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Festival

Pipi Longstocking rules in Zwolle. (Why everyone who cares about learning should go to Festival Woest)

Put 15 or so bouncy balls from the first grade of primary VMBO in an antique cabin of a few square metres and you can be sure there will be a hundred of them. Music they will make and they themselves had thought it should be about a forest. Protoon's accompanist is going to arrange that for them. There are pads ready,... 

Jimi Hendrix and Hlengiwe Lushaba: heavenly union in a requiem for Congo's freedom

Hlengiwe Lushaba, remember that name. This South African singer sings the paving stones out of the street during Sur lessons traces the Dinozord. She does so with a voice that goes from gritty falsetto to full Wagner soprano, though that term will again be resented by classical sharpshooters. But what would it be? Hlengiwe Lushaba will care little, because... 

Black, French, or African: The Welcome Table holds discussion on 'négritude' well away from Holland Festival

The ground beneath your feet is sacred. It is, in these times of left-wing identity politics and emerging right-wing blut und boden thinking, quite a risky remark, but Faustin Linyekula used it anyway, in an answer to a question from the audience. That question was about the need, to defend your own place in an increasingly globalised world. Because. 

Eight by Michel van der Aa: hallucinatory mixed reality at Holland Festival. - But don't forget to take off your pumps

Slightly nauseated and with shaky legs, I leave the corridor in which I have just experienced Eight by Michel van der Aa. 'Did you follow the circuit in those high heels?' a Holland Festival staff member asks incredulously. Indeed I had better leave my pumps at the entrance. The mixed reality project Eight will have its world premiere on Tuesday 4 June at Muziekgebouw... 

Parliament Debout: round of Bijlmer mostly results in discomfort for Holland Festival audience.

The Bijlmermeerpolder is still known as a district where you don't go unless something or someone forces you to. A stigma the apartment neighbourhood acquired in the 1980s when it served as a drain on society. And still its reputation is bad. A single incident of violence repeatedly damages the entire district, though that is... 

Antony and Cleopatra, Tiago Rodrigues. Foto: Magda Bizarro.

'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.

Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo 

Los Incontados: a bizarre terrarium of small-human suffering in a cloud of cocaine and confetti.

Colombia's biggest export not only allows Urk fishermen to work long hours, or Amsterdam Zuidas lawyers to keep up with the global 24-hour economy. The white gold also dissolves the nasal septum of the cream of world culture, and costs thousands of lives in the country itself. That had to lead to a theatrical performance, and it did 

'My cat saved me from death'. Seven life questions to author Jeanette Winterson

When it turned out she was in love with a girl, she fled her unhappy childhood with her strict religious adoptive parents. The book she wrote about it, Oranges Are Not the Only Fruit, made her world-famous overnight. But as an adult, she still got the bill. It was her cat that saved her from a self-chosen death. Seven life questions to... 

What a broken-down bus has to do with liberation and feminism. Dancer Djino Alolo on Piki Piki at the Holland Festival

Djino Alolo Sabin (1990) sits there, relaxed, in the morning at the hotel in Brussels. The night before, he has danced his solo Piki Piki for the first time, which will also be shown at Theater Frascati during the Holland Festival. The performance touches on many intense themes, but is anything but melodramatic. Rather, it expresses a relentless optimism.... 

In the greatest spectacle, ultimately the smallest detail touches your heart (which is why The Head and The Load had to be the royal opening of the Holland Festival).

Some stories are too big to tell. Too big, but no less important or true for that. Like the story of the millions of Africans who died in World War I in the service of the warring factions there: Britain, France, Italy and Germany. No one knew that last story. At least, nobody I knew knew about it, and neither did I myself. It... 

At Festival Woest, young people figure out for themselves how they want to play life (Why you can't avoid Zwolle in early June)

Woest is a cultural education festival for and by young people and offers a place for experimentation outside education. Woest is a unique partnership between education, culture providers and young people. In fact, what makes Woest unique is that young people themselves come up with new things that can make education more fun and better. The pupil's voice is always the starting point. In recent months,... 

'There's a limit to crowdfunding, you can only do it twice' - Growing pains of the dance film, part 2

The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist.... 

Why the most artistic film genre struggles to get off the ground. The growing pains of the dance film, part 1.

There is a lot of grumbling about Dutch cinema: it is too good, not creative enough, there is not enough experimentation. However, there is one small island where other laws apply. Where, sometimes with hefty budgets and sometimes for next to nothing, films are made that speak a different language: the dance film. No psychologising, no endless dialogue, but... 

Naked men and black bronzing under philosophical veneer. Is Angelica Liddell overshooting the mark with The Scarlet Letter? (Why the Holland Festival can expect a riot)

That you cannot shamelessly treat a black man as a rutting primal beast and a faceless object for your unlimited lust fantasy as a white woman? Seems logical to me, but for Angélica Liddell, world-renowned performance artist, it is typical of the new puritanism that threatens free art. She now brings The Scarlet Letter to the Netherlands, a theatrical performance that is rather... 

How bad is the suicide of a blow-up doll? Chilean girls play themselves free in Paisajes para no colorear at the Holland Festival

'I was harassed twice on my way to school last year.' The young actress, barely 15, says it with considerable anger in her voice. It is the morning after the Berlin premiere of the Chilean play Paisajes para no colorear, in which she plays along, with eight peers. That anger was there the previous evening, during the performance that 14... 

Faustin Linyekula and the tearfulness of the travelling artist

'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but because I want to be there. If that makes me a few... 

Podcast! Four strings live in four helicopters, for Stockhausen's 'Aus Licht': 'We still need to do something about those carrier pigeons in terms of planning.'

In 2016, the Holland Festival, De Nationale Opera, the Royal Conservatoire and the Stockhausenstiftung joined forces to stage the German avant-gardist's magnum opus at Amsterdam's Gashouder. Light far surpasses Wagner's Ring des Nibelungen in ambition and scale. Against the four full-length operas of his older colleague, Stockhausen places 'Sieben... 

Crash Park: Armageddon is child's play. At the Holland Festival, Philippe Quesne cheerfully lets us survive any disaster.

'I am not at all optimistic about the planet. Nor am I optimistic about the optimism with which the people in my show keep finding a solution to live on despite the calamity that befalls them.' Philippe Quesne has turned that despair into a beautiful play. Full of non-cynical survivors who turn everything into an adventure. How he does that... 

Shout out! The big fill-in for the new arts plan.

The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural... 

CLASH is an ode to art

Art at a music festival often degenerates into decoration, but that certainly does not apply to Groningen's CLASH. 'We don't want art to be left out of the programming, but rather to be given full attention. We think it deserves that,' says organiser Milou de Boer. Fifty per cent of CLASH's programming budget goes to the arts, and that was too... 

An app won't get you there. Why the minister should make archiving all arts mandatory

The heritage sector is not the sexiest sector of the Dutch cultural world. Even though nude exhibitions are flying around your ears this season, you're more likely to think of obscure museums, monuments, stamp collections, old stuff. This is how it happened that the Digital Heritage Netherlands Foundation could exist for almost 25 years without anyone in the 'more popular' arts (stage, film, literature)... 

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