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napk petition

Petition! NAPK wants to go to the barricades for the performing arts

The NAPK (Dutch Association for the Performing Arts) is sounding the alarm bell for the performing arts. The association of employers in the performing arts is launching a petition today and submitting a second fire letter to the Lower House on 1 November. Earlier this year, NAPK already sent a letter to the Lower House. And that was then written about here. Now, in preparation for the Lower House debate on the culture budget, a second... 

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The Busy Drone: Disruptive barrel organ music

Once built for a Belgian dance bar, The Busy Drone came to the Netherlands in the 1960s. Publisher De Bezige Bij placed the barrel organ at its stand at the annual book fair in the RAI in 1968, which explains its striking name. Five years later, director Edy de Wilde purchased the instrument for his Stedelijk Museum in Amsterdam, where it remained until... 

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Hall view of Zvizdal. Photo: Frederik Buyckx

Unique theatre documentary 'Zvizdal' to be seen only a few times in the Netherlands

Zvizdal, the documentary theatre portrait of Pétro and Nadia filmed by Berlin between 2011 and 2016, is not only in Paris, Ghent and Athens. This moving story can also be seen in the Netherlands until 11 November 2016. Near the place where an atomic experiment failed in 1986, Berlin and Zvizdal tell a moving story about an old peasant couple. They remained as... 

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Kian Soltani is the Great Discovery of the Cello Biennale 2016

Every morning Maarten Mostert, spiritual father and artistic director of the Cello Biennale Amsterdam, is squeezing oranges at half past seven in the Muziekgebouw aan 't IJ. The early birds among cello lovers then flock to the place to be for a free croissant with orange juice, followed by a top-notch performance of one of Bach's six Cello Suites in the Bach... 

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Cello Biennale opens spectacularly: Maarten Mostert likes to go big

The Cello Biennale Amsterdam, the world's largest cello festival taking place from 20 to 29 October in Amsterdam's Muziekgebouw aan 't IJ, has begun and it is already taking a battering. For ten days, 27 international cello soloists, 6 orchestras, 11 ensembles, 1 choir and many musicians from 26 countries will give over 800 performances. From morning... 

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Sell that artist, or: the eternally inhibiting modesty of the self-employed worker

There are very, very many artists and creatives who did not start out as entrepreneurs but need or want to get into business. Their number has only increased since 'the Halbe Zijlstra period'. I know them, I mentor some of them and last but not least, I am one myself. The perfect occasion to take some continuing education to me.... 

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Herta Müller: 'I like small things'

This week saw the publication of Nobel laureate Herta Müller's autobiography, My homeland, an apple stone. A few years ago, A Quattro Mani had an exclusive interview with the Romanian writer, when her first collection of poetry collages was published, The Skirt-chaser and its sly aunt. We spoke to her at her home in Berlin, she revealed how her poetry collages are created, and the making... 

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Cool Manon Lescaut at The National Opera

In front of a sold-out Stopera, De Nationale Opera presented its new production of Giacomo Puccini's Manon Lescaut on Monday 10 October. Directed by Andrea Breth, the musical director is Alexander Joel. The lead role is sung by Dutch soprano Eva-Maria Westbroek, who was loudly applauded afterwards. The bad news First but the bad news. The... 

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The Harvest of the Month: Carrasco, Cline, Hemmerechts, Hertmans, Hofstede and Japke-d.

Back to the 11th century His previous novel Oorlog en terpentijn (War and turpentine) brought Belgian writer Stefan Hertmans world success. The book became a bestseller and was showered with praise and awards. It gave Hertmans a whole new readership. His new novel De bekeerlinge was therefore eagerly awaited. Hertmans came up with the subject for his new novel... 

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Our actors are burnt out, audiences have lost their way. Save the theatre!

This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either... 

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Bigger than me. Meritorious debut about likeable loner

Among all the great titles vying for attention, debuts are often overlooked. Each month, in the series The Debut, A Quattro Mani discusses a notable debut novel of recent times. On your own two feet You are eighteen, nineteen and moving out of the house, studying. The world is at your feet, freedom beckons, your promising dreams are about... 

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Publicity image Hexagon Ensemble

Maartje van Weegen brings sole movement to 'Diary of a cello'

Taking an idea from Marieke Stordiau, bassoonist in the Hexagon Ensemble, Joost Galema, journalist and programmer, writes texts that deal with tree dreams, music and time. This creates Diary of a Cello, a piece that challenges the listener to think about the connections between nature and music. The premiere of Diary of a cello took place at the Amesfoort theatre De... 

