Things we do for members and partners.
On 28 February, Pierre Audi will present the programme of the 2012 Holland Festival at the City Theatre. As in 2010 and 2011, we will follow that festival closely with our online festival daily newspaper at www.dedodo.nl. That daily newspaper has now proven its right to exist, as more and more festivals want to collaborate with the Cultural Press Agency on this unique initiative. To the 'product-range'...
Een website is leuk, maar vaak minder geschikt voor rustig lezen. En hoewel onze mobiele thema’s inmiddels goed lijken te werken, is het vaak nog en heel geklik en gezoek voor je de boel een beetje vlot achter elkaar kunt lezen. Daar hebben we nu wat op gevonden: ebooks. Een handige manier om allerlei samenhangende artikelen te kunnen lezen: op…
You can hardly claim it was a surprise result, because for weeks - what do I say, months - The Artist had been mentioned as a surefire Oscar favourite. Still, the crowning of this largely silent French black-and-white film that pays tribute to the end of the silent film era in Hollywood is proof that originality still counts in...
We already wrote extensively about the name change of the Orchestra of the East in the Netherlands Symphony Orchestra (NSO). The curious opera grant application based on a business plan that carries huge risks had our full attention. Regular partner the National Travel Opera was not amused.
It looked like it was going to be something. With a church of huge Lego blocks and a programme that seemed to matter. But alas, Grenswerk, the festival that was supposed to bring the region around Enschede together, is no more. After three years. And it won't stop until 2013, like most art institutions, but already in 2012. Too much had to change for that to happen. The municipality suggested...
Connoisseurs know: often actors spend two months rehearsing a play with only one goal in mind: to recover the freshness and surprise of the 'first reading'. After all, at that first reading, actors hear the text for the first time from their colleagues, read the words aloud for the first time, and everything sounds new and unexpected....
Towards the end of this Berlinale, it could be heard in the corridors that the Danish costume piece A Royal Affair about a nipped-in-the-nippled revolution was surely going to win the Golden Bear. However, the jury did not care about that and designated Caesar Must Die by the Taviani brothers as the best film. The jury chaired by...
Dutch film Hemel was chosen as best film in the Forum section for young cinema by the jury of international critics at the Berlin festival. This is a fine success for director Sacha Polak who delivers her first feature-length film with this drama about a young woman who has lost her way in search of love. Heaven, after a...
Would today's revolution makers even study Shakespeare? In Cesare deve morire (Caesar Must Die), the competition entry by the Italian Taviani brothers, we witness the preparation and performance of Shakespeare's Julius Caesar. Anyone watching this with the world's noise in mind will often feel a shock of recognition. The tragedy about a coup in ancient Rome shows...
He barely showed his face in recent months, rarely engaging in debate with artists or the public. Now that the mega cut in culture is law, and nothing can be changed about it until 2016, we can follow Halbe Zijlstra's victory lap again. Also on twitter.
It was a 'roundtable discussion', so that is extremely informal. Lower house members of the ministry of OCW's 'lead committee' listen to people from the field. In this case, all people involved in, or leading, arts education. It was an awkward meeting.
It happens regularly that you see or hear something, in the tram, on the train, on the road, on holiday. But also on the street, in your own home. And that you think: what is that? Chances are you are dealing with 'Art'. And that can have all kinds of side effects: pleasure, chills, confusion, sadness, or even indifference, and depression. Art can,...
We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release: From 2 to...
Can a filmmaker born and raised in West Germany strike just the right tone in a film set in the former East Germany? I hadn't really thought about that before, but the Berliner Zeitung raised that question in response to Christian Petzold's Barbara, about a Berlin paediatrician who, after requesting to go to the West,...
It saves Liverpool's GGD millions on dispensing antidepressants. And it only costs them a tonne and a half. They spend that much hiring Royal Liverpool Philharmonic Orchestra musicians for workshops in addiction clinics. No idealistic preaching, then, as in the countless columns and reactions to Halbes' cultural cut, but hard pecunia and proven effects. In England,...
