Oud of nieuw, klassiek of modern, minimaal of wereld. Pop. Tonaal en atonaal.
Grzegorz Marciniak, a music maker worth following. And I have been doing so since 2006. That's when I first saw and heard his work performed in The Hague by the then Woof collective. I made contact, it clicked. In 2007, Picca premiered. A work Marciniak wrote for yours truly (recorder solo). And also at my most recent experience, February...
Aaltje van Buuren enjoys her busy life. She is the wife of successful star conductor Jaap van Zweden. She dedicates her charm and energy worldwide to non-profit organisations that improve the daily lives of autistic children. Music and art are forces that run like a thread through everything she touches. The family can be seen every week...
The stupidest question I come across all too often is THE question: what is the tangible outcome of your projects for audiences? Or more broadly drawn: what can art & culture measurably add to lives? Add that question together with the current clamour for 'utility in art' and I get accutely red pimples from these non-answerable questions. And I...
What does the future of opera look like? The National Opera tries to answer this in the Opera Forward Festival: new visions new voices, organised for the first time this year to mark its 50th anniversary. The ten-day festival kicks off 15 March with the world premiere of Only the Sound Remains by Kaija Saariaho. About...
1. Kwatta, Mariken (youth) The question was not whether Nijmegen youth theatre company Kwatta would ever venture into Mariken van Nieumeghen, but when. The bar was set high with successful previous book and film adaptations, but where the medieval Mariken needs two miracles, Jibbe Willems' adaptation is thrilling even without a fall from great heights and the miraculous release of iron rings...
Huge, deep black shadows fall on a backdrop of calligraphic foliage in every conceivable shade of grey. Director Peter Sellars intently follows the movements of the three main characters during a run-through of 'Feather Mantle' at De Nationale Opera. Together with 'Always Strong', this short opera forms the double-bill Only the Sound Remains by Kaija Saariaho with which 15 March's Opera Forward Festival...
'The most important thing is to bring music to the audience,' says Daniele Gatti on Thursday 25 February during the presentation of the Royal Concertgebouw Orchestra's new season. 'Amsterdam meets Gatti' we read on large posters behind him. This does not appear to be a word too many: the brand-new principal conductor will be involved in all the series, travels on the tour RCO meets Europe,...
When such a broad-minded prof (composer, poet and more) as Hamel, along with allies, offers his thoughts on a subject close to my heart, I can't help but run to the bookstore (fortunately, one of them ordered without my purchase guarantee, because hey, imagine if it turns out to be a dry fact summary)....
Joey Roukens (Schiedam, 1982) studied composition at Rotterdam Conservatory and took private piano lessons with Ton Hartsuiker. Since graduating in 2006, he has been able to reach a large audience with his energetic, infectious music. Commissions are pouring in, from no small number of clients. He has already written two pieces for the Royal Concertgebouw Orchestra: Out of Control (2011) and Chase...
The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like...
Following the exploration of the labour market in the cultural sector made by the Social and Economic Council (SER) and the Council for Culture last month, there was a lot of attention on the low earning self-employed in the cultural sector. Promising headlines such as "Everyone gets paid except the artist" (NRC) and "It's a matter of waiting every month to see if I earn enough" (Volkskrant) could account for recognition...
'In the new season, we go back to normal,' Pierre Audi said on Monday 15 February during the presentation of the new season of The National Opera. He does, however, continue the forward-looking Opera Forward Festival, which was set up to mark its 50th anniversary. There are also quite a few new own productions on the roll, including the world premiere of...
Never before has the Holland Festival placed itself at the centre of society as it is today. The 2016 programme is steeped in the turbulent times in which we live. The Netherlands holds the presidency of the European Union this spring. Artistic director Ruth Mackenzie has taken this fact unflinchingly to give 'Europe' a wide place in the programming. In presenting...
Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he...
On 4 February, music journalist and musicologist Erik Voermans' latest book was presented: From Andriessen to Zappa. After twenty-five years of writing for Het Parool, Voermans has collected his conversations with the greats of modern-classical music in a chic edition. Paul van der Steen's detailed drawings inspire listening to the music discussed. The presentation in the Great Hall of the Muziekgebouw...
Chinese musician Wu Wei plays sheng. For him, the four-thousand-year-old instrument encompasses more than just music. 'Sheng means hope and hope is life,' he says during the dress rehearsal on the eve of the Saturday Matinee on 31 January where he performed with the RFO conducted by Edo de Waart. Confucius ' "A human being has two...
It is not often that Norman Lebrecht, author of the globally widely read blog Slipped Disc, covers conductors of the Orchestra of the East two days in a row. First on the departure of principal conductor Jan Willem de Vriend, then on the appointment of former principal conductor Jaap van Zweden to the world-famous New York Philharmonic. Naturally, Lebrecht brought both...
Every stage show, film, or concert has a scene that touches you. A moment that evokes emotion, amazement, or perhaps disgust. Even in director Sam Mendes' James Bond film Spectre, there is such a moment that stays with you. It concerns the excerpt in which classical music, namely the aria Cum dederit from Antonio Vivaldi's Nisi Dominus RV 608,...
Mahler on a programme by Asko|Schönberg - the face of avant-garde atonality, is that possible? For regular guest conductor Etienne Siebens, this is no question: in his programmes, he likes to explore the boundaries between beloved classics and composers still alive. On Thursday, 4 February, he places the ensemble version of Mahler's romantically singing Fourth Symphony - performed with...
The Orchestra of the East is cutting its coat of arms, focusing primarily on Overijssel and has applied for collective redundancy. This - and a whole lot more - can be read in the new business plan. It is enough for the province to release a one-off €1.1 million and make 3.5 tonnes of annual subsidy available again from now on. The...
In 1961, Krzysztof Penderecki (Dębica, 1933) put his name on the map in one fell swoop with Lament for the Victims of Hiroshima. This avant-garde, expressionist piece for string orchestra flogs the ears with heavily dissonant harmonies full of microtones. With this uncompromising orgy of sound, the Pole struck the mental and physical inferno caused by the atomic bomb on the Japanese city in 1945 in the...
Thursday 21 January sees the start of the ninth edition of the Storioni Festival, dedicated to the five-hundredth anniversary of Hieronymus Bosch's death. Free after his famous triptych Garden of Earthly Delights, the musicians of the Storioni Trio and Frank Veenstra, artistic manager of Muziekgebouw Eindhoven, chose the theme 'Dreams and Demons'. Composer in residence is Poland's Krzysztof Penderecki, who became famous...
Since I can't put all my music musings about Bowie in the (already planned before his death) animation column in mid-March anyway, I'm just musing now with the rest of the world after B-day 10 01 2016. After all, see the cover of Heroes come up quite often in the media. That black-and-white picture where he's in some kind of puppet-like pose...
With the death of Pierre Boulez on 5 January, modernism seemingly came to an end, but the two-year-old Ursula Mamlok (1923) is still alive and kicking. Although the German-American Mamlok hopes to turn 93 on 1 February, she is steadily composing.# In 2009, she wrote Aphorisms II for two clarinets, in which, as in all her pieces, she manages to couple atonality with a warm-blooded...
Technically, of course, he has already risen from the dead once. After all, open heart surgery (2004) shuts down your heart. Before, you were then dead. Now you come back from anaesthesia with a new life. Not surprising, then, that 69-year-old pop culture phenomenon David Bowie hangs his current life on Lazarus: a musical theatre piece, a song, named after the biblical wanderer...
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.