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Season 2018-19: Concertgebouw picks up women's hand that Concertgebouw Orchestra leaves behind

Joel Fried, artistic director of the Royal Concertgebouw Orchestra visibly startled for a moment. I asked him if there is really only one female composer scheduled in the 2018-19 season. Indeed, during the presentation on Monday 26 February at the Concertgebouw, I only heard the name of Lotta Wennäkoski. Indeed the Finn appears to be the only one to defend the honour of composing women.... 

Baltic souls by Cappella Amsterdam: Estonia 100 years independent/not independent

Although Estonia is almost 4,000 square kilometres larger than the Netherlands, it has barely more inhabitants than the province of Utrecht. For centuries, superpowers such as Denmark, Germany, Russia, Sweden and Poland disputed rule over this country on the Baltic Sea. Indeed, its geographical location made it an important link between East and West. It was not until 1918 that a state of its own was declared, but... 

Fanny Mendelssohn: in the shadow of Felix

Fanny Mendelssohn (1805-1847) was the four-year older sister of Felix Mendelssohn. They both received a solid musical education, with her surpassing him in virtuosity at the piano. Her relationship with Felix was intense, but also suffocating. At his hands, Fanny Mendelssohn failed to build an independent career as a composer. To this day 

Publicity image Gesualdo. Photo: Sofie Knijff

At the Holland Festival, Mackenzie is opening the doors to a new avant-garde among the audience.

The neat couple next to me, in the front row at the Holland Festival press conference, hadn't counted on it for a moment. Four members of the Nederlands Kamerkoor starting to undress one by one down to their pecker-sized nakie. A giggle, a small cough, but hey, this is the Holland Festival, they said to each other. So too... 

Narrative concert on Shostakovich: here you can hear how much humanity, character and creative spirit communism tried to kill.

The greater the resistance to be overcome, the greater the achievement. This wry wisdom is expressed in the Russian narrative concert 'Living under a tyrant'. Cellist Lidy Blijdorp adds another beautiful, personal and original episode to her Cello 020 series with this programme around the life story of composer Shostakovich. She performs in this concert together with... 

#Grammy for Barbara Hannigan & Ludwig Orchestra, Reinbert de Leeuw misses out

Expectations were high. Both Reinbert de Leeuw and Barbara Hannigan had been nominated for a 2018 Grammy Award. Hannigan was shortlisted for Best Classical Solo Vocal Album, for her recordings of music by Berg, Gershwin & Berio. De Leeuw competed in the Best Classical Compendium category with his compilation of all conducted choral and ensemble pieces by György Kurtág. Hannigan... 

Silvia Colasanti: 'My string quartet is about the beauty and nostalgia of Rome'

Whether flowing melodies, driving rhythms or dense clouds of sound, the music of Silvia Colasanti (Rome, 1975) is always lyrical. On Monday 29 January, Quartetto di Cremona will perform the world premiere of her string quartet Ogni cosa ad ogni cosa addio at Muziekgebouw aan' t IJ Amsterdam. The concert is part of the String Quartet Biennale, which takes place from 27 January... 

Symphony of Psalms Igor Stravinsky: away with romantic sentiment

On Wednesday 24 January, the Nederlands Kamerkoor presents an adventurous concert at Muziekgebouw aan 't IJ to kick off a short tour. On the lecterns are rarely heard music by Lili Boulanger and Ton de Leeuw. The highlight is Igor Stravinsky's famous Psalm Symphony in a version for choir and piano four hands by Dmitri Shostakovich. Ralph van Raat and Bobby Mitchell sign... 

Ton de Leeuw by Groot Omroepkoor & RFO brass ensemble: music of 'being' versus music of 'becoming'

At the end of the nineteenth century, Western music gradually began to come apart at the seams. Composers used more and more dissonances so that the familiar tonality hardly fitted into its shell. From a constant desire for even more expression, the orchestra was expanded with ever-newer instruments. This led to monster productions such as Gustav Mahler's 'Symphony of the Tausend', with more than a thousand... 

Composer Victoria Borisova-Ollas: 'Music has no nationality'

The most recent achievement of Russian-Swedish composer Victoria Borisova-Ollas (b. 1969) is Dracula. This opera based on Bram Stoker's book of the same name premiered at Royal Opera Stockholm in October 2017. A 'colourful and highly atmospheric musical score', it included 'one of the most emotional scenes in the history of Swedish opera', wrote one critic. Seven years earlier,... 

José Maria Sánchez-Verdú composes musical Hell's Gate for choir and string quartet

The string quartet is considered Joseph Haydn's invention; Goethe considered it the nec plus ultra of instrumental music. 'One hears four intelligent people conversing with each other' said the poet. 'One believes to understand something of their conversation and to know the idiosyncrasies of the instruments.' We get plenty of that opportunity from 27 January to 3 February, during... 

Save and destroy: charge against squandering cultural heritage

A Saudi prince is paying $450 million for a mediocre painting by Leonardo da Vinci; a Dutch politician is pledging a crate of beer for a new composition. In a nutshell, these two extremes capture our current dealings with culture. Total contempt on the one hand and unimaginable overvaluation on the other are two sides of the same coin. We do not judge art for its... 

