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Jordi Lammers, or: the secret miracle of a Utrecht Literature Festival #ILFU17

And then there turns out to be a festival theme after all. Comes all by itself. Perhaps not thought of beforehand by the management of the International Literature Festival Utrecht (ILFU), but after three days of immersion crystal clear. Writing is about that about which we do not speak. During the last festival night, Saturday 13 May, I immersed myself for the occasion in a section that allows 'Utrecht' to... 

Vertaler Gerd Busse, Paulien Cornelisse en Arjan Peters

Millennials schrijven graag over ‘wij’ #ILFU17

Waar je op het IlFU vorig jaar luchtdicht zat weggestopt in de hermetische zaaltjes van het voormalig postkantoor op de Utrechtse Neude, is het weidse uitzicht van Tivoli/Vredenburg een verademing. Het lijkt wel of dat iedereen een beetje losklopt. Het resultaat is meer humor en betere gesprekken op het dak van de wereld.   Het Bureau van Voskuil verjaart niet.… 

Noodzakelijk en prachtig kijkje in de Chinese ziel dankzij Utrechts festival #ILFU17

Goede timing van het International Literature Festival Utrecht (ILFU) om bij de editie van dit jaar China centraal te stellen. Nog net op tijd voordat de Chinezen op eigen initiatief de Betuwelijn hebben aangesloten op hun eigen spoorwegnet, met de van hun bekende daadkracht. Hoog tijd om de Chinese ziel te leren kennen, dunkt me, en dat lukt niet direct… 

Lesson 1 of a Literature Festival: translators are really nice people. #ILFU17

Dutch, ladies and gentlemen, is just about the most difficult language in the world, and any committee that wants to improve it only makes it worse. As a professional language user, I have thought so for years, and it has now been happily confirmed by people who really know about it: translators. The first day of the International Literature Festival Utrecht (ILFU)... 

5 verborgen juweeltjes in het hoogste literatuurfestival van Nederland #ILFU

Natuurlijk: Hugo Borst, Suzanne Vega, Herman Koch. Genoeg reden om tussen 11 en 13 mei af te reizen naar Utrecht. Maar er is veel meer te beleven bij het Internationaal Literatuurfestival Utrecht. En dat heeft niet eens altijd met boeken te maken. Ik laat u een een paar dingen zien waarop ik me zeker ook verheug in festivalpaleis TivoliVredenburg. De… 

Nederlandse afvalkunstenares op jacht naar zwerfvuil in brandschoon #Aarhus2017

Je kan niet anders dan grijnzen in het aanzicht van een schattig kwalletje bestaand uit een flesje en een sinaasappelnet. Een sprayflacon met een welgeplaatst dopje wordt een pinguin, of een gans. Zelfs in elkaar gerolde haren, geoogst uit een wasmachine, ontkomen niet aan Adriaansche’s universum: een vliegenfamilie, genaamd Musca capillus. Het doet iets met je manier van kijken. ‘Waar… 

The Nation at the Holland festival: a theatre addiction in the making #HF17

Netflix and HBO are now purveyors of our conversations with friends, family and colleagues. The ultimate icebreaker at a party with strangers is talking about series, about beloved characters. Is Jon Snow still alive? Where is Barb? Having seen the first two working performances of 'The Nation', I have a strong impression that in Eric de Vroedt I have a fellow lover... 

Ingmar Heytze on Joni Mitchell: 'Crushed at seventeen' #ILFU

'Stop it. The fewer awards people give each other, the better.' Ingmar Heytze, poet, is clear: 'Within every conceivable genre, there are already big enough prizes. If you ask me, they should restrict that Nobel Prize to science from now on.' So on the final evening of the International Literature Festival in Utrecht (ILFU) next Saturday, it will be all about those... 

You won't want to miss these three operas by women during Operadagen Rotterdam

Friday 12 May kicks off the twelfth edition of Operadagen Rotterdam. Titled Lost & Found, the ten-day festival is dedicated to current refugee issues. I selected three operas by Calliope Tsoupaki, Annelies van Parys and Claron McFadden, strong women whose work deserves to be heard (and seen). The fear of the unknown is as old as the... 

Long live the pedometer! 5 books you'll want to read in May

Bark Skins Annie Proulx We had to gather some courage to start Annie Proulx's Bark Skins. After all, the book is 800 pages long, so you have to make some time for it. But this novel is well worth that. As a reader, you are unceremoniously planted in the wild forest of North America, still called New France in the late seventeenth century.... 

Zvizdal - Chernobyl so far so close, by Berlin/The Zuidelijk Toneel

Do you want the audience back, Sarah Sluimer? Then give it back to the actors.

In the Volkskrant of 8 May 2017, Sarah Sluimer lets loose. The opinion maker (for Volkskrant and De Correspondent, among others) used to be a theatre maker and now wonders aloud why she is a bit done with theatre. Because she actually writes that down. I quote: 'I breathed theatre. I ate performances and was convinced that what was there,... 

