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PODIUM ART

Anything for which people enter a stage.

Performing arts happy with Chamber's clamour

Modest cheers in the performing arts world. A motion tabled on 18 November by Corinne Ellemeet (GroenLinks), together with PvdA, CDA and D66, forces minister Van Engelshoven to investigate the consequences of the cuts to the Performing Arts Fund before the subsidy is distributed. The House approved this on 26 November. Wonderful, you might say, because if clear... 

'Once you become suspicious, you develop more and more anxiety' - Meriç Artaç addresses fear and mistrust in her chamber opera Madam Koo

'A new piece is usually only heard once, then it disappears into a drawer forever.' Such a sigh I often hear, in all tones. Not only from composers, but also from ensembles, concert organisers, musicians and even subsidy providers. Good news, then, that Meriç Artaç's opera Madam Koo will be repeated twice this month, Wednesday 11 December in CC... 

After the budget debate, the performing arts sector will have to be even more patient. Until spring.

The culture sector will have to be patient for a while yet. Minister Ingrid van Engelshoven had no intention of changing any of her policies on Monday 18 November, during the discussion of the culture budget in the Standing Parliamentary Committee on Culture. Despite a fairly widely supported desire, especially from the opposition, to do something about the 8.6 million cut in the... 

With sound. Honours for Marga Klompé; Action Tomato finally buried during commemoration.

The myth just had to end. Nan van Houte, former director of Amsterdam's small theatre Frascati, has buried Action Tomato. During Requiem for Tomato, on 4 November 2019, she made it crystal clear that this legendary event has been measured too big by our theatre historians. In 1969, when a few tomatoes were sent to the al... 

'Wikileaks has never been caught at a single fault' - Iris ter Schiphorst writes Assange: Fragmente einer Unzeit

'There is an information war going on right now, which shows how important data is. The Assange case is the most poignant example of this.' Dutch-German composer Iris Ter Schiphorst wrote a piece about Julian Assange, the now controversially declared founder of Wikileaks. She is on a mission with this: 'Although Wikileaks has never been caught at a single fault, Assange has been accused of... 

Why the superb annual figures of the theatre and concert hall managements make it clear that the system must be turned around. 

Things are once again going insane for Dutch theatres and concert halls. Every year, the directors, gathered in the VSCD, manage to come out with truly fantastic figures in the autumn. This year too, the cheers are unrelenting. Everything is growing. The number of jobs, and the number of volunteers, for example. (Both up by 3% in... 

'High time for an end to segregated religions!' - Joost Kleppe composes Spirit of Mustafa for Groot Omroepkoor and Radio Philharmonic Orchestra

'Everything I make stems from feeling, from being touched', Joost Kleppe (1963) once said about his music. That sensibility is often triggered by poetry and his oeuvre therefore includes many vocal works. His lyrical, rhythmically varied pieces regularly appear on the desks of both professional and amateur choirs. With his appealing style, Kleppe follows in the footsteps of illustrious composers,... 

If no one comes up with a Plan B... 

On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in... 

'The soprano sighs, supports, whispers, breathes in, breathes out, blows, squeals' - Helmut Lachenmann Got Lost in November Music

German composer Helmut Lachenmann (1935) is a champion of evocative squeaks, creaks and crunches. Like John Cage, for instance, he hears music in unusual sources. Rarely is an instrument played the way it is written in the books. 'Making music with sounds is relatively simple and always somewhere modern,' he once said of this. Although he started his career as a choirboy counts... 

'Like a terrifying chorus of ghostly aliens.' Why you just have to suffer Anna Korsun in November Music.

'Anna Korsun stood head and shoulders above her peers with her surprising, introspective and communicative music.' I wrote that in 2014, when she won the Gaudeamus Award. 'We are definitely going to hear more from her,' I concluded, and since then the Ukrainian has more than fulfilled that promise. She has made a name for herself as a composer, pianist, vocalist, conductor and (co-)organiser of concert series.... 

Lazarus in Dutch premiere: it's Valentine's Day!

Before I say anything substantive about Lazarus, Sunday 13 October the musical premiere for people who never go to musicals, a few misunderstandings the world over. First of all, the album Blackstar, which David Bowie released three days before his death on 11 January 2016, is NOT the soundtrack to Lazarus, his musical that was released a month before his death.... 

Music from anger and powerlessness - Extra focus on sensational composer Georg Friedrich Haas in November Music

Last year, Austrian Georg Friedrich Haas caused a stir at the Holland Festival by openly talking about his master-slave relationship with his wife Mollena. If possible, even more startling was their joint production Hyena. Mollena Williams-Haas told a blood-curdling tale of how she rehabbed from her alcohol addiction, her husband providing the hypnotic music. This year, Haas is one of the central... 

'I decided to make an unabashedly grand romantic gesture and blow people away' - Mathilde Wantenaar writes new piece for Rotterdam Philharmonic Orchestra

Being creative on demand? That's impossible, you might think. Yet it is the reality for composers and artists who work on commission. Mathilde Wantenaar (1993) therefore got acute choice stress when the Rotterdam Philharmonic Orchestra asked her for a new piece. She was just working on a commission from De Nationale Opera. 'I felt like a rabbit in the... 

