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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

Top collection of Spanish masters finally in the Netherlands

The man's gaze turned upwards. He looks puzzled. Why is he hanging here now? Here, in Amsterdam? He comes from Spain, doesn't he? Then he hung in St Petersburg for years. This room, as deep red and imposing in size as the ''Spanish Hall'' in the Hermitage, by the way, looks an awful lot like the room where it hung for so long. Incidentally. 

Idfa viewing tip 27 November: Perhaps the weirdest and fiercest film of the festival

It doesn't often happen to me that just under 30 years after seeing a film, I still remember in what state I left the theatre. Supreme confusion it was. Was all this real? As a filmmaker, were you allowed to hit your interviewees? Was it staged? It was too horrifying to imagine everything really happening 

IDFA viewing tip 26 November - A Poem is a Naked person

American filmmaker Les Blank stole my heart a long time ago with the short docu he made about Werner Herzog: Werner Herzog Eats His Shoe. And that is exactly what happened in that film. Herzog lost a bet to Errol Morris: he never thought the latter would finish his Gates of Heaven. And so... 

IDFA viewing tip Wednesday 25 November: deadly drug gangs

Today's IDFA viewing tip is directly opposite yesterday's. Yesterday was uplifting and heartwarming. Cartel Land, on the other hand, is hard, raw, unpleasant and brutal. It could hardly be otherwise, as Matthew Heineman's film is about the war on drugs in Mexico and Arizona, which is just north of it. At the risk of... 

IDFA viewing tip 24 November: Tablas take over New York

Today's IDFA viewing tip is the kind of film I normally stay away from: a feel-good film that is stylistically neat, but nowhere innovative. And yet I went flat and with me the whole audience. Why? For the same reason that a group of men with tablas and sitar gets the Jazz at Lincoln Center flat. The combination of western... 

The disaster surrounding the eastern orchestras only intensifies. A reconstruction

A damning report by organisational consultancy Berenschot, the voluntary or involuntary departure of director Harm Mannak, repeated bickering in the State Assembly and panting reports of high salaries for directors and artistic directors, all the way to the national newspapers. It marks the chaos at HET Symfonieorkest and the lack of any form of direction, not only at the orchestra itself,... 

Turn on your livestream and get a pack of tissues ready

Next Friday is the day. Then, speakers in the fields of technology, economy and design will climb the stage in the Stadsschouwburg Amsterdam to talk about their 'ideas worth spreading'. This year's theme is 'the perfect trifecta', because if there is anything magical according to founder Jim Stolze, it is the interaction between audience, speakers and performers. Notable... 

A weekend in Brussels: This is our culture too

'Well, if we don't get home in one piece, know that we loved you guys,' we joked to our family just before we left for Brussels on Saturday. We would have an interview with American writer David Vann there, and the day after take a walk through Brussels in the footsteps of writers Charlotte and Emily Brontë. There would be some... 

'Without extra money, even successful festivals will fall over'

The Lower House caused serious problems for culture in the Netherlands a few weeks back. In a noble attempt to save a few festivals and a youth theatre, SP, D66, CDA and PvdA caused chaos. They passed a motion instructing our culture minister to still set aside money for a few festivals and an extra... 

Conductor Jurjen Hempel: 'The students of Score Collective have an unprecedented technical ability.'

Music students are generally conservative. When I studied musicology in the 1990s, we could go to the concerts in new-music temple the IJsbreker for only five guilders. I eagerly used this opportunity to hear the very latest notes by living composers like Pauline Oliveros and Sofia Gubaidoelina for a trifle. I never saw a single fellow student there. Still I am... 

Isabelle Beernaert

Isabelle Beernaert does it again in Under My Skin

When the car park of the Zuiderstrandtheater is full at a pre-premiere, you know something exciting is happening inside. And that's right: Isabelle Beernaert and her ensemble present the new production Under My Skin. Dance like an Instagram account: popular, photogenic and ephemeral. Woman Actually, dance is like a Pinterest account. Because that seems to be mostly for women. And there is a lot of... 

Welcome to the Jungle: a catastrophic clusterfuck at the Channel Tunnel

Maaike Engels (video artist and filmmaker) and Teun Voeten (war photographer and cultural anthropologist) made Welcome to the Jungle. A documentary about the utter chaos in the makeshift migrant camp near the canal tunnel in Calais, where some 6,000 people are now waiting in harsh misery for their chance to travel clandestinely to England. Welcome to the Jungle is a painful and bij... 

HET Symphony Orchestra director steps down - just before scathing report on business plan

Failing directors stay put, the Supervisory Board disqualifies itself. No other conclusion is possible after reading the counter-expertise commissioned by the province of Overijssel and carried out by Berenschot. The provincial millions intended to make the orchestra subsidy-independent have not only evaporated, but show a negative balance in every area. Every estimate was too optimistic,... 

Dancing on the Edge festival started with a sense of urgency.

At Amsterdam's Brakke Grond, the Dancing on the Edge festival (DOTE) opened yesterday with an evening that immediately showed what the span is all about. The first performance, Blank, engaged directly with the audience. The second, and official opening performance, Plastic, was more about the dynamics between the performers themselves and with the soundscape. With her opening speech 

"This piece already carries history with it"

Terezín, 1944. In the most deplorable conditions imaginable, Victor Ullmann completes the opera Der Kaiser von Atlantis. The camp authorities forbid a first performance after a few rehearsals. The unmistakable allegory on Hitler and his downfall leads to one of the rare forms of censorship in the camp, which the Nazis showed as an example to the Red Cross.... 

AUREUM by Medhi Walerski, still from trailer

Young choreographers triumph in NDT2's 'Shearing the Wolves'

In the wings of Nederlands Dans Theater, the new generation of dance makers is ready. Medhi Walerski and Johan Inger are both former dancers of the company and have previously created pieces there. In NDT2's Shearing the Wolves programme, they each surprise with a world premiere full of intense, pure dance. In comparison, an older work by house choreographers Sol Léon and... 

Choreographer Meher Debbich Awrachi on #DOTE2015: 'Old ideas pollute the world'

Unemployment is rife in Tunisia. Young men there now clean plastic from the streets and beaches, as a heavily underpaid job. It led theatre-maker Meher Debbich to a surprising insight: 'Old ideas are like plastic. They don't decay. They have to be disposed of, for recycling. Otherwise we will perish in them.' He tells me about this in the interview below 

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