The Holland Festival is the Netherlands' leading festival, showcasing the best of what is being made internationally and nationally on the bigger stages.
It is with great regret that the Holland Festival is forced to cancel the 73rd edition, which was to take place from 4 to 28 June 2020. The corona pandemic's persistent, domestic and foreign restrictions and uncertainties make it impossible for the international performing arts festival to take place. The ongoing, restrictive measures that the central government had to announce 21 April last,...
There are people who have a voice with which you can quiet a crowd in a whisper. Bill T Jones, choreographer and this year's associate artist of the Holland Festival, is one such person. Apart from that beautiful, heavy and full voice, he also has a presence with which he can quiet the cogs with a single hand movement. But all that would be nothing if...
From 4 to 28 June 2020, Amsterdam will host the 73rd edition of the Holland Festival. Associate Artist this year is American choreographer, director, writer and dancer Bill T. Jones. His work will include the new show Deep Blue Sea, in which Jones himself dances and, assisted by a hundred mostly local...
The Holland Festival wishes you a happy 2020! The full programme of the 73rd festival edition will be announced on 11 February. You can already order tickets for the five productions below. Also in this newsletter: vacancies for a head of operations/controller, an employee development and interns for the communication & marketing and production departments; and aus LICHT named Opera of the Year 2019....
Post-colonial criticism and reflection ran like a thread through this year's Holland Festival programme. Not only William Kentrigde and Faustin Linyekula, the associate artists with whom the festival's programmers collaborated, their work addresses the devastating effects of centuries of Western European trade and commerce. In reframing political and social history and reclaiming...
The 2019 Holland Festival was the best in decades. At least in the 25 years I have consciously witnessed it, I cannot recall a national festival that coupled so much impact with so much prestige. Whether visitor targets were met or not will be of no concern to me in this regard. It is, as Volkskrant colleague Hein Janssen once remarked,...
Stereo is primitive. Cinema operators have known that for a while, and so has anyone with a 7:1 set to go with their TV. Two speakers, no matter how good and big or small, remain two speakers. Now, of course, we also only have two ears, but they can place 360-degree sound thanks to some clever ribbing and our own smart brains. So sound should be...
You must be a Pole. That, as the Dutch premiere of 'Process' at the Holland Festival showed, is no laughing matter. This performance, an adaptation of Franz Kafka's famous novel of the same name, conveys that feeling very poignantly. Five hours long, interrupted only by two half-hour intermissions, during which a mackerel sandwich can be eaten. Or a bowl of mixed nuts. Observant...
A black man sits on the edge of the stage of Amsterdam's Stadsschouwburg, pardon ITA. He observes us with intense gaze as we walk into the auditorium. - As the incarnate subtitle of the performance Triptych (Eyes of One on Another) dedicated to Robert Mapplethorpe. Behind a gauze screen are the instruments of Asko|Schönberg, which, together with Roomful of Teeth, signs for...
The Americans have a word for it: production value. By this you can indicate that a performance is technically perfect. The sound is right, the stage setting is excellent, the costumes are all right, the lighting brilliant and the actors, singers and musicians: top notch. Even the extras are at their best. So a show with high production value can rely on little...
It must have started with a big plan in Simon McBurney's head. The Brit, a master of mathematically precise text theatre full of technical gadgets, saw the amazing floor of the Rabozaal of Amsterdam's Stadsschouwburg and his brain started working. Something about a backcloth covering the full width of the hall, something about a doll's house, something about...
With all the socially critical, exotic and personal life art at the Holland Festival, Van Manen, Forsythe, Arqués is actually an outlier, a statement without a message. Dance has enough on its own, expresses itself full-length. And how. Work of overwhelming quality. How much better can it get? At most by giving it a message anyway. There is room there. The rest is complete....
'I think they understood.' Faustin Linyekula says it, very quietly, a little apologetically almost, to his fellow actor at the end of the performance Congo. A slightly relieved laugh can be heard in the main auditorium of Frascati, where Princess Beatrix is also seated. Shortly before, Daddy Moanda Kamono had erupted in an increasingly desperate tirade against our shared past....
