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THEATER

With text, movement, actors, sets.

Go see how Romana Peace takes The Nation to the highest level. #HF17

At last. The Nation, the hyperactual theatrical serial with which the revamped Nationale Toneel, sorry Theatre, presents itself to the country, feels like a refreshing splash of water on a soggy day. Newly appointed boss Eric de Vroedt lives up to his reputation by delivering a work that will no doubt draw new audiences into the theatres. An audience spoiled by... 

Has Romeo Castellucci become accessible with Democracy in America? #HF17

A prologue, two dialogues and a long interlude. All clearly connected. In a performance by Romeo Castellucci - it doesn't have to get any crazier. Italian theatre maker Castellucci prefers to make theatre that is not easily or even misunderstood. He does not shy away from shock effects. Visually overwhelming, but a clear line is often hardly recognisable. So that promises... 

Jeroen van Merwijk behind the window of Kunstruimte Kuub in Utrecht. Photo: Wijbrand Schaap

Why Jeroen van Merwijk likes to welcome you to his studio: 'Being a cabaret artist is not a profession.'

'Everyone has an Apple. Everyone has a Corneille. Nobody has a Van Merwijk. So the question is whether Van Merwijk is any good. Nobody knows that. Then the challenge is for a few great people to buy a Van Merwijk. After that, everyone wants to have a Van Merwijk. When that happens, I'll go back to making other work, because I want... 

Hooligans, but good hooligans. Viking drama on the edge of comic and laughable

Roaring warriors, pomp and circumstance, a tough drama set against the historical background of the Viking era. That goes down like cake (or beer) with the Danes who see themselves as direct heirs of the Vikings, the organisers must have thought. And that is why the play Røde Orm is being presented as one of the highlights in... 

Saint Genet in #HF17: Be afraid of Americans. Very afraid. But go watch.

You have punk. You have performance art. Best Gaap, because often little remains of that ferocious wildness that dominated the European scene in the 1960s and 1970s. Marina Abramovic we now see mainly as that silent lady on that chair opposite her long-lost lover. We have forgotten that she once offered her audience razors to cut her... 

Culture Press needs real members. Here's why you want to join

Culture Press is an indispensable addition to the cultural news in your newspaper, on the internet or on TV. Independent, quirky, rebellious and above all: useful. After all, there is already enough nonsense about art. You'll understand that we don't serve the millions of readers that the big publishers and their advertisers exist on. Which is why everyone else does so little about art.... 

Rufus Norris makes theatre out of Brexit: 'Theatres are the echo chamber of the leftist bubble'

The wind blows harder there than elsewhere. The light is greyer there than further afield. London's south bank, for years 'the other side' of the English capital's posh city centre, has been the subject of several waves of renewal in the last century. It began in 1951 with the construction of concert hall 'Southbank Centre', followed in 1976, after years of wrangling, by the building in the same... 

Don't miss anything from the Holland Festival with our special #HF17 subscription!

We are real Holland Festival specialists by now. We go and see performances beforehand, interview makers, actors and walk around the halls, in the foyers, just about every day. We hear a lot, we see a lot and we share it here. Cultural journalism as it should be, in short. Cultural journalism that should also be there. And it totally succeeds if you take out a subscription. Then you get... 

Old Gangsters Never Die, festival hit in the making

A fearsome roar announces the emergence of action-hero Chuck. And there really is no one who can come on so cool in a cart, half all-terrain vehicle and half golf cart, as Ko van de Bosch. With his too-long, too-grey hair in a ponytail and too-brown body in a black-leather motorbike suit, he immediately epitomises youth at... 

The Nation at the Holland festival: a theatre addiction in the making #HF17

Netflix and HBO are now purveyors of our conversations with friends, family and colleagues. The ultimate icebreaker at a party with strangers is talking about series, about beloved characters. Is Jon Snow still alive? Where is Barb? Having seen the first two working performances of 'The Nation', I have a strong impression that in Eric de Vroedt I have a fellow lover... 

Zvizdal - Chernobyl so far so close, by Berlin/The Zuidelijk Toneel

Do you want the audience back, Sarah Sluimer? Then give it back to the actors.

In the Volkskrant of 8 May 2017, Sarah Sluimer lets loose. The opinion maker (for Volkskrant and De Correspondent, among others) used to be a theatre maker and now wonders aloud why she is a bit done with theatre. Because she actually writes that down. I quote: 'I breathed theatre. I ate performances and was convinced that what was there,... 

7 ways to make art out of US democracy. #HF17

The play La Democrazia in America (to be seen at the Holland Festival on 4, 5 and 6 June) is of course about democracy in America, but actually more about The Democracy in America. And the two should not be confused. For The Democracy in America is a 1,200-page book by French jurist De Tocqueville. This... 

About directionless hipsters, their parents, and the war in Europe (coming) #HF17

Vincent Macaigne is uncomfortable. He looks around nervously every time the waitresses run past with trays full of clinking glasses and slam the doors. He has barely slept, and the previous evening he had walloped the audience of the Swiss Theatre Vidy with his brutal, inimitable performance En Manque. Braced, he sat down for the interview. "Sorry, I... 