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'Eyes Wide Shut': Film and book battle on stage, and music wins

'Let me lament my fate in tears. And let me long for freedom.' What would my preference be: book, film or play? That question fascinated me when it turned out that Toneelgroep Maastricht had adapted Arthur Schnitzler's book Droomnovelle and Stanley Kubrick's film Eyes Wide Shut based on it into a new play. Actually, it was not a fair... 

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'D3US/X\M4CHIN4': special lightness in new work by Fernando Belfiore/Dansmakers

A wonderful performance full of hilarity, excitement and lightness, yet it sent me out into the world with a sad feeling. It seems as if the four women in D3US/X\M4CHIN4 by choreographer/director Fernando Belfiore are in the land of infinite possibilities. Anything they can do. Do they also want everything? Are they still themselves when they can do everything? How does it feel when the earth... 

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NDT 1 in top form with season opener 'Stage One', but end disappoints

Nederlands Dans Theater 1 opens the season with Stage One. A triptych without resident choreographers Léon & Lightfoot, but with three mostly young, adventurous dance makers. Music is an important factor in all three ballets. The evening opens with Thin Skin, choreographer Marco Goecke's ode to punk icon Patti Smith. Culture Press reviewed the piece last year (€). The now flemish,... 

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Waiting in the bardo: the Buddhist film festival kicks off

The Golden Calfs have not even been handed out yet and the next film festival is already about to begin. On Friday 30 September, the 11th Buddhist Film Festival Europe (BFFE) will kick off at Eye in Amsterdam with a very special film. The opening film is produced in one of the smallest film countries and one of the most fascinating countries in the Far East: Bhutan. According to IMDB... 

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Kristien Hemmerechts: 'I'm good at putting my feelings in the closet'

A year ago, Belgian writer Kristien Hemmerechts was diagnosed with breast cancer. While embarking on a course of surgery, radiotherapy and hormone therapy, she contained the chaos in words. Her new book Er gebeurde dit, er gebeurde dat is the beautiful result of that. A vivid account of the confusion, emotions and thoughts during those first few months, framed by older... 

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Bombyx Mori, a brilliant explosion between something and nothing

While things are rumbling in the Amsterdam dance and performance world due to a total lack of solid support for development and experimentation (see Alarm Letter), choreographer Ola Maciejewska is showing the impressive Bombyx Mori at Veem House of Performance this weekend. Maciejewska is a fine example of a talented maker who has taken refuge elsewhere because of the crumbling art climate in the Netherlands. After... 

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Composer Robin de Raaff makes world perish in 'Atlantis'

Friday 23 September will open the new season of the AVROTROS Vrijdagconcert with the world premiere of Atlantis by Robin de Raaff. He composed this 50-minute piece commissioned for this broadcasting series, for the Groot Omroepkoor and the Radio Philharmonic Orchestra, augmented by solo soprano and solo baritone. The text is largely taken from the poem of the same name by American Hart Crane,... 

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distributed content the desk magazine media cafe

'Distributed content': "Everyone is trying their best to reach you".

At the Magazine Media Café at the Amsterdam debating centre De Balie, journalists, publishers and freelancers discussed the phenomenon of distributed content. What is it and what can you do with it? Distributed content: a new online phenomenon Distributed content is actually reverse publishing. You offer content (stories, photos, video) where the reader is, instead of the reader... 

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Festival Musica Sacra offers little and big treasures

Festival Musica Sacra concluded on Sunday 18 September with a riveting performance of Gottfried Heinrich Stölzel's Brockes-Passion. Conductor Peter van Heyghen led the Flemish ensemble Il Gardellino through the colourful work of this relatively unknown contemporary of Bach with great dedication and precision. With his lively rhythms, glowing arias and wonderfully beautiful chorales, Stölzel thrusts his contemporary into the... 

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Bazart on Night of Poetry

Female poets dominate unprecedentedly captivating Night of Poetry #night16

'Have you really been listening to poems for three hours?' Asaf Avidan had not yet experienced anything like that. The musical headliner of the 34th Night of Poetry has yet another story to take with him on his tour. In the Netherlands, you can quiet a full hall by reading a poem. This year, that even succeeded ... 

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Prize season opened in style: critique on shortlist ECI Literature Prize 2016

The jury of the ECI Literature Prize has brought criticism upon itself with an idiosyncratic choice for the shortlist. In choosing Connie Palmen with Jij zegt het [You say it], Bert Natter with Golberg, Marja Pruis with Zachte riten [Gentle rites], Tonnus Oosterhoff with Op de rok van het universum [On the skirt of the universe], Arnon Grunberg with Moedervlekken [Mother stains] and Martin Michael Driessen with Rivieren [Rivers], the jury ignored... 

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