The 62nd Berlinale opened tonight with Benoït Jacquot's Les adieux à la reine, a French costume piece that does not play by the rules. The dresses worn by Queen Marie Antoinette's servants get dirty and one of the main characters stumbles in her haste and passes out twice. As the film begins we write 14 July 1789, and the...
We already noticed it in the daily twitter stream: when it comes to book reviews on twitter, the 'low' genres (at least according to connoisseurs) dominate the charts: fantasy, diaries of disease sufferers, 'regional work', howto's and erotica. No news, you may say, but there is more to it.
We tweeted it, but that doesn't yield much. That's why we're just showing it here. That they can handle social media very well in the government. Because social media, that's like email for the advanced.
According to the Volkskrant, Rick van der Ploeg was state secretary of culture in the early 1990s (in reality, he was at the end of those years), and in Het Parool columnist Gerard Mulder claims that the fact that he "fortunately knows nothing about art subsidies" need not deter him from some wild speculations...
Smiling, she lets a boy film her with his mobile phone and she happily wriggles into lascivious curves in the process. But when he really wants to see her breasts she flinches. Yet later she will go much, much further and she gets staggeringly little in return. Jasna, the rebellious protagonist from Cliff (Clip), is a Serbian teen...
Last night, Rotterdam festival-goers in Pathé's Hall 4 witnessed a small miracle. Some film fragments from 1906 by the legendary Georges Méliès were now shown in stereoscopic 3D for the first time. So that you could, as it were, imagine yourself present on the set of this French pioneer who was the first to understand that cinema is not there...
Opvallend toch, hoe de zinnen van een schrijver, eenmaal uitgelicht, na diens dood kunnen worden voorzien van galmende vertolkingen. Vooral Gustaaf Peek moet, wil hij echt recht doen aan Haasse, iets doen aan zijn nogal borstklopperig overkomende vroomheid, maar ook een doorgewinterd kunstenaar als Kees ’t Hart mag al citerend de toon matigen.
It is incredible what an energy the men of Manar can generate. These six - dressed in djellabas - percussionists play Dekka al Marrakchia: an insanely rousing form of traditional Moroccan drum 'n bass party music and religious Gnawa. After a solemn, almost ritualistic beginning - in which the band comes jogging onto the stage of the Theater aan het Spui in a goose-step, accompanied by the menacing sounds of two huge horns - the drums erupt and the dance floor is full of swinging visitors.
In het debat Burger King & Burgerschap geven Patrick van der Hijden, David van Reybrouck, Chris Keulemans and Samuel Vriezen hun visie op de staat van de burger. Publiek mag, maar hoeft niet, meedoen. Hieronder de column Staat van Verwenning, voorgedragen door Patrick van der Hijden – als aftrap voor het debat.
“Ons leven is in de achttiende eeuw uitgevonden.
De leden van de hogere klassen – de elite – hadden een eigen huis, vaak met tuin. Ze stuurden hun kinderen naar school en die begonnen daarna een vervolgopleiding. Ze hadden vrije tijd en kwamen over het algemeen op tijd op hun afspraken, door de horloges die ze droegen en de trekschuiten die op tijd vertrokken (ze klaagden bij vertraging). Burgers die buiten de stad woonden, forensden – met de koets, dat wel. Ze dronken koffie om wakker te blijven. Ze bezochten restaurants met menukaarten. Ze werden ingeënt tegen de pokken en hadden huisdieren. Een geweldige bron over dat leven vormt het dagboek van Otto van Eck, die daar op tienjarige leeftijd onder druk van zijn door de Verlichting bezielde ouders aan begon, in 1791. Daar ontleen ik bovenstaande voorbeelden aan.
Dit leven wordt aan het begin van de eenentwintigste eeuw niet door een kleine minderheid geleefd, maar door een groot deel van de Nederlanders. Die moeten het wel zonder personeel doen. Dat is namelijk vervangen door technologie.
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