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Tomorrow's dance summit now on show in The Hague

Nederlands Dans Theater's summer course gives a glimpse of the future. At the top dancers of tomorrow, but also the choreographers: many of the company's dance makers created a first piece for this summer course. This year, the course also gives a look at the old stage of the half-demolished Lucent Danstheater in The Hague. You can catch a... 

Zvizdal - Tsjernobyl so far so close, door Berlin/Het Zuidelijk Toneel

If you have nothing but love - Zvizdal is stunning highlight of Festival Boulevard #tfboulevard

I experienced by far one of the most impressive theatre experiences of my life on Friday 5 August 2016. I was a guest at 'Zvizdal - Chernobyl so far, so close' by the Flemish company Berlin, in co-production with Het Zuidelijk Toneel. I saw this 'documentary installation' in an empty factory hall in Den Bosch, where the work is a beautiful resting point in... 

Jeroen Bosch: Tuin der lusten triptiek.

Masterpiece Hieronymus Bosch dominates opening Festival Boulevard #tfboulevard

Adding three tonnes a year is cause for celebration. But Viktorien van Hulst, at the helm of the Bossche Theatre Festival Boulevard for the second year, had to restrain herself in her opening speech. Because the subsidising Performing Arts Fund does not give money to a large number of well-performing fellow institutions despite a positive assessment, the suffering in the performing arts exceeds the joy. Torn is called that.... 

ISH Fonds Podiumkunsten toekenningen

Performing Arts Fund cuts dance subsidies. Not enough, according to some.

The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would... 

Viktorien van Hulst (Boulevard): 'The thresholds are low but the bar is high' #TFBoulevard

Boulevard flags fly everywhere in Den Bosch in the sunshine. The office of the 32-year-old Theatre Festival Boulevard on Sint Josephstraat is a jumble of people walking in and out. The beaming director, Viktorien van Hulst, has bags under her eyes like a festival director should have three days before the opening.

Frenzied heroine in opera Hanna Kulenty

An opera about multiple personality syndrome, is it possible? Polish-Dutch composer Hanna Kulenty (b. 1961) and Canadian librettist Paul Goodman (b. 1955) dared to do so and won critical acclaim with The Mother of Black-Winged Dreams. This opera will have its Dutch premiere next Saturday, 6 August, during the NJO Muziekzomer, in a co-production with Dutch National Opera Academy. Delusional heroines, mainstream opera literature teems... 

Zwanen 2016

These are the winners of the Swans 2016. Or not.

Three dancers and three dance productions have been nominated for Swans 2016. On Friday 7 October, Daphne Bunskoek and Art Rooijakkers will announce who the winners are during the Nederlandse Dansdagen's Opening Programme 2016 in Maastricht. But you can already draw a few conclusions from the list of nominees.

Joseph Puglia shines in music Luciano Berio

American-Dutch violinist Joseph Puglia is a passionate advocate of contemporary music. Last year he scored highly with his rendition of the Violin Concerto by Anders Hillborg, together with the young musicians of the NJO Symphony Orchestra. He is first violinist of Asko|Schönberg, with whom he presented the world premiere of the violin concerto composed especially for him earlier this year Roads to Everywhere By Joey Roukens.

Theaterfestival Boulevard

Theatre festival Boulevard: Not the Avignon, but the Berlin of the Netherlands?

There are many reasons not to go on holiday. It costs money, you come back more stressed than you went, the food is no good, it costs tons of CO2 and it doesn't increase mutual understanding between countries either. Reason enough, then, to just stay here and enjoy the free time given to you by the boss, or by yourself if you are self-employed. Without being barked at by airport staff.

Suburbia's Enemy of the People warns against neoliberalism

Enemy of the People is the summer performance of Theatre group Suburbia, directed by Albert Lubbers. The play taps into current events of corrupt bankers, environmental scandals and government officials covering up whistleblowing issues. This strong performance is sharp in tone, polemical and with vicious humour. Better than in previous Suburbia performances, the familiar dynamic acting fits nicely into the theatrical space. This time, that space is the big open barn at Stadslandgoed de Kemphaan.

Ça ira (1) Fin de Louis, Joël Pommerat, foto: Elisabeth Carecchio.

On the edge of Europe, Holland Festival attracts 86,000 visitors #HF16

Ruth Mackenzie has brought new impetus to the Holland Festival. Not that her predecessor Pierre Audi did badly, but the British organisational talent has brought topicality and urgency to the programme. When she devised her programme theme, she too will not have suspected that the concept of 'Edges of Europe' would take on such a charge. After all, simultaneously with the last weekend of the festival, the English people decided, against the wishes of everyone but the Welsh, to leave the European Union behind. The Netherlands suddenly found itself on the far edge of Europe, with only a view of distant Ireland.

