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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

Incubators we already had, but where was the incubator? Is Art-up Incubator the salvation for cultural Holland?

Fifty years ago, some tomatoes and smoke bombs flew through Amsterdam's Stadsschouwburg. This will be commemorated on 4 November at ITA, the former Stadsschouwburg, with a gathering for which, according to the many e-mails I receive, not all tickets have been sold yet. Meanwhile, voluminous essays are appearing in the trade magazine and many are wondering whether there might not be another tomato... 

Read More "Incubators we already had, but where was the incubator? Is Art-up Incubator the salvation for cultural Holland?

OK Boomer. The Diversity & Inclusion Code is going to change the art world. Or had it changed long ago?

From 42 to 18 pages. Actually, that says it all about the new Diversity and Inclusion Code that saw the light of day on Friday 1 November. After all the wooliness and ifs and buts of the original Cultural Diversity Code, the new thing is a miracle of clarity. Is perhaps also necessary, in these times of identity wars, where on the left and... 

Read More "OK Boomer. The Diversity & Inclusion Code is going to change the art world. Or had it changed long ago?

Colleges have been left out of all discussions on education for far too long.

"When you tell it, it all seems so logical," a good friend said last week, "if a board were to hear this..." Education, every day it is in the newspaper and we debate society-wide dully about the importance of good education, about teacher shortages and class sizes. While the cabinet sits mute in the hope of getting out from under... 

Read More "Colleges have been left out of all discussions on education for far too long.

No Time To Die? The New Cinema Conference is all about marketing - and hardly about Netflix.

What will shake up the cinema world the most in the coming years? The new James Bond film? Or a personal film tip tailored to your previous cinema visits that just pops up on your smartphone? Or perhaps a technical innovation that creates a whole new cinematic experience? Just a few things that loom around the topic of this week's New Cinema conference. A day and a half... 

Read More "No Time To Die? The New Cinema Conference is all about marketing - and hardly about Netflix.

Why the magnificent annual figures of the theatre and concert hall managements make it clear that the system must be turned around. 

Things are once again going insane for Dutch theatres and concert halls. Every year, the directors, gathered in the VSCD, manage to come out with truly fantastic figures in the autumn. This year too, the cheers are unrelenting. Everything is growing. The number of jobs, and the number of volunteers, for example. (both up by 3% in... 

Read More "Why the magnificent annual figures of the theatre and concert hall managements make it clear that the system must be turned around. 

If no one comes up with a Plan B... 

On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in... 

Read More "If no one comes up with a Plan B... 

Dutch youth film in dire straits too? Plenty to talk about during the Cinekid festival

The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production.... 

Read More "Dutch youth film in dire straits too? Plenty to talk about during the Cinekid festival

Opinion researchers: Amersfoort, see artists more as business cards!

Amersfoort is investing in culture again. This is very good news after a period when cuts dominated. So now it becomes extra interesting what the city will do with the extra money. Some research is already under way. Last week, another study was added from an unexpected source. The main outcome: Amersfoort could be a bit prouder... 

Read More "Opinion researchers: Amersfoort, see artists more as business cards!

We are nowhere near crazy enough. Why theatre desperately needs a little more Crazy Wisdom.

'We will never be 'the same' enough, we fringe characters: bipolar, borderline, gay, lesbian, indeterminate, narcissistic, autistic, hysterical - and we are all fatally insecure and we all need a hug.' Permanent, seemingly inevitable insecurity is peculiar to the theatre industry. Ramsey Nasr hit that sharply in his speech on receiving his second Louis D'Or. The courage, or sometimes almost masochistic... 

Read More "We are nowhere near crazy enough. Why theatre desperately needs a little more Crazy Wisdom.

European Cultural Foundation seeks new imagination on anniversary.

'Nothing can make up for the past. But the real, enduring power of the past lies in how it affects our present and our future. What we can do is shape a future history in which we consciously and determinedly carry with us only the best of our past.' Not keep rooting, but cognitive behavioural therapy for the whole of Europe, you might... 

Read More "European Cultural Foundation seeks new imagination on anniversary.

Red flags, pretty words and a resolute plan: Dogma 19. Turn a feature film like a documentary.

Following Denmark, the Netherlands now has its own Dogma manifesto. A modest but also ambitious statement from two young filmmakers who present a surprisingly clear plan after a season full of noise and concerns about Dutch cinema. Whether it is a pebble or a big pebble in the pond remains to be seen. In any case, they are going to do something,... 

Read More "Red flags, pretty words and a resolute plan: Dogma 19. Turn a feature film like a documentary.

'Too much arbitrariness in heritage law'. Pechtold committee wants us to take our cultural heritage seriously.

We treat our cultural heritage too casually. This is evident from the report 'Reserved and Involved', presented on Monday 30 September, drawn up by the Pechtold committee at the request of minister Van Engelshoven. In 110 pages (with pictures), it says that the current design of the Heritage Act leads to arbitrariness and uncertainty. This means that unsavoury situations like... 

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Why does the fair practice code really only apply to the arts?

Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be... 

Read More "Why does the fair practice code really only apply to the arts?

