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Holland Festival

The Holland Festival is the Netherlands' leading festival, showcasing the best of what is being made internationally and nationally on the bigger stages.

Isabella Rosselini is endearing with her animal stuff. 4 missed opportunities in Bestiaire d'amour at @hollandfestival

Every Holland Festival there is at least 1 performance which a lot of people wonder why it is programmed. This year, that honour falls to 'Bestiaire d'Amour' by and starring Isabella Rosselini. We take a moment to look for answers.

7 confusing reasons why the stage version of The Fountainhead rattles, but you should still go.

Topical again, now that Toneelgroep Amsterdam is reviving the play, my review from 2014. This week, the stage adaptation of The Fountainhead premiered. The book is terrible, the performance rattles, the actors win only narrowly. The content, however, creates even more confusion, which is why I won't stop you from going to see it. And Hans Kesting, of course. I put it this way.

Disappointed dinner guests get money back. Yummy gesture from the Holland Festival

Visitors to the film Napoleon, last Sunday at Ziggo Dome, who had thought of booking dinner at one of the intervals, will get their money back. This was decided by the Holland Festival after a commotion arose on the internet, and beyond, about the caterer's lousy service, and the rather poor quality of what was on offer. Visitor Marc Veerkamp said the following on facebook:

Alain Platel deals firm death blow to traditionalists in #hollandfestival

Talent alone won't get you there. You also need a bit of luck. That luck happened to Alain Platel so often by now that you almost start to doubt your own wickedness. Still. Those who not only count a composer like Fabrizio Cassol among their friends, but who also gave singing prodigy Serge Kakudji a chance, deserve a bit of luck. What the trio has now achieved with 13 musicians from Kinshasa is downright revolutionary. And a death knell for those who believe that north and south can never really meet. I experienced it on Monday, 16 June. And it still echoes. 

Bitter tears, screaming loneliness. Kušej does Fassbinder @HollandFestival 2014

Nice 'old-fashioned' Holland Festival: a special set-up that confronts the audience with the implications of their own position and viewing behaviour. And that's just as well with Fassbinder's 'Die bitteren Tränen der Petra von Kant'. Melodrama was no stranger to the German theatre and film wizard. The bitter tears are of a fashion queen and her entourage, clinical is the setting, wafer-thin the story, and yet unusually exciting how this lady drama develops.

Tis Pity! Holland Festival brings the best show to the smallest audience.

Language is music. Sometimes we forget that. Then we think language is a way of conveying objective meanings. Kind of silly. Language is food for all the senses. No strumming is needed under that. That's pure opera without embellishments. The English-language performance 'tis Pity she's a whore' I saw at the Holland Festival yesterday proves that. Even if you don't understand the seventeenth-century phrases, it is a joy to listen to.

Warhorse is almost perfect: 6 reasons to go. Or stay away.

Saturday, June 14, went off in a flood of evening gowns, dinner jackets, Dutch celebrities and Gooische Tanks War Horse premiered. A play about a war in which the Netherlands was neutral, and of which there are memorial stones in every village in the rest of the world. You can go and see it. Or not. We have listed six arguments.

On M2M and genius theatre makers who completely miss the mark

One of the rules of thumb of contemporary theatre art reads as follows: There is no middle ground in a production with an insanely long title. Such a production is either fantastic or dies of its own pretensions. At Judson church is ringing in Harlem (made to measure) / twenty looks of paris is burning at the judson church (m2m) is the latter.

Ragged ritual defies permanent display: Germaine Kruip at the Stedelijk @HollandFestival 2014

"You know ma'am, that big red painting? Turn right before that". A young attendant shows us the way. At first glance, it's nothing. A man in semi-uniform, black trousers, white shirt, slowly turns on his axis. Sol Lewitt's mural, number 1084 from 2003, lends him the necessary decorum. Around the corner hang Barnett Newman and Andy Warhol. Would the man care? In this 'hall of fame' of conceptual art, the man's spinning stands out a little timidly. Some visitors remain standing, leaning against white walls or sinking down on the polished wooden floor. Those who take their time watch the spinning of the man and his fellow dervishes slowly take possession of the Stedelijk.

4 ways to quiet a room: Jelinek strikes at Holland Festival

This year's trip will go to India and Nepal. Because that seemed nice to him. Visitors to the Dutch premiere of Jelinek's Die Schutzbefohlene were looking forward to the summer. Next year they would visit a friend in Vietnam. Little hassle to get a visa. As a white European, the whole world is yours. You can go anywhere. The man did not realise how privileged he was.

4 faces of Abel Gance, creator of Napoleon

The Holland Festival presents Abel Gance's restored film epic on Sunday Napoleon, with live orchestra. A rare event, for the first time in this form on mainland Europe. In 1927, Gance had performed with Napoleon delivered a groundbreaking and monumental piece of work that made unusual demands on the projection (three canvases) and went out into the world in a variety of severely shortened versions after the first performances.