Joris Smit in Tasso, photo Kurt van der Elst

Joris Smit on Tasso and Joan of Arc: no theatre that puts the audience to bed

The National Theatre plays Jeanne d'Arc by Friedrich Schiller and simultaneously retakes Johann Goethe's Tasso. Joris Smit plays in both plays, even the title role in Tasso. We talk to him about German romantics, Sallie Harmsen, the new-fangled National Theatre and the importance of going down on your face. Tasso and Jeanne, Goethe and Schiller. Is German romance... 

Beef heart ragout and handshake. Cultural capital reinvents church service

Maybe God is dead, but His church is alive. At least in Denmark. This has to do with what you might call the Danish paradox of faith: a highly secularised society with a Lutheran Folkekirke (=Volkskerk) supported by a large majority of the population [hints]The American sociologist Phil Zuckerman has commented on this aspect of Denmark (and also a little... 

Are we still capable of having a real opinion?

I read the biography of Jacob Israel De Haan, Onrust, by Jan Fontijn. Writer and director Gerardjan Rijnders based Salaam Jerusalem on this biography. It is this play, performed by De Nieuw Amsterdam, that really makes me realise how urgent it is to let such an almost forgotten figure as De Haan speak. Jacob Israel De Haan overturned taboos, fought... 

7 reasons why you should invest in Holland Festival 2017 #hf17

Ruth Mackenzie has achieved an enormous amount in the short time she has been boss of Holland Festival. I've experienced the festival now since the late 1990s and watched it evolve from something very personal and sometimes obscure (under Ivo van Hove), to an ethereal feast of sizzling aesthetics (with Pierre Audi), to what it... 

'But everyone actually wants to die, don't they?'

Actress and cabaret performer Yora Rienstra (35) knows at first hand what depression can do to a person's life: her grandmother was manic-depressive. That is why she agreed when she was asked to perform in the solo show PAAZ, even though after seven years of cabaret she did not want to be on stage alone again. 'But I found Myrthe van der Meer's book... 

CCD Award 2017: cast your vote NOW!

The five nominees for the CCD Award 2017 are Hamlet by ZEP Theater Productions, Festival Mundial, Ongekend Bijzonder Festival 2016, Project Old Skool by Stichting Gebouw 52 and the Van Abbemuseum. The public can cast their votes from now until 18 January 2017 via this link. The jury will take the public vote into consideration. The prize of €5,000 will be... 

Seven shows you wish you had seen in 2016 (but don't give up hope)

In The Hague, they think it's a waste of money. Let them. Here are seven performances that were more than worth 'that sin'. Mona, Ariadne, Mariken, but also breathtaking circus theatre, a secret marriage, genre-transcending satire and the greatest set ever. Mona, NTJong (youth theatre/drama) 1. It is the biggest pitfall of the age indication in theatre performances. Put 6+ and you... 

Huub van der Lubbe and Christine Otten on love in times of racial hatred

We Had Love, We Had Guns by Christine Otten is about black resistance fighter Robert F. Williams, who fought for black equality. In the theatre adaptation of the same name, white actors - including Huub van der Lubbe - play black characters and vice versa. Double talk about personal sacrifice, skin colour and connection. Idlewild It is a remarkable coincidence. America is taking... 

The sign language interpreters sob along

Chris Keulemans visited the 5D InHuis Festival and was deeply impressed by what people with disabilities managed to achieve in theatre. Here is his report, for under the Christmas tree. About humour without pity, and totally unexpected displays of muscle. - Was Thomas born that way? - Well, I don't think he cut his legs himself... The jokers... 

Press release: Culture Press becomes part of The Cooperative / Reporters Online

On 20 December, the general membership meeting of Coöperatief Cultureel Persbureau unanimously decided to accept a cooperation offer from The Co-operative/House of Journalism and Reporters Online. This is an important step in the development of independent cultural journalism. Culture Press, as the Cooperative Cultural Press Agency is known on the internet and social media, is growing significantly as a result. The... 

Polyptych, Lada Hrsak, Misericordia, Old Church, 2016.

Old Church in search of contemporary forms of charity and mercy

Amsterdam's oldest and perhaps most beautiful building combines quite a few functions. Although tourists are dominant these days, believers still celebrate the love of God there every week. And even though the former Nicolaaskerk no longer provides space for fishermen to mend their nets, organ concerts are still given there, since the fourteenth century. Handing out bread is not... 

Reasons to do go to theatre Kikker (1: The Men's Night Out)

Despite the crisis in the performing arts, there is still a lot of young talent roaming the Netherlands and beyond. So much that keeping track is impossible. After all, who can visit all the festivals, from Festival Boulevard to Noorderzon, from the Café Theatre Festival to Festival Cement and from the Amsterdam Fringe Festival to the Zeeland Nazomerfestival? And then also exactly those four or five performances from the... 

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