. Connection, innovation and polyphony are at the heart of this 18th international edition. For five days, we present the state of the art of international dance film. Together with dancescreen - IMZ International Music + Media Centre, we will organise this year's international dance film competition. Dancecreen...
Lena Rubashevskaya is a well-known film journalist and documentary filmmaker from Ukraine. She was working on a new film in Donetsk when Russian troops began their invasion of Ukraine. She had to flee headlong. Now, eight days later, she tells us her story from Warsaw. When you listen to her, you understand forever that fleeing war and violence is one of...
Ukrainian filmmaker Sergei Loznitsa's absurd tragedy Donbass returns to film theatres. Proceeds will benefit refugees from Ukraine.
Monday 21 February at 19:30, Concordia is screening a one-off film 'Colombia in My Arms', about Colombia after the peace deal between the government and the FARC guerrillas. Will the fragile peace survive the distrust and resentment built up by decades of war? With elections approaching, some politicians hope to profit from stoking tensions even further. Before and after...
Under the title Shochiku 100, Eye presents a magnificent programme in February that covers a century of films from one of Japan's most important studios. Here, previously unknown work, alongside titles by celebrated directors such as Masaki Kobayashi, Nagisa Oshima, Takeshi Kitano and especially Yasujiro Ozu. Four Ozu films, including Tokyo Story, go out simultaneously in movie theatres.
International Film Festival Rotterdam, online this year, screens films from all over the world. Four years ago, for the first time there was also a programme block featuring Rotterdam films: RTM. Until now, somewhat underexposed, so time for an update. Programmer Ronny Theeuwes tells something. Plus an impression of RTM 2022.
The Dutch cinema industry presented its annual figures. 14.3 million visits means a very lean year, as a result of the corona measures. No Time to Die was the best-attended film, accounting for 12% of the year's total. Plus point is the good Dutch market share. Theatres should reopen soon, the industry believes.
The opening images of West Side Story (2021) already tell a whole story. It is contained in a few frames. A billboard showing a grandiose new housing project. The camera glides past it almost casually as we glide over rubble of a New York slum, not with the characteristic fire escapes along the facade, as in the first film adaptation (1961) of this 1957 musical theatre piece,...
Whenever a technology is presented that I am not yet familiar with, I like to explore. A museum with holographic glasses? Do it! However, it turned out to be the content that will stay with me for a long time. The Museum of Austerity by Sarah Wares and John Pring is no easy read. But essential for understanding the impact of austerity on disabled people...
DocLab has been the most exciting part of IDFA for 15 years. This is the place for experimentation in form, technology and content; pushing and stretching the boundaries of the medium. I like to plunge in, sometimes with skin and hair. The VR installation Symbiosis gives that opportunity quite literally. You get to enter a post-apocalyptic world, where people are forced to make connections...
IDFA-DocLab is celebrating its 15th anniversary. Leading platform for all kinds of interactive or non-interactive, virtual or physical projects through which artists give us a different window on reality.
IDFA 2021 will kick off on 17 November. Again largely on location. A pleasant surprise this year is the rich crop of Dutch documentaries.
Theatre and film have close ties. Many classic plays have been filmed. One of the merits of Ivo van Hove and Jan Versweyveld is that they have reversed that relationship. Film as the starting point for their performances. Their radically innovative work is the starting point for the exhibitions - designed by themselves - about theatre about film about theatre. In 13 venues...
With Orkater, I grew into theatre as a student. In the house here is the DVD box with Alex van Warmerdam's first seven delightful films, which I still watch back regularly, now together with the youngest generation learning and enjoying. Then I smile daily at the spines of his curious books, such as the fine collection of poetry 'I created the world'....
During the Netherlands Film Festival, Joris Hoebe (New Noardic Wave) and Guido Franken (CineSud) launched the new network organisation Screen Talent NL. A network that ultimately aims to inspire and support talent and film activities in all regions of the Netherlands.
Producer Pieter van Huystee resumes working with Heddy Honigmann, one of the Netherlands' leading documentary filmmakers. In her latest film No Hay Camino (There is no road), she looks back on her work and life. Interview with Van Huystee, on the road he travelled with her over 25 years.
If you get the urge to run your finger through the candle flame for a moment, then a VR installation is already almost successful. Not just because of the technical feat, but also because it convinces as a place to bivouac for half an hour. I am standing at the bar of a seventeenth-century Amsterdam pub. There are murmurs, music, a bartender who is...
It is a great thing that there are comedians who keep a finger on the pulse of society. Hans Teeuwen, for instance, has once again made himself angry. He has joined the small chorus of (mostly) men who see the end of the world coming because of a rebuttal. That is the rebuttal that now comes via social media
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