Napoleon at Ziggo Dome promises to be spectacular, but who was That ambitious loner Abel Gance?

7 ½ times: looking surprised at 'Playing Cards: Spades'

1. Gene-shifting theatre doesn't have to be difficult.

Breaking new ground in theatre is the aim of Canadian director Robert Lepage and his group Ex Machina. It seems like everything is unusual about 'Playing Cards: Spades': playing floor, lighting, seating around the stage, the stories, the acting and the surprising denouement.

Pierre Audi's latest Holland Festival opens with sublime ensemble playing of Rosas and Ictus: Vortex Temporum

It seems like a statement, opening the latest Holland Festival under Pierre Audi's direction with 'Vortex Temporum'. The collaboration between the two top Belgian ensembles Rosas and Ictus does everything that is scarce in the present day.

Legendary director Peter Brook (89): Theatre is the field given to me

The Valley of Astonishment. Titles don't come much prettier than that of 'The Valley of Astonishment'. Theatre legend Peter Brook's tentative last play is coming to Amsterdam. The Holland Festival gave me and two journalists from Parool and NRC, respectively, the opportunity to talk to the already legendary director when he was alive. Pretty special, because the man who enchanted an entire generation of theatre-makers and audiences with performances such as the nine-hour Mahabharata in Avignon, is considered a deity among theatre connoisseurs and enthusiasts.

We have tickets: you can tell us where to go in the Holland Festival

The Holland Festival, we have been doing that for years. It is definitely the highlight of the cultural season. At the Holland Festival, you see how the international art world hangs out. In recent years, under the skilful leadership of Pierre Audi, the whole thing has become a lot less elitist and pompous than it used to be. A ticket often costs a lot less than An evening of André Rieu in Maastricht, to say the least.

Tom Waits exists thanks to Partch. 7 reasons to go see Delusion of the Fury. And listen.

'Harry Partch knew exactly what he was doing. He chose very specific bourbon bottles to fill in those 43 steps in the octave. So he made music that is very accessible, but also very elusive. And that's what good art should do.'

6 Reasons why Holland Festival 2014 will be the best ever. And War Horse.

 "The only one who still dares to go for the elite". On the way to the car park under the Passengers Terminal Amsterdam, the retired newspaper reviewer who once had a page on music sighed at the feeling of his part of society. It was after the press conference where the programme of Holland Festival 2014 was presented. He was talking, as we sank deeper and deeper, about Pierre Audi, the artistic director of that Holland Festival, who this year announced his last - and most glorious - programme ever.

Shirokuro © Anja Beutler

Unmercifully gracious, 'Shirokuro' builds on hammered Ustvolskaya @HollandFestival

Holland Festival

The collaboration between pianist Tomoko Mukaiyama and choreographer Nicole Beutler in the performance 'Shirokuro', seen last week at the Holland Festival, provides a beautiful perspective on two piano sonatas by Galina Ustvolskaya. 'Shirokuro' means black and white in Japanese. Despite strong visuals and impressive co-protagonists on stage, the Russian composer's absolute music is never explained and therefore retains its sheer power.

Russian flowers and Beatrix @HollandFestival

Holland Festival Holland Festival

Gorgeous dresses, big sunglasses and high heels. It is clear that the performance by the famous Moscow theatre company Theatre of Nations also attracted a large Russian audience. Men in suits occasionally talking to their sleeves seem to testify to Russian billionaires present. But nothing could be further from the truth when suddenly Princess Beatrix steps into the auditorium with her entourage. 

Fewer audiences, but fuller halls for @hollandfestival 2013

69,500 visitors, at least 5,000 fewer than previous editions, but the halls were fuller. With 82% audience occupancy, the Holland Festival organisers are satisfied with the 2013 festival. Whether that higher occupancy rate, apart from the smaller number of performances (14 fewer than last year) is also due to smaller halls, is impossible to find out from here, but the fact that the large Theater Carré, with its many unsellable low-visibility seats, was also hardly used this year will certainly have helped.

Franui provides the most fun Mahler evening in years at @HollandFestival

Holland Festival

What to expect from a 'musicabanda' from East Tyrol? Gemütliche folk music? Yodelling? Dance music for weddings and parties? An evening in a beer pub? Either way: definitely not Mahler. But why not, thought the Franui from the village of Innervillgraten. Result: an enervating performance around orchestral songs. We have never heard Mahler like this before.

Martin Wuttke makes Berlin museum night worthwhile at @hollandfestival

Holland Festival

There are those who spend nights queuing for a ticket. After all, the Berliner Ensemble is mythologically big. As big as the Royal Shakespeare Company in England, or La Comédie Française in France. Monuments to cultural history, dedicated to one writer, like Brecht or Shakespeare, or to an entire history, as the French are used to. We Dutch have

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