Further digitalisation of the cultural and creative sector offers opportunities for creative innovation and to reach more people and inspire them culturally. It also contributes to the social relevance and economic strengthening of the sector. But there is also a great opportunity for the Netherlands to be a leader in Europe as a creative hub. This is the right time
Young artists, filmmakers, musicians, writers and other new thinkers are drowning in the effects of the Corona crisis, as a cry for help from Jett Rebel in de Volkskrant again showed. Assignments are falling away and there is little room for new initiatives. A whole generation of creative talents seems to be lost in jobs in the hospitality industry or at the GGD. The European Recovery Fund...
A strong cultural sector has an important economic and social driving function. Culture not only contributes positively to mental health and well-being, but is also an important building block in the recovery from the current corona crisis. To maximise this booster function, almost 500 million extra per year is needed. This is the conclusion of the Council for Culture in a letter to informateur Tjeenk...
It is scorching hot in Paris on the day of the interview with Tatiana de Rosnay (58). In her new novel Flowers of Darkness, Paris suffers yet another heatwave, with the thermometer touching 48 degrees. 'The past few days have been almost as bad as in my book,' De Rosnay tells via Zoom from her Parisian study....
With over 38 million visitors, 6.5% more than in 2018, 2019 was a good cinema year. Unfortunately, the recovery of Dutch cinema is still minimal.
Over the past year, we, Annemiek Lely and Susanne Visser, heard various noises about boring introductions and useless fringe programmes that would add nothing. Such comments pass the revue in the artist foyer, at the bar or find their way onto social media. 'I want after-shows led by a local presentation talent instead of a drawling dramaturge,' wrote an already established director
What will shake up the cinema world the most in the coming years? The new James Bond film? Or a personal film tip tailored to your previous cinema visits that just pops up on your smartphone? Or perhaps a technical innovation that creates a whole new cinematic experience? Just a few things that loom around the topic of this week's New Cinema conference. A day and a half...
The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production....
'We are on the brink of a new cultural revolution. We need to move away from our paradigm and art can play a role in this. Art can show us images of a different future, a different thought. Artists can help bring that realisation in.' Speaking is writer and journalist Philipp Blom. In 2017, his...
The heritage sector is not the sexiest sector of the Dutch cultural world. Even though nude exhibitions are flying around your ears this season, you're more likely to think of obscure museums, monuments, stamp collections, old stuff. This is how it happened that the Digital Heritage Netherlands Foundation could exist for almost 25 years without anyone in the 'more popular' arts (stage, film, literature)...
Apart from a lot of confusion, the advisory referendum law has also created a new category of festivals. The 'Ukraine referendum' spawned at least one festival (at Amsterdam's De Balie debating centre) and the dragnet referendum on 21 March 2018 prompted the 'Niks te Verbergen' dragnet festival in Nijmegen. Prominent member of the organising team is Viola van Alphen. With her foundation Violavirus...
Museums often manage more art objects than they can display. What they cannot display in the museum galleries they keep safely in the depot. Collections with motley collections of objects from different periods are a growing problem for museums. Marketers stress the need for focus, a clear story and strong branding. Objects that no longer fit the new vision...
'Good literacy is a prerequisite for functioning - now and in the future - in our information society and knowledge economy.' This was stated in the press release sent out by KVB Boekwerk last week. The occasion was a SCP study which showed that we in the Netherlands are again spending less time reading than a decade ago. It listed impressive percentages. 'Over...
Last month, RTL investigated how badly libraries in the Netherlands were doing. An article on this site then made it clear that writers are more than necessary victims of this. Indeed, by moving library collections to schools, libraries would escape the obligation to pay a fee (the so-called 'lending right'). This, of course, called for a...
The annual major sculpture expo in The Hague in 2015 is called 'Vormidable'. In its own museum, on Lange Voorhout and at several satellite locations, Museum Beelden aan Zee shows how Flemish art experienced a true revival from the 1990s onwards. Panamarenko, De Bruyckere, Fabre, but also lesser-known names renewed sculpture - in two opposite ways. Guest curator Stef van...
The power of data The arts sector in general is little 'tech savvy'. Sure, nobody can do without a website and a Twitter account will hardly be lacking anymore either. But there are few examples of groups, theatres or artists making the most of the power of digital. Setting up a good 'client relations management system' (crm) with profiles of all visitors or buyers, to keep those...
The interesting thing about Financieel Dagblad columnist Annemarie van Gaal's stories is that you don't have to agree with her text at all but can still enjoy it. In her column in the newspaper of 13 April 2014, however, there is something else going on. Here, the conscience of financial and business Netherlands shows a very serious lack of...
What is already going on on a small scale in Groningen, Enschede, Zaltbommel, Amersfoort, Gorinchem and Vlaardingen, is threatening to happen nationwide as well: cultural institutions falling over while politicians look on helplessly. According to the Council for Culture, the situation is alarming: 'Institutions are draining their own funds, cultural funds are maintaining schemes by drawing on reserves. We therefore make the urgent...
By Melle Daamen 'What do you want then?' was a question I received quite often in response to my articles last year in NRC, in which I expressed my concerns about the state of the arts in the Netherlands and especially its future. I argued for a fundamental debate from within the arts sector itself, focusing on the future, including...
I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content...
The digital canvass battle in cinema is still some time away. For now, moviegoers are benefiting, according to research.
About two years ago, the digitisation of the Dutch cinema business was completed. All cinemas and film houses have been projecting digitally since 2012. In the projection booth, the disappearance of 35mm equipment meant a landslide.
The Valley of Astonishment. Titles don't come much prettier than that of 'The Valley of Astonishment'. Theatre legend Peter Brook's tentative last play is coming to Amsterdam. The Holland Festival gave me and two journalists from Parool and NRC, respectively, the opportunity to talk to the already legendary director when he was alive. Pretty special, because the man who enchanted an entire generation of theatre-makers and audiences with performances such as the nine-hour Mahabharata in Avignon, is considered a deity among theatre connoisseurs and enthusiasts.
Monsters University provides merry summer entertainment in 3D from this week. Last week World War Z be viewed with 3D glasses. At the end of 2009, Avatar overwhelmingly clear: 3D was back never to leave. We are now almost four years on
We saw it in March already been coming, but now it is official: culture minister Jet Bussemaker is ignoring the Museum Council's advice. So the advisory panel led by Joop Daalmeijer has not done its homework properly: its idea
Perhaps the biggest surprise of the 2012 cinema year was that two completely different films were the biggest crowd-pleasers. First, the new James Bond Skyfall, of course, with almost 2 million visits. But that the number two (1.2 million) is a
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