Nicolas Mansfield: Today I feel more European than ever. #Brexit

24th of June, 2016. What a day. I spent it at the Dutch Ministry of Education, Culture and Science in The Hague. Speaking with civil servants about the achievements, plans, challenges and dreams of the Dutch National Touring Opera. All in the shadow of something I find difficult to process. 

Akram Khan Until the Lions © Jean Louis Fernandez

Akram Khan's 'Until the Lions' drags you through borders #HF16

As soon as you enter the Ketelhuis of Amsterdam's Westergasfabriek, a dark droning tone takes you into the misty, somewhat ominous atmosphere of 'Until the Lions' by Akram Khan Company. A huge disc from a tree trunk, with jagged annual rings and cracks, will become the scene of a mythical battle. At stake is the human body: weak, strong, male, female. Boundaries will perish.

Roaring, pounding big band overwhelms with conspiracies #hf16

A big band, a ticking clock, conspiracy theories and twelve-tonality. Mix that in a theatrical setting and it can go whooping out of control. Yet composer Darcy James Argue manages to make it a propulsive and energising whole, with help from director Isaac Butler and cinematographer Peter Nigrihi.

Wunderbaum sends you into the night with a smile #HF16

This year's Holland Festival spotlights Rotterdam-based theatre collective Wunderbaum with the revival of 'The Coming of Xia', premieres of 'Privacy' and 'The Future of Sex' and the film 'Stop acting now'. With this film, Wunderbaum concludes their four-year project 'The New Forest', a 'Platform for social change', according to Wunderbaum, "The New Forest depicts transition and casts a... 

Stella actors Oscar Batterham and Richard Cant © Matthew Hargraves

Neil Bartlett's Stella: so perfect it's a bit irritating #HF16

The smallest details speak for themselves. For the second time during this edition of the Holland Festival, the legendary BBC series This Life comes along. Richard Cant, who plays a flawless lead role in Neil Bartlett's play Stella, was previously seen in This Life, the series that set the standard for the modern docusoap in 1996. So now live, up close, in De Brakke Grond's Red Hall, the man who also played a solid role in Midsomer Murders.

Olga Neuwirth sticks to old avant-garde #HF16

It is good that the Holland Festival dares to stick its neck out, by making Olga Neuwirth (1968), unknown here, its focus composer this year. On reflection, by the way, I would have preferred to hear her high-profile opera Bählamms Fest in a staged version once, rather than Le Encantadas. This piece composed last year did not quite manage to live up to the high expectations... 

Bombarie on Bombarie? New festival in Utrecht has broad profile

In our participatory society, Community Art 'hip, hot & happening'. Consequently, there are many projects and initiatives that bring amateurs and professionals together. Fortunately, because the more widely art practice and experience is shared and supported by as many people as possible, the more beautiful the world becomes, so I think.

Pascal Gallois: formidable champion of the bassoon #HF16

Bassoonist Pascal Gallois gets laughs when he tries in vain to insert the flowers he has just received into the tube of his instrument. Also in the now classic Dialogue de l'ombre double by Pierre Boulez, he manages to make the audience chuckle on Sunday 19 June, when he produces a kind of elephant-like trumpet with much misfiring. His performance is part of the ''Save the bassoon', which will conclude on Sunday 25 June with a concert at the Holland Festival Proms at the Concertgebouw. For this hundreds of (amateur) bassoonists ON. Action successful, in other words.

Grunberg doesn't come out of his hole in The Future of Sex #HF16

Woody Allen made sure in 1972 that his fans could not watch Star Wars with dry eyes years later. The final scene of his film 'Everything You Always Wanted To Know About Sex, But Were Afraid To Ask' shows us the male brain as the bridge of a Star Cruiser where the crew is hard at work to bring a date to a successful conclusion. The spermatozoa in the front are a bickering gang of take-off runners, on their way to an uncertain descent towards beating egg.

Courage Conny Janssen Danst

COURAGE by Conny Janssen Danst shows a delicious new world

You don't have to go to Terschelling at all for an atmospheric location performance. COURAGE by Conny Janssen Danst is an exciting experience on a totally, totally neglected place.

In the 1980s she started choreographing with Djazzex, years later she performed for Obama. Now Conny Janssen (interview here) with her ensemble at the Ferro Dome. A dilapidated venue you wouldn't expect much from the outside. Plans to turn it into a Rotterdam Heineken Music Hall are according to the AD cancelled. It's as if the city of Rotterdam said to Conny: here's a place we can't do anything with, you do something with it. Dut succeeded her wonderfully: thanks to a creative approach, the entire industrial entourage has a underground-appearance.

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