If a Nobel Prize for brilliant innovative festival ideas is established, the first may be awarded to whoever came up with the solution to 'the festival conversation' yesterday. You know, that ever-necessary conversation with the important guest or guests. At a table. On chairs. On television, such a setting is already problematic, live in a theatre usually lethal. A currently anonymous...
The Holland Festival, with its ample offerings, is sometimes its own competitor. For instance, I missed Turan Dokht and the premiere of Pelléas et Mélisande because I was at aus LICHT. To attend a performance of Debussy's only opera, I had to pass up Abd Al Malik's concert. - Cultural choice stress, frustrating on the one hand but a blessing on the other. Was it...
French is made for rap. Forget all that American-English mincing, listen to the rhythmic drone that good French-language rap offers. One of the possible benefits of a self-absorbed US and a post-Brexit Europe is that we might start hearing that beautiful language of our southern southern neighbours a bit more often. 'Speak French to me, darling!' Macron will be delighted. Wednesday...
Why do we actually want to see blood so much? That's what I wondered during the performance Roughhouse. This American-German piece is showing in the Holland Festival (Wednesday 12 June still) and in it there is no blood. That's also what it's about. That blood no longer flows anywhere, in the media, in art. That everyone always gets up again, that...
Music critics were unabatedly enthusiastic. And even opera lovers came, saw and were pleased. Of course, there was the chorus of monuments, led by a Flemish antiquity, who liked Maria Calllas better seventy years ago, but its members are only the necessary minority needed for something as unprecedented as AUS LICHT, the Magnum opus of the 72nd Holland Festival. Beforehand, it seemed...
Crash Park - La vie d'une île (2018) by French director Philippe Quesne performs 19th-century values in their 21st-century elaboration. The elitist explorer has become a modal tourist, moving in well-organised groups to every corner of the world in search of ultimate experiences, provided they don't get in the way of a return ticket western...
The much nudity and sex in Angelica Liddel's adaptation of Hawthorne's famous novel are a bit old-fashioned. The Spanish language is the real attraction. In his review of Angélica Liddell's play 'The Scarlet Letter' on this website, Wijbrand Schaap calls the scene with a naked black man "a painful low point". According to Schaap, the man is treated by Lidell as...
'Then he could split into three and was a singer, dancer and trumpet player,' says a girl on the screen prior to Michael's Jugend. She is one of the little children who tell at the beginning of each day what aus LICHT is about. A good find by Pierre Audi and his artistic team, because the universe that Karlheinz Stockhausen gives us...
It is quite daring. To take a classic Italian opera and give it a 'primal version'. I know a small army of militant opera critics who would prefer to take up arms against that. If that comes from Iran, you soon have the puppets dancing. To get right to the first...
Hlengiwe Lushaba, remember that name. This South African singer sings the paving stones out of the street during Sur lessons traces the Dinozord. She does so with a voice that goes from gritty falsetto to full Wagner soprano, though that term will again be resented by classical sharpshooters. But what would it be? Hlengiwe Lushaba will care little, because...
The ground beneath your feet is sacred. It is, in these times of left-wing identity politics and emerging right-wing blut und boden thinking, quite a risky remark, but Faustin Linyekula used it anyway, in an answer to a question from the audience. That question was about the need, to defend your own place in an increasingly globalised world. Because.
Slightly nauseated and with shaky legs, I leave the corridor in which I have just experienced Eight by Michel van der Aa. 'Did you follow the circuit in those high heels?' a Holland Festival staff member asks incredulously. Indeed I had better leave my pumps at the entrance. The mixed reality project Eight will have its world premiere on Tuesday 4 June at Muziekgebouw...
Payments are made via iDeal, Paypal, Credit Card, Bancontact or Direct Debit. If you prefer to pay manually, based on an invoice in advance, we charge a 10€ administration fee
*Only for annual membership or after 12 monthly payments
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.