The flip side of Fair Practice: Kunstenbond in impossible split after 'relaunch' Utrecht Centre for the Arts

'Poignant to see how a lack of decisiveness, clarity and leadership - at both the Utrecht municipality and the management of the KLA - could lead to a split and even rupture among employees.' Karin Boelhouwer of the Kunstenbond is stuck with it, and she has a point. The Utrecht Centre for the Arts (UCK) recently went officially bankrupt. A major... 

Read More "The flip side of Fair Practice: Kunstenbond in impossible split after 'relaunch' Utrecht Centre for the Arts

'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

Members of the States General, This year about 72 years ago we had the first Holland Festival. After years of enslavement and tyranny, hope for a better future literally came from above, in the form of Maria Callas. Eyewitnesses who saw the lights in the Stadsschouwburg turn red that day would never forget that image. 72 years later, it seems... 

Read More "'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

 'You know, why we used to call it The Golden Age?' Why new stories need old words.

The puppets will dance, the turnips are cooked and the shit has hit the fan. The Amsterdam Museum is replacing 'Golden Age' with the neutral '17th century'. A typical example of oikophobic repopulation and politically correct language purification, or a useful adaptation to a changing zeitgeist? Time will tell, but explosive it is. For me, it raises questions. That... 

Read More " 'You know, why we used to call it The Golden Age?' Why new stories need old words.

At Leiden University, the end of patriarchy is shining. 

This weekend, there was some fuss on Twitter. Something about a Nazi comparison that didn't quite work out. Now there is quite often a fuss on Twitter because of a Nazi comparison that doesn't quite work out, but this time it concerned one of our cultural figureheads. Kees Vlaardingerbroek, artistic director of the NTR Saturday matinee and former head of programming at the Rotterdam... 

Read More "At Leiden University, the end of patriarchy is shining. 

Striking: Amersfoort subsidises sports event with culture money

Amersfoort has some catching up to do when it comes to culture. Festivals like Spoffin, for instance, have no money to pay real fees for performing artists. So they are there with the name recognition as a reward. The same is not true for tennis players, it turns out. Indeed, Amersfoort's alderman for sports decided to enrich this year's atp tennis tournament with a €50,000 subsidy to, for instance,... 

Read More "Striking: Amersfoort subsidises sports event with culture money

Social Fund Performing Arts turns out to be moneypit: assets halved in five years. Why is this bad news?

'If we continue at the current rate, the fund will be exhausted in the foreseeable future.' This can be read in the 2018 annual report of the Performing Arts Social Fund. Plenty of reason to sound the alarm, indeed. Is this yet another victim of the cabinet's cuts? Not really, it turns out. When you look at the documents in detail, you see mainly that... 

Read More "Social Fund Performing Arts turns out to be moneypit: assets halved in five years. Why is this bad news?

Call by Wim Claessen, former director of Theatre Festival Boulevard: 'Are there any directors left who dare to turn the tide?'

This is a letter sent in by Wim Claessen, who founded Boulevard in 1984, and passed the baton to Geert Overdam in 2002, who was succeeded by Viktorien van Hulst in 2014. "It is a disgrace that we are still standing here," spoke Viktorien van Hulst at the opening of Theatre Festival Boulevard at the Theater aan de Parade. "How... 

Read More "Call by Wim Claessen, former director of Theatre Festival Boulevard: 'Are there any directors left who dare to turn the tide?'

Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

Theatre Festival Boulevard is a highlight of the festival summer every year. Because there are no barriers and because it carries the casual atmosphere of the city in every fibre. But it goes even further. Here are my seven learning moments: 1: Boulevard is more accessible than the city itself Some people find it verging on the hysterical, but... 

Read More "Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

At last. Interest groups arts and creative industries seek collaboration

It is actually a footnote in the press release that lobby organisation Kunsten '92 sent out into the world today. But, as always with footnotes, it did contain the most important news. Because Kunsten 92, the club in which organisations in the arts sector polder, is "exploring cooperation" with the Creative Industry Federation. The latter is the Arts '92 of everything that is also culture and creativity,... 

Read More "At last. Interest groups arts and creative industries seek collaboration
A good artistic director is an invisible Emily Molnar to NDT

A good artistic director is an invisible one: Emily Molnar to NDT

Canadian Emily Molnar is the new artistic director of Nederlands Dans Theater (NDT1) from season 2020/2021. Looking at her track record, she has everything going for her: a loyal ten years as artistic director of Canadian BC (British Columbia) Ballet, a good reputation as a choreographer, acclaimed as a visionary, innovator and coach and she has a... 

Read More "A good artistic director is an invisible one: Emily Molnar to NDT

No one in the art came up with a plan B. (Why the current chaos was caused by lobbyists)  

'I'm not going to make everyone happy with this.' These words were uttered by minister Ingrid van Engelshoven during the debate on her principles paper last Thursday. True words. Indeed, the shine of her ministership has now worn off. Van Engelshoven is, after Bussemaker, the second culture minister who had to implement Mark Rutte's culture policy, and had nothing to offer but a... 

Read More "No one in the art came up with a plan B. (Why the current chaos was caused by lobbyists)  

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