Ensemble 1904: loving CD portrait of forgotten Poldowski

Poldowski re-imagined is the name of French Ensemble 1904's latest CD. Poldowski who? Well, like many of her colleagues, this Polish-British composer (1879-1932) is all but forgotten. Her name, too, is problematic. Born the youngest daughter of violinist and composer Henryk Wieniawski, her official name was Irène Régine Wieniawski. However, she published her first compositions as Irène Wieniawska. After... 

Kate Moore wins Matthijs Vermeulen prize - as first woman ever

On Saturday 2 December, Australian-Dutch composer Kate Moore (b 1979) will receive the Matthijs Vermeulen Prize for her composition The Dam. The prize money is €20,000, made available by the Performing Arts Fund. The prize was established in 1972 and named after the Dutch composer and critic Matthijs Vermeulen (1888-1967). Until now, it invariably went to men, some even getting it two... 

Aribert Reimann: 'I cherish both musical tradition and modern developments'

Despite his advanced age, German composer Aribert Reimann (1936) is still very active. In October 2017, his opera L'invisible had its world premiere at the Deutsche Oper Berlin, based on a play by Maeterlinck. On 14 December, the first performance of his cycle Die schönen Augen der Frühlingsnacht will already be heard at Muziekgebouw aan 't IJ. He composed it for soprano Mojca Erdmann and... 

The current distribution of grants across genres and institutions

Culture Council: 'No more distinction between high and low art' (and much more)

Musicians are no longer allowed to perform for a pittance. At least, not if the club they work for, or perform in, receives a subsidy. In a sector opinion released today, the Culture Council argues that the structural underpayment of workers in the creative sector is no longer sustainable. 'If that means fewer programmes can be made (or that there... 

The only one - review in letter form (Why Peter Perrett is a true survivor)

Hey H., Tonight I went with J.P. to see Peter Perrett & Band at Paradiso, Small Hall. Sold out! I've told you about J. before, he was the deejay who gave me a 'crash course' in sincere music at the Eindhoven Bakery when I was 15 (1988). Before I tell you about Peter Perrett and why his music is worth... 

(Farida & The Iraqi Maqam Ensemble - Photo: Melanie Marsman)

5 Reasons why Le Guess Who? is the best festival in the whole world

During the 11th edition of Utrecht's Le Guess Who? (LGW) festival, more than 150 acts from 34 countries found a home in the city of Dom in a long weekend. Fraternisation in listening manages LGW that may definitely go into the books as the best festival in the whole world. And for these five reasons. 1. The whole world comes... 

Dobrinka Tabakova writes double concerto for Lucas and Arthur Jussen: 'It shimmers with energy'

The AVROTROS Friday Concert cherishes mainstream masterpieces as well as less heard and new repertoire. In the 2017-18 season, no fewer than five (world) premieres are on the programme, three of them composed by a woman. - Come and see that among the national orchestras. Friday 17 November will hear the brand new double concert Together Remember to Dance by British/Bulgarian Dobrinka Tabakova. She composed it on... 

Heart cry of Lili Boulanger echoes through TivoliVredenburg

Although Lili Boulanger (1893-1918) is considered one of the most important French composers of the early 20th century, her music is rarely performed. On Friday 10 November, Du fond de l'abîme will be heard in the AVROTROS Friday Concert. A godsend, because this setting of psalm 130 is of a throat-splitting beauty. Boulanger completed the piece in 1917, a year before her death. American conductor James... 

Kill the West in Me - musical theatre about East-West clash

These days we are bombarded to death with opinions on the pros and cons of multiculti. Depending on their political preferences, people are either very enthusiastic or very negative about the increasing 'colourisation' of our society. The gamelan ensemble Gending, the Doelen Kwartet and Het Geluid Maastricht decided to take the bull by the horns. They based Kill the West in Me on feminist letters from... 

Goeyvaerts and Ustvolskaya: man and woman with hammer

In February 2017, The Collective combined the radical music of Galina Ustvolskaya with the heavenly chants of Hildegard von Bingen. Less strange than it seems, as both were deeply religious and composed from inner necessity. On Thursday 26 October, Spectra Ensemble places Ustvolskaya alongside Karel Goeyvaerts at Muziekgebouw aan 't IJ. Ustvolskaya is well enough known here in the country by now, but who was... 

Klaas de Vries finds neotonic heaven: 'I can't resist composing'

Dutch composer Klaas de Vries (Terneuzen 1944) pairs Stravinskyian clarity with southern sensuality. He harbours a love for poets such as Pablo Neruda and Fernando Pessoa, and his work excels in recognisable melodies and rhythms. 'However innovative, to be communicative, music must always contain a traditional element,' he said. On 28 and 30 November, Asko|Schönberg will play... 

Films at ADE: The rock doc as an IKEA package.

On the fringes of Amsterdam Dance Event, I saw two music documentaries that expose why this genre is often problematic for the cinephile. Both films have their fine moments, but ultimately fall short for those who desire more than mere information transfer in television format. A sympathetic Goth Are 'friends' electric? is title and big hit (1979) by British synth-pop pioneer Gary Numan,... 

9 (Un)heard records not to miss this autumn

9 Plates full of extraordinary sound that won't go unnoticed and unsung. Fatima Al Qadiri - Shaneera (Hyperdub) Durban taxi techno and Arab queer culture come together on this pumping EP. For, on this record, you hear how bare, cold drums chug outrageously under microtonal or game-like synth melody. Heavy in the bass and loose in the underbelly, Al Qadiri breaks gender pigeonholes.... 

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