We are nowhere near crazy enough. Why theatre desperately needs a little more Crazy Wisdom.

'We will never be 'the same' enough, we fringe characters: bipolar, borderline, gay, lesbian, indeterminate, narcissistic, autistic, hysterical - and we are all fatally insecure and we all need a hug.' Permanent, seemingly inevitable insecurity is peculiar to the theatre industry. Ramsey Nasr hit that sharply in his speech on receiving his second Louis D'Or. The courage, or sometimes almost masochistic... 

We predicted it right: Swans for Conny Janssen Dances and Schuitemaker

Ruben Brugman predicted it on 22 June. So it was not a total surprise. On Friday 4 October, the VSCD Dance Awards, the Swans, were presented at The Dutch Dance Days Gala of Festival de Nederlandse Dansdagen 2019 at Theater aan het Vrijthof in Maastricht. Conny Janssen, artistic director of Conny Janssen Danst, received the Golden Swan from minister van Engelshoven.... 

'I am interested in situations or people that are overlooked in everyday life.' - Meriç Artaç two seasons guest composer of Day in the Fire.

'I always draw out my characters before I start composing. They are inspired by people I see on the street, personalities I admire, details that make someone special... I usually focus on one specific aspect of a character, a dominant mood that I then highlight in my composition.' Born in 1990 in Istanbul, Meriç Artaç was already... 

Zeitgeist and chance cannot be captured by an algorithm. Why a robot should not replace the music programmer.

Last Wednesday, 2 October, at the annual congress of the Vereniging Nederlandse Poppodia en Festivals in Tivoli/Vredenburg, I saw an interesting presentation by Jonas Kiesekoms, research coordinator at PXL-Music in Hasselt, Belgium, and musician. The question is now classic: can a robot replace the music programmer? With his research group, Kiesekoms is working on several applications that use data science to improve ticket sales for concerts,... 

European Cultural Foundation seeks new imagination on anniversary.

'Nothing can make up for the past. But the real, enduring power of the past lies in how it affects our present and our future. What we can do is shape a future history in which we consciously and determinedly carry with us only the best of our past.' Not keep rooting, but cognitive behavioural therapy for the whole of Europe, you might... 

Joy of life and icy constriction. Ensemble Modern performs striking world premieres by female composers during November Music

Ensemble Modern presents world premieres by German-Dutch Iris ter Schiphorst and Turkish Zeynep Gedizlioğlu in November Music. And that is good news, because the female composer remains too often invisible even in 2019. In the brochures of any Dutch orchestra, you will find none, or only a single work by a woman. On the new Heart & Soul list of... 

'Quite a few ex-believers have thrown out the baby with the bathwater: the music, the rituals, the language.' Composer Daan Manneke turns 80.

Daan Manneke will soon turn eighty. On 5 October, this great purveyor of vocal music and 'chapel master of space' will take centre stage during a programme by the Groot Omroepkoor in Utrecht's Jacobi Church. For this programme, he composed the brand new Geistliche Dämmerung, commissioned by the AVROTROSVrijdagconcert. Even at eighty, Manneke is still all zest for life and energy. 'I continue to... 

'I hope we will all slip into another world.' Calliope Tsoupaki writes Bosch Requiem 'Liknon' for November Music

In 1988, Calliope Tsoupaki (1963) came to the Netherlands from Greece to study composition with Louis Andriessen. Exactly 30 years later, she was appointed 'Composer of the Fatherland'. In that capacity, she has already composed some highly topical pieces. When Notre Dame de Paris caught fire on 15 April, Tsoupaki immediately climbed into the pen. Five days later... 

In the end, we all go. Why Boukje Schweigman's 'Fall' is irresistible. 

Boukje Schweigman's world is exciting, but never deadly. Whether she makes an experiential performance in a beautiful location during a summer festival, or takes a more artful approach in the plays she makes for theatres: you only see nice people. Even in Val, her latest. In it, we see a lot of nice people falling. Falling deep, sometimes.... 

Clara Schumann in 1878

Clara Schumann: still in Robert's shadow even after 200 years

Exactly 200 years ago, on 13 September 1819, Clara Schumann was born in Leipzig as Clara Wieck. She is among one of the greatest pianists of the nineteenth century. Against her father's wishes, she married Robert Schumann, whose work she fervently promoted. She also wrote well-received compositions of her own and was more famous than Robert. Yet after her... 

Who again said modern music was humourless and cerebral? American Kelley Sheehan wins in Music Week full of humour and reflection

For a moment, the envelope seems unopenable but then Minister Ingrid van Engelshoven conjures up the redeeming paper after all. 'The winner of the 2019 Gaudeamus Award is Kelley Sheehan!' The little American almost falls off her stool in amazement. Probably not entirely by chance, the new music organisation has positioned her right in the middle of her four fellow candidates. - She herself would... 

What is it with borders? In theatre play The Border, we learn where life is always better.

There has been quite a lot going on about borders, lately. That is what authors Floor Leene and Greg Nottrot have created a play about, together with Wil van der Meer, Tijs Huys and Pascal van Hulst. Directed by Daniël van Klaveren, the Nieuw Utrechts Toneel (NUT) ensemble performs the play on the oldest border we know,... 

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