7 ways to make art out of US democracy. #HF17

The play La Democrazia in America (to be seen at the Holland Festival on 4, 5 and 6 June) is of course about democracy in America, but actually more about The Democracy in America. And the two should not be confused. For The Democracy in America is a 1,200-page book by French jurist De Tocqueville. This... 

Match for five lemonade with a straw. (It's not called that but that's what it sounds like)

It is dark. Basses thump. An intoxicatingly sweet female perfume hangs in the air, a child cries. AquaSonic has just started, and already I want to leave. What possesses a musician to go head-to-head? Our Danish correspondent went to find out. AquaSonic is an ode to water, played by Between Music, a collective of five Danish musicians. They make... 

About directionless hipsters, their parents, and the war in Europe (coming) #HF17

Vincent Macaigne is uncomfortable. He looks around nervously every time the waitresses run past with trays full of clinking glasses and slam the doors. He has hardly slept, and the previous evening he had walloped the audience of the Swiss Theatre Vidy with his brutal, inimitable performance En Manque. Braced, he sat down for the interview. "Sorry, I... 

Why we're losing more and more music thanks to 'digital' #HF17

For new music, the primal performance is often also immediately the last time a piece is played. The scores await the archive or dusty drawer; recordings are nowhere to be found. David Dramm searches for these gems of stilted notes. He presents them in the Holland Festival's Orphanage: three evenings of forgotten compositions from the rich... 

On being Jewish, acceptance and ambition: 8 life questions to Jonathan Safran Foer

He finds himself lazy and under-ambitious, and struggles with acceptance - of himself, of others, of the world. Because his grandparents had experienced the Holocaust, there was a taboo on being unhappy in his youth. Eight life questions to Jewish-American writer Jonathan Safran Foer. 'Between what I could do and actually do, there is a big gap.' 1.... 

Ode to the office man. The brand manager is still a mystery. #ILFU17

Arjan Peters talks 12 May 19.30 during ILFU in Utrecht with Paulien Cornelisse, author of the office novel De verwarde guia, and Gerd Busse, who translated Voskuil's ultimate office novel Het Bureau into German. There, office workers are usually not portrayed too positively. High time to change that. Office worker and writer Suzanne Brink takes... 

'In five years, you won't hear anyone talking about black pete' (podcast)

Sheila Sitalsing went to work as a journalist after studying economics. After the weekly Elsevier, she joined the Volkskrant, in which she now has a column three times a week on page 2. Sitalsing won the Heldring Prize for best Dutch columnist in 2013. She also appears with some regularity in the foam & ash section of the TV programme Buitenhof.... 

Why Radio Plastic (and the rest) won't survive the self-driving car

One of the most wonderfully successful programmes on Dutch radio is Radio Kunststof. Every weekday on Radio 1, between seven and eight o'clock, it attracts a bizarre number of listeners, especially for that time of day. And especially for an art programme. On TV then is DWDD, also called art programme on its public broadcasters, but with Matthijs van Nieuwkerk and millions of viewers. How... 

How to get 10 million young people reading. The story behind Hooked.

Something is changing considerably in the world of literature. Libraries are closing or turning into flex spaces for poor freelancers. The sold circulation of an average successful novel remains in four figures. Young people no longer watch TV or listen to the radio, but make their own well-watched and generously paid films on YouTube. Or they sit the... 

Arnold Schoenberg is dead, long live Arnold Schoenberg!

Arnold Schoenberg (1874-1951) is often accused of driving audiences out of the hall with his drive for innovation. After all, his twelve-tone system swept away the foundations of tonality, which had offered listeners a safe haven for centuries. Deprived of its foothold, it would have turned its back on contemporary music forever. Nonsense, because not only did Schoenberg write fantastic works, but also... 

Don't leave respect to the free market

The SER report published on Friday 21 April rubs it in nicely: the cultural sector is on the verge of collapse. It is even worse than a year ago. This shows that the patience of a PvdA culture minister over the past four years has not helped. Indeed, Halbe Zijlstra's multiplier of misery is doing its job entirely as expected.... 

Philosopher Henk van der Waal: 'The mystical experience is empty.' (podcast)

Henk van der Waal is a philosopher and poet. His collections have been awarded several prizes and nominated for several awards. In 2012, his philosophical essay Denken op de plaats rust. Design of a philosophical attitude to life, and now the philosophical dialogue Mysticism for the Wicked has been published. [bol_product_links block_id=”bol_58f89055ec618_selected-products” products=”9200000060486849,9200000075985970″ name="vanderwaal" sub_id="huydinck" link_color="003399″ subtitle_color="000000″ pricetype_color="000000″ price_color="CC3300″ deliverytime_color="009900″ background_color="FFFFFF" border_color="D2D2D2″ width="250″ cols="1″ show_bol_logo="0″ show_price="1″... 

Grażyna Bacewicz: 'A composer doesn't want to repeat himself'

In Poland, her name appears on street signs and school buildings, and statues of her stand in public parks. Grażyna Bacewicz (1909-1969) was the first Polish woman to achieve international success as a composer. Her work can even be found on one of the Royal Concertgebouw Orchestra's CD anthologies. Yet she is still virtually unknown here in the country. Unjustly so, as